"Different Drummers: Jazz in the Culture of Nazi Germany" by Michael Kater
There has only been one moment in history when jazz was synonymous with popular music in the country of its origin. During the years of, and immediately prior to World War II, a subgenre of jazz commonly referred to as swing was playing on all American radio stations and attracting throngs of young people to dancehalls for live shows. But it wasn't only popular amongst Americans; historian Michael H. Kater, in his book Different Drummers: Jazz in the Culture of Nazi Germany, has turned his eye away from the United States in order to examine the effects jazz had on German culture during the years of swing popularity. In his introduction, Kater explains the
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One famous critic of the genre was Theodore Adorno who, while priding himself on being an avant-gardist, refused to categorize jazz as an actual art form, instead he relegated it to the class of "arts and crafts." This view of the music could be fairly attributed to underlying prejudices that were ingrained in the German psyche.
By the time the Nazi Party had gained significant political power, they had begun to successfully exploit the ignorance of the general populace regarding the characteristics of dark-skinned peoples. Although during the republic there were a number of African and African-American jazz musicians occupying spaces in German bands, as well as in foreign bands touring through the country, German culture was not as accepting of people of color as, say, France was at the time. One reason for this racism that stood out in Kater's book was the mistreatment of German women by North African colonials in the French Army during the occupation following World War I. But even those exceptionally tolerant Germans who praised the African-Americans that invented jazz still regarded them with a paradoxical objectification that attempted to hold the black man up on a pedestal for his mystical musical skills, but consequently turned his image into a threatening one. This concept would be later known as "Crow Jimism" in American bebop circles.
What the Nazis found threatening about jazz, according to Kater, was its spirit as well
The article “Jazz and White Critic” by Amiri Baraka brings light to an element of jazz criticism that he is frustrated by. Baraka finds controversy in the ideas white critics write about regarding jazz music. Baraka states, “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In the 1960’s, when Baraka made this statement, jazz was becoming more popularized and socially accepted. African American jazz musicians took a long, strenuous journey over decades to push their music into the spotlight to become one of the most popular music styles in society internationally. The special element of jazz is its raw emotion. Baraka distinguishes between “White Jazz”, music
The Jazz Age was a period of radical behavior and care free living. This new music structure started the crazy decade that would change American life. “In the US during the 1920s, jazz was far more than a new musical style or genre”. A Focus on culture, fashion, and mostly freedom became huge. “The Jazz Age became a touchstone for a wide range of social and cultural issues.”1 Also the freedom during the period allowed for many different ethnicities, including African Americans, to gain freedom within society. This new music
Thesis: Although Jazz music was first introduced over 80 years ago, the genre still influences artists and the new music they make to this day.
culture”(Jazz in the 1920s). This shows that jazz had a big influence on many different peoples
Jazz to me is one of the inherent expressions of Negro Life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia clubwoman… turns up her nose at jazz and all its manifestations—likewise almost anything else distinctly racial…She wants the artist to flatter her, to make the white world believe that all Negroes are as smug as near white in smug as she wants to be. But, to my mind, it is the duty of the younger Negro artist …to change through the hidden force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am Negro—and beautiful.”
Jazz to me is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul-the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia club woman , turns up her nose at jazz and all its manifetations-likewise almost anything else distinctly racial... She wants the artist to flatter her, to make the white world believe that all Negroes are as smug and as near white in soul as she wants to be. But, to my mind, it is the duty of the younger Negro artist, to change through the force of his art that old whispering "I want to be white, hidden in the aspirations of his people, to "Why should I want to he white? I am Negro-and beautiful"
Not all whom listened to the music, will agree. The statement whereas jazz was a “moral disaster” to young girls is inaccurate because teenagers will choose to do whatever they want if it is morally wrong as a result of growing up and experiencing life. Regardless of what kind of music is playing, young teens will go as they please. As for the origins issue, people need to stop believing everything they hear. That issue was developed by a music critic of the New York Herald Tribune. How can everyone be so sure what that critic is saying is entirely true? III. Conclusion d. Both arguments of this catastrophic impact that jazz has had on all American people are very strong. Unfortunately, one side being stronger than the other. Opponents that opposed this argument had some valid points. Their strongest being- a moral disaster on young women. When they say young girls and guys have been spiraling out of their bodie’s sexual or emotional control, they are correct. The love of the genre might be pulling all types of different people together, that including of boys and girls. A girl and a boy find that they both have the same interest in jazz music, so they might get to know each other and so on. But, is that argument really an entire convincing explanation as to jazz being an annoyance or threat to the American people? This time period being the Great Depression, people struggle
One such fad that was considered immoral would be the ‘swing kids’. Since jazz had become a major part of the cultural war that was raging along side the literal war, it's African
Jazz music is a blend of white middle class thoughts and African American traditions. Jazz originated in New Orleans in the beginning of the 1920’s. The Jazz Age was from 1920 through 1929. During the 1920’s, the First World War had just ended in 1918 and the Great Depression was affecting the citizens of the United States. Jazz music and dancing helped people forget about the terrible Great Depression. It gave the citizens a reason to be happy and love life during the 1920’s. The new form of music allowed people to express themselves in new ways. Jazz music was influenced by African American musicians, changed the music industry all over the world, and affected the society.
Jazz is a music genre that has complex characteristics and history of development and thus many musicians and scholars face troubles in defining what jazz is. In general, jazz is believed to have born in New Orleans. Jazz developed for the pleasure of the social dancers. According to the “Understanding Jazz: What Is Jazz?” of John F. Kennedy center for the Performing Arts, Jazz was created mainly by Afro-Americans, and had elements of European and Afro-American culture. Also, it emphasizes few elements of Jazz, which are swing-feel, syncopation, and improvisation. These different culture and elements of jazz may be explained by how jazz
Jazz is a style of music that began and has been revolutionized within the United States. Jazz music first appeared in the city of New Orleans and eventually moved onto Chicago, St. Louis, Kansas City, and New York City. Jazz unites different elements of African, African- American, religious, brass brand, and blues style of music. The music of Jazz, and its changes through the years, is now a form of music that is known and respected throughout this nation and the world.
Not only did the books authored by anyone other than German authors become unaccepted, music composed by others not of German descent were considered unfit to listen to as well. Jazz music, which was popular at this time was considered to be “black music” with origins coming from the southern United States. The nazis considered black citizens to be degenerate, so their music was not permitted. If the German citizens were caught listening to music deemed Anti-Nazi and subversive,
The music that was present in World War II was extremely versatile and happy, which helped keep spirits high among everybody. Styles such as swing, blues, and jazz were popular music styles at the time. By the end of 1941, 96.2% of Americans owned radios. This granted greater access to music and information on the war. This is in contrast to World War I, where most citizens of the world were not as connected to the war through radio. In a way, the mass distribution of music was unifying for the American citizens and troops. However, many African-American musical artists used music to highlight the hypocrisy of the Americans fighting for freedom at that time because there was still a lot of segregation and discrimination in the United States and in it’s military.
Jazz is consider one of the most influential types of music an America History. Some of the greatest artist in the world have contribute to the success jazz have had not only on America History but throughout the world. This paper will explain the history of jazz, where it all came from and the effect it has had on the America Culture.
The mystery of Jazz and its powerful impact on the music community can be explained largely by the context of it’s creation. Jazz was born in the United States, and because of this, many have referred to Jazz as “America’s music.” Like America, Jazz has a balance between structure and spontaneity. It capitalizes on the fluidity of the musicians, having several different instruments with independent spirits, coming together as one to form a great piece of music. Unlike other styles of music, Jazz has a certain way about it that makes it stand-alone in the world of genres. It improvises, moves, and transforms itself in a moment’s notice based on the musician’s intuition. Just as America harbors democracy, so too does a jazz ensemble, showing both the responsibility to a larger group, yet still allowing room for individual freedom. It all comes down to how well others can respect the overall framework and structure of the jingle.