Jealousy In Shakespeare's Othello

However, along with his word choice, Iago is clever at the timing of what he says. He knows exactly what to say and when to say it to incite jealousy within anyone he wishes. He uses this particularly well with Roderigo and Othello. An example of Iago’s timing of jealousy is when he speaks to Roderigo of the suspicions regarding Desdemona’s love for Othello. “Mark me with what violence she first loved the Moor but for bragging and telling her fantastical lies. To love him still for prating? Let not thy discreet heart think it. Her eye must be fed”. In this excerpt Iago represents

Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).

Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly

Iago does not stop there, his jealously leads him to start infecting others and the first is Roderigo, a naïve gentleman in Venice. To put his scheme into motion, Iago informs Roderigo of Othello and Desdemona’s elopement, which causes Roderigo to become very upset because he too is in love with Desdemona and is willing to do anything to win her love. Iago plants the seed of jealousy in Roderigo’s mind because he knows he can now use Roderigo “for sport and profit” (I.iii.1180) by playing off his jealousy toward anyone who comes close to Desdemona. After breaking Roderigo down he then, builds him back up by telling him a way they can break up the marriage. Iago tells him:

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

In Shakespeare’s Othello, Iago represents the transformational style of leadership because he is influential, assertive and inspires a shared vision. Iago’s desires are to change and or transform individuals throughout the play. He illustrates this concept as he deceived Roderigo into thinking that Desdemona holds affection for him. The purpose of which is to motivate his mate to cooperate in his plan. Iago has his own jealous motives for hating Othello and Cassio, yet he strongly drags Roderigo to his side. He develops feelings of hate and revenge. He gets Roderigo to dislike Cassio by making Roderigo jealous of Cassio's chances with Desdemona, he states, “Desdemona is directly in love with him, didst thou not see her paddle with the palm of his hand? Didst not mark that?”(II.i.214-215,246-246). Iago emphasizes his belief that Roderigo

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

Regardless of the tender relationship between Othello and Desdemona, Iago uses Roderigo to seep his lies into Brabantio’s mind and furthermore wreaking havoc among him and his impression of Othello. Dissimilar to this, Iago is supportive and social when it comes to being around Othello and the ones who he stabs behind their backs. Additional to the first instance of Iago’s scheming, he also releases his plans to alter Othello’s marriage and by doing so ruining Cassio’s chance of regaining lieutenancy. After the fight between Montano and drunk Cassio, Iago converses briefly with Cassio who eventually leaves Iago alone in the streets. Once he is gone Iago explains: “And out of her own goodness make the net that shall enmesh them all”(2.3.375-80). From this statement it is clear how Iago has no care towards helping Cassio who needs Desdemona to get his position back, and also for innocent Desdemona who will soon be wrongfully accused of Iago’s bluffs. This is obvious since Iago yearns to create a “net” using Desdemona’s simplicity, and more importantly taking control of everyone’s life with it. Unfortunately the ones who are around him fail to recognize his actions, and without knowing are slowly fooled into their own misery which is all part of Iago’s

In the opening scene, while Iago is expressing his hatred for the general Othello for his having chosen Michael Cassio for the lieutenancy, he contrives a plan to partially avenge himself (“I follow him to serve my turn upon him”), with Roderigo’s assistance, by alerting Desdemona’s father, Brabantio, to the fact of his daughter’s elopement with Othello: “Call up her father, / Rouse him: make after him, poison his delight [. . .] .” Implied in

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

Throughout Shakespeare's play, Othello, the theme of jealousy is portrayed throughout the love affairs of each character which lead them into betraying each other. From Roderigo wanting to be loved by Desdemona to Othello being filled with anger because he thinks Cassio and Desdemona are sleeping together. In the play, Iago manipulating many charters into thinking the Moor is evil coupled with Iago trying to kill Cassio reveals that the Jealousy is a major theme of the play. Iago was once the right hand man of Othello until he was denied a promotion leading him to manipulate many characters into thinking Othello the Moor was a evil person. Iago states, “ I hate the Moor, And it is thought abroad that twixt my sheets” (1.3.374-395).

Shakespeare uses a combination of recurring themes and motifs such as betrayal, love, conflict, and jealousy throughout his plays and sonnets. In Shakespeare’s Othello, jealousy is the prominent theme, which causes the destruction and tragic downfall of the play’s main characters. Jealousy is masked through lies, misleading situations and manipulation and interpreted in varied ways by the main characters. From beginning to end, jealousy is rooted in every scene, eventually leading to the death and demise of the main character, Othello.

A victim of the villainous Iago, Roderigo was jealous of Othello’s marriage with Desdemona and tried to break it up by hiring Iago. His jealousy is seen taking its toll on Roderigo after he reacts to the confession of Desdemona’s love for Othello in front of the Duke and Brabantio. After hearing this, Roderigo feels as though all hope is lost and expresses his despair to Iago saying,

The play Othello by William Shakespeare was published during the 16th century, it is one of Shakespeare’s popular and controversial plays. Shakespeare depicts Othello’s race as placing him apart in some respects from the predominantly white European society in which he lives. Jealousy is another of the main themes in Othello. Iago is the first character to start the sparks of jealousy in Othello, and in the end, causes the downfall of Othello and Desdemona. In the end, racism and jealousy are the causes of the tragedy in Othello.