Essay about Jealousy in Shakespeare's Othello

However, along with his word choice, Iago is clever at the timing of what he says. He knows exactly what to say and when to say it to incite jealousy within anyone he wishes. He uses this particularly well with Roderigo and Othello. An example of Iago’s timing of jealousy is when he speaks to Roderigo of the suspicions regarding Desdemona’s love for Othello. “Mark me with what violence she first loved the Moor but for bragging and telling her fantastical lies. To love him still for prating? Let not thy discreet heart think it. Her eye must be fed”. In this excerpt Iago represents

In the play, Othello, jealousy and envy are prominent themes from the beginning to the end. As the play starts to unwind, you can see jealousy is the major cause of all the drama in the play. Jealousy or envy is a feeling of discontented or resentful longing by someone else’s possessions , qualities or luck. Iago becomes engulfed by jealousy and it causes him to corrupt Othello. They are two men that cause similar crimes but we sympathize for Othello and hate Iago because they have different attitudes towards their crime.

Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).

Iago does not stop there, his jealously leads him to start infecting others and the first is Roderigo, a naïve gentleman in Venice. To put his scheme into motion, Iago informs Roderigo of Othello and Desdemona’s elopement, which causes Roderigo to become very upset because he too is in love with Desdemona and is willing to do anything to win her love. Iago plants the seed of jealousy in Roderigo’s mind because he knows he can now use Roderigo “for sport and profit” (I.iii.1180) by playing off his jealousy toward anyone who comes close to Desdemona. After breaking Roderigo down he then, builds him back up by telling him a way they can break up the marriage. Iago tells him:

At First , Roderigo is envious of Othello because he wanted to be in love with Desdemona. This is the beginning of jealousy which runs

The theme of jealousy is portrayed through various characters within the play. Iago increases Roderigo’s jealousy of Othello. By reflecting on the jealousy he bears within himself, Iago brings out the jealousy in others. Roderigo sees Othello as an opponent, which he has to compete against in order to win Desdemona’s heart. He expresses his emotions towards Othello when he states, “What a full fortune does the thick-lips owe,/ If he can carry it thus!”(1.1.67-68). Roderigo says that Othello only got Desdemona out of luck and he will not be able to carry it off. It is because of this jealousy that Roderigo continues to seek Iago’s assistance. Iago tends

Iago’s jealousy ends up ruining multiple people’s lives. “Jealousy, once awakened, becomes self-perpetuating, self-intensifying, and where no justifying evidence for it exist... “ (Godfrey, !972, pg. 418). As long as he is gaining from what people have to lose then he is happy. He does not care what he has to put people through in order to get what he wants. His jealousy forms from two reasons: thinking Othello was sleeping with Emilia and Othello giving the position to Cassio instead of giving to him. “Off-Capp’d to him: and, by the faith of man, I know my price, I am worth no worse a place: But he, as loving his own pride and purposes, Evades them, with a bombast circumstance Horribly stuff’d with epithets of war; And, in conclusion, Nonsuits my mediators; for, “Certes,” says he, “I have already chosen my officer.” And what was he? One Michael

Perhaps at the end of the play, Othello was trying to do the right thing about all of these jealous accusations. Othello was trying to clear the

Daringly, Shakespeare opens this tragedy of love not with a direct and sympathetic portrayal of the lovers themselves, but with a scene of vicious insinuation about their marriage. The images employed by Iago to describe the coupling of Othello and Desdemona are revoltingly animalistic, sodomistic. [. . .] This degraded view reduces the marriage to one of utter

Through out the play jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about

This statement undermines his self-esteem. Because of his self-indulgence, we are inclined to believe his superiority as a warrior. Iago points out to Roderigo that Cassio, the newly appointed lieutenant, is not a true soldier. Iago says Cassio knows more “division of a battle “ (1.1.23) than this “bookish theoric” (1.1.24). Furthermore, there is nothing Iago can do about the situation: “there’s no remedy” (1.1.35). He realizes that “preferment goes by letter and affection” (1.1.36) and not by “old graduation” (1.1.37). So Iago will continue “serve” Othello, so that eventually he can “serve [his] turn upon him (Othello)” (1.1.42). As the reader, we get a clear-cut picture of where Iago was coming from, and we were forced to sympathize Iago’s position. In order to disguise his deep dissapointment and conceal his plans for revenge (which was his choice of action), Iago begins early in the play to reinforce his image as being an honest and loyal soldier. In Act I, Scene 2 for example, in a bit of playful boasting, Iago says that “in the trade of war I have slain men, / Yet do I hold it very stuff o’ the’ conscience / to do contriv’d murder I lack inequity…” (1.2.1-3). This was an outright lie, but he had come on stage with Othello and he said this for his general’s (Othello’s) benefit, posing as the rough and ready , but good hearted soldier. Iago also hides

To secure his strong footing before Othello, Iago makes him go mad because of jealousy from one side, and warns him to take a heed against jealousy from the other side, “O beware my lord of jealousy; / It is the green-eyed monster, which doth mock / The meat it feeds on” (Act 3. scene 3. 167). Ferguson analyzes that Iago carefully continues wearing his most compassionate mask, and meantime by gathering any false facts needed, he warns Othello not to jump into any conclusion (223).

Act 1 Scene 1 opens with an expression of jealousy and hatred: Roderigo is upbraiding Iago because of the elopement of the object of his affections –Desdemona -- with the Moor: “Thou told’st me thou didst hold him in thy hate.” Iago responds with an expression of hatred, saying that he does indeed hate the general because he “Nonsuits my mediators; for, ‘Certes,’ says he, / ‘I have already chose my officer.’” Lily B. Campbell in Shakespeare’s Tragic Heroes indicates the palpable hatred:

Iago also has his own suspicion that Othello had an affair with Emilia, Iago’s wife, and seeks revenge. Iago’s soliloquy at the end of “till I am even’d with him, wife for wife” (Act 2, Scene 1) has the notion that Iago might sleep with Desdemona so that Othello must feel the same destructive jealousy.

A victim of the villainous Iago, Roderigo was jealous of Othello’s marriage with Desdemona and tried to break it up by hiring Iago. His jealousy is seen taking its toll on Roderigo after he reacts to the confession of Desdemona’s love for Othello in front of the Duke and Brabantio. After hearing this, Roderigo feels as though all hope is lost and expresses his despair to Iago saying,