William Shakespeare’s theatrical tragedy Othello and Tim-Blake Nelson’s film O both reflect the notions of jealousy, racism and appearance vs reality to signify how composers of different texts and eras present their ideas for their contemporary audience through the use of different techniques and their individual mediums. In Shakespeare’s context Othello was produced under significant influences of the Elizabethan era, where the British valued their homogenously white society in a time of social, political and religious conflict. Nelson’s film adaptation O on the other-hand transitions into a modern society by using film techniques where the values of equality and multiculturalism is valued, however is challenged through the manipulation of Odin. …show more content…
Jealousy is a result of Othello promoting Cassio over Iago as lieutenant and as a consequence, Iago conjures a plan for the downfall of Othello. Iago’s jealousy is shown in the quote “O, beware my lord of jealousy;/It is the green eyed monster which doth work”. The use of irony and the metaphor of the green eyed monster shows how Iago goads Othello to jealousy whilst he himself is also jealous. Subsequently displaying that Iago is an effective manipulator and will continue to manipulate through the text. As well as this, Iago uses Othello’s wife Desdemona to plant the seed of doubt into his mind, effectively making him doubt Desdemona’s loyalty towards her husband. As a result of Iago’s jealousy, his manipulation results in Othello distrusting his own wife despite no evidence of her committing adultery. This is shown in the soliloquy “O curse of marriage/ that we call these delicate creatures ours…Than keep a corner of the thing I love/ For others uses.”. Subsequently in the soliloquy, it is revealed and apparent to the audience that Othello has believed that Desdemona has been unfaithful towards him, evidence that jealousy has corrupted
Othello's Jealousy is mostly a figure of his imagination made from all of iago's lies and being mislead. The ironic part about that is that iago said to othello”beware, my lord, of jealousy! It is the green-eyed monster which doth mock, The meat it feeds on”(III,iii,195-198). Iago is warning Othell that nothing good can come from jealousy.Then Iago starts to question desdemona's loyalty but othello gets mad and says”No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more”(III,iii,220-223). Othello wants evidence of his claims before he finally decides if she was cheating on him with Cassio.
Iago seems sincere enough, and he makes a concerted effort to ensure that he remains aces in everyone's book. So when Iago begins to plant the seeds of doubt into Othello's mind, Othello has no cause to doubt him. Desdemona is his wife, the woman that he loves with all his heart. Yet, see how quickly he is dissuaded, and how he disparages her. "Ay, let her rot, and perish, and be damn'd tonight, for she shall not live. No, me heart is turn'd to stone, I strike it, and it hurts my hand?I will chop her into messes. Cuckold me!" (1167). But Othello never thinks to disbelieve Iago. He believes Iago to be an honest man, wise and simply trying to help. So he doesn't stop to think that maybe he should talk this over with his wife before he launches himself into a state of panic.
He says, “Oh, beware, my lord, of jealousy! It is the green-eyed monster which doth mock. The meat it feeds on.” (3.3. 170-172). Iago is warning Othello about jealousy claiming it will destroy him for falling prey. In reality, Iago wants Othello to become jealous of his wife being with another man and kill her. For one, this line is ironic because Iago’s motive for his plan against Othello is in fact because he is jealous. It is also ironic because Iago is pretending to warn Othello of jealousy to appear as a loyal and caring friend.
In Shakespeare’s “Othello” and Geoffrey’s film appropriation of “Othello”, the context and circumstances of which these two productions are set, feed heavily in to the ways the composer is conveying and dictating the values that particular time privileges. Through the vastly different centered audiences (Elizabethan and modern), the themes of race and ethnicity, language and imagery, both composer’s skilfully represent these issues and values. In Shakespeare’s Othello, the christian context dictates much of society's moral codes, with the idea of marriage as a ‘deal’ or ‘purchase’ ie, woman being possessions and submissive.
Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).
Iago’s self-doubt and jealousy is a natural result of being human, regardless of the way he decides to deal with these emotions, he manages them more honestly and manly than anyone throughout the play. Iago is well aware of the emotions he has and though he does not admit to anyone he is feeling this way, he knows it personally. It is quite apparent to the audience, that Iago has once before felt jealous; “Oh, beware, my lord, of jealousy!/It is the green-eyed monster which doth mock/The meat it feeds on” (III.iii.165-167). Iago’s previous jealousy does not show that he is evil or weak but rather that Iago is the only man throughout Othello to reveal his truly humanistic emotions. Iago knows about the `green-eyed monster of jealous` and does not freat to speak of it knowing it is human to be jealous and that is exactly what he is. By studying Shakespeare`s depiction of Iago, it can be concluded that if Iago felt as if being jealous was not human, he would not warn others of it and rather let them deal with it themselves. The way Iago thinks, provides proof to the audience that Iago neither is villainous or evil but just a human living in a society where being powerful is important, thus, bringing
In Act “Oh, beware, my lord, of jealousy! /It is the green-eyed monster which doth mock/ The meat it feeds on. That cuckold lives in bliss/Who, certain of his fate, loves not his wronger,/But, oh, what damnèd minutes tells he o'er/Who dotes, yet doubts— suspects, yet soundly loves!” (3.iii.170-175). Through Iago’s witty nature he is able to nonchalantly set his malignant plan into motion by planting a suspicion in the mind of Othello. Iago harnesses in on the envious agony he endures and uses it as a weapon on the man he is envious of, leading to the destruction of him. Iago knows the ability of jealousy, and with this he knows he can manipulate Othello and make him feel the same discomfort he himself feels. This reveals the enormous amount of preparation Iago has put into his plan and the true evil that is brewing beneath the surface. Iago's loss of self respect and his loss of respect for others have led him to be an evil scheming beast with no account for the lives of others.
Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.
Jealousy is described as someone who is feeling or showing envy of someone because of their achievements and advantages. Jealousy plays a major role in Shakespeare’s play Othello. There are many instances throughout the play that show jealousy between the characters. Throughout the play, jealousy is used for destructive purposes only. I believe that Iago longed to get revenge on Othello for previous issues. This only results in a long line of accusations and disputes between the characters in Othello.
first of all the characters in the play to be attacked by the "green -
In other words, Cassio is a man who knows as much about war as an old woman does, unless it is what he has read in books. Therefore, Iago finds him hardly qualified for the job he has gained. Iago is also jealous toward Othello because it is rumored that he has slept with his wife Emilia. (Find Quote In Book) Iago now has a motive to make Othello think that Cassio and Desdemona are having an affair to get revenge on Othello and achieve his goal. His hatred and jealously toward Othello and Cassio seem to turn Iago, himself into “the green-eyed monster” (III.iii.1203) that leads him down a path of destruction.
Iago also has his own suspicion that Othello had an affair with Emilia, Iago’s wife, and seeks revenge. Iago’s soliloquy at the end of “till I am even’d with him, wife for wife” (Act 2, Scene 1) has the notion that Iago might sleep with Desdemona so that Othello must feel the same destructive jealousy.
In the play Othello, Iago describes jealousy as a “green-eyed monster. The “Green” representing the color of envy, and “monster” shows how destructive and vicious it can be. Iago has a manipulative mind causing people to believe him and listen what he has to say about a certain situation. When Iago is telling Othello to be aware of jealousy it causes Othello to become weary of his wife Desdemona. Although, Othello believes his wife is loyal to him. He starts to listen to Iago and becomes jealous of Roderigo who he believes is all for Desdemona.
Othello’s immediate trust for Iago’s speculations demonstrate the truth of the matter that Othello is not close with his wife to be able to hear the truth from her. Othello exhibits assurance in Iago and goes to him for advice. In return, Iago deceives Othello by pointing out Desdemona’s actions saying “She did deceive her father” by marrying a Moor (III.iii.206). Iago is implying that Desdemona is not to be trusted because she lied to her father. Othello now disregards Desdemona and changes his attitude towards her. Othello believes that if she was able to lie and hide a relationship from her own father, she is capable of hiding her cheating ways from him. Othello is persuaded that Desdemona has what it takes to go behind the backs of the people she loves and this creates
In the story of Othello, all of the conflict, violence, and harm that occured was a result of jealousy. Iago, one of the victims of jealousy, made a hypocritical statement to Othello where he called jealousy a green-eyed monster. This monster known as jealousy not only consumes the people that it hates, but also consumes the person itself. Jealousy is the culprit for any character that had died in the story. Jealousy fueled each scene to the next in Othello and the more that is added, the more damage it does as seen with its effects on Roderigo, Iago, and Othello.