Jealousy In Iago In William Shakespeare's Othello

         Iago is often regarded as Shakepeare's most consummate villain. This is understandable; it is hard to imagine a villain capable of matching the combination of diabolical nature and supreme skill that Iago uses to systematically take control. Iago's first attempt to gain control is a retaliation against Othello's promotional decision. When Michael Cassio is chosen for the position of lieutenant, Iago becomes furious and tries to place Othello in danger; he informs Brabantio of Othello's elopement with Desdemona in a very clever way: " 'Zounds, sir, you're robbed. For shame, put on your gown, Your heart is burst, you have lost half your soul. Even now, now, very now, an old black ram is tupping your white ewe" (1.1.86-89). Iago uses sexual imagery to fuel Brabantio's anger. This extra anger, caused by Iago, has potential of harming Othello. When this evil scheme fails, Iago results to a new plan. In Act II, Scene 1, Iago convinces Roderigo that Desdemona actually loves Cassio, and persuades

Rodrigo also goes through a stage of jealousy caused by Iago. In the beginning of the play, Rodrigo and Iago go to Desdemona’s fathers house to tell him that his daughter has betrayed him. Rodrigo refers to Othello as “thick-lips” as he is black. This was a racial slur towards Othello and shows the envy Rodrigo has towards Othello being with Desdemona. As the play goes on, Rodrigo moves on from wanting Desdemona. Although, Rodrigo showed envy towards Othello he never tried anything to get ruin their relationship. Iago stirs the pot causing everyone to become jealous. Iago claims he hates Othello because he promoted Michael Cassio the job as his military lieutenant instead of himself. You can see this in the quote:

"Keep your friends close and your enemies closer" is a quote that very well describes how two-face Iago really is. In William Shakespeare's play, Othello, Iago's hatred toward the Moor, Othello, leads him to devise a plan against him. As a result, Othello goes from truly loving his wife to hating her with a passion. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him.

Othello's Jealousy is mostly a figure of his imagination made from all of iago's lies and being mislead. The ironic part about that is that iago said to othello”beware, my lord, of jealousy! It is the green-eyed monster which doth mock, The meat it feeds on”(III,iii,195-198). Iago is warning Othell that nothing good can come from jealousy.Then Iago starts to question desdemona's loyalty but othello gets mad and says”No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more”(III,iii,220-223). Othello wants evidence of his claims before he finally decides if she was cheating on him with Cassio.

Iago does not stop there, his jealously leads him to start infecting others and the first is Roderigo, a naïve gentleman in Venice. To put his scheme into motion, Iago informs Roderigo of Othello and Desdemona’s elopement, which causes Roderigo to become very upset because he too is in love with Desdemona and is willing to do anything to win her love. Iago plants the seed of jealousy in Roderigo’s mind because he knows he can now use Roderigo “for sport and profit” (I.iii.1180) by playing off his jealousy toward anyone who comes close to Desdemona. After breaking Roderigo down he then, builds him back up by telling him a way they can break up the marriage. Iago tells him:

Iago, being remarkably wise, understood this, explaining to Roderigo: “If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions” (Shakespeare 1.3.322-25). People require balance in their life in order to maintain stability, and therefore maintain their sanity. In the same way balance provides structure in one’s life, imbalance can also bring about one’s undoing. Iago was not traditionally at the apex of power in the Elizabethan triangle of power, but every character was still a pawn in his scheme. His manipulation over each character truly put him as the most powerful character, at least until his true intentions were later revealed. Iago deliberately offset the balance in Othello’s life, and manipulated his jealousy in such a way that allowed him to succeed in all that he had planned. His plan would not have otherwise come to fruition had Othello not allowed his emotion to overpower his logic. Iago was able to simultaneously accomplish every goal in exploiting Othello’s jealousy. Iago painted Cassio, the lieutenant, to be Desdemona’s lover behind Othello’s back. In doing this, he won Othello’s trust, ruined Desdemona and Othello’s relationship, as per Roderigo’s payment to him, and eventually became named lieutenant after Cassio’s demotion. Being the cunning manipulator ultimately brought Iago was success in

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

Roderigo is a co-conspirator with Iago but is not equal in developing a web of lies and jealousy designed to ensnare others. “Thus do I ever make my fool my purse (Shakespeare)”. Iago takes advantage of the desperate former suitor of Desdemona and controls his emotions like a puppeteer pulling strings. With the line, “But for my sport and profit”, it is clear that Iago sees enriching himself off Roderigo’s envy as an amusing task with such an easy mark (Shakespeare 1473). Roderigo is a simple-minded fool who believes that by giving money to a lowly ensign he can win the love of Desdemona, have her marriage to Othello dissolved, and restore her virtue.

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

Now that Michael Cassio is in distraught, he has no one to turn to, but Desdemona, Othello’s wife. Iago’s ultimate destruction is put into full motion. Michael Cassio and Desdemona spend a lot of secretive time together trying to figure out how to convince Othello to reinstate Cassio’s lieutenant position. The only person that knows their time together is Iago, since he is considered a trustworthy friend. This makes Iago’s plan

At this point within the play we only have an introduction into Iago's manipulative side, considering how Iago will use Othello's passion towards Desdemona against him through the use of a rather large theme with the play jealousy. Fast tracking all the way to act four, we see one of the most cleverly executed methods of building Othello's jealousy through the use of miscommunication. During this situation, Iago speaks with Cassio about Bianca, causing Cassio to jokingly answer the questions with some laughs and 'inappropriate' statements but what he doesn't realize is Othello is listening in with the mindset (implanted by Iago) that they speak of Desdemona instead (IV.I.110-158) . This plays an important factor into how Othello acts for the rest of the play as he finally first handed gets the 'proof' that he is looking. This appears to be the turning point for Othello, when here after he completely changes; he becomes too deep into jealousy that there seems to be no return. Soon after that conversation,

In act One, scene one we see Iago's conversation with Roderigo about Cassio being promoted ahead of him and how Iago believes that this is because of favourtism. This suggests one of many reasons why Iago plots against Othello. From this conversation we see that Iago is envious of Cassio being promoted ahead of him, and plotting against Othello as a means of seeeeking revenge. “I follow him to serve my turn upon him”. Iago believes that he

Iago is a jealous beast and he knows the true power and control jealousy holds on a man, Iago knows the danger it holds and uses it in his favor against Othello. In Act 3 scene 3 Iago says “Dangerous conceits are, in their natures, poisons. /Which at the first are scarce found to distaste, /But with a little act upon the blood. /Burn like the mines of Sulphur. I did say so:/Look,

Othello is a play about jealousy’s causes and effects. Each character in the play had different reasons to be jealous and each of them chose to deal with it a certain way. All three characters Iago, Othello, and Roderigo had such cases and in the end dealt with different conflicts and outcomes. It’s important to understand that their actions in dealing with their jealousies were a reflection of their characters, and persona.

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.