Jean-Baptiste Oudry

This painting used of numerous elements and principles of design. Using line showing the contrast between the animal and the floras. Also, the value (tone) and colour used containing dark and light in colours, the tone of the colour on the right of the painting is darker, and lighter colour on the left. Moreover, this landscape created an emphasis (focal point). An animal is clearly shown in the central of the landscape and creates a focal dominance.

Vincent Van Gogh is one of the most famous painters of all time. His style was post-impressionism. He was a Dutch man, born in an averaged sized town called Groot-Zundert, Netherlands. The reason he became an artist, and the thing that influenced him the most to become an artist was actually his mother. His mother was interested in nature, she did a lot of drawing and watercolors and that really influenced her son heavily and got him into art. When he was fifteen years old, his family was really struggling with their finances. Because of this, he was forced to get a job and help them provide. It ended up that his uncle owned an art dealership, so he got a job there.

The effect that forms are that of biometric feel beside the people they have more of geometric feel. The colors do impact this artwork greatly because each color is harsh and sot of clash with one another. The colors are black, gold, red, brown, white and light blue. The colors are mixed. The color on the mother's dress is a harsh black versus that of her children which are every light and airy. The hue of the piece of art is very light in some spaces but in other places it can be very dark. The saturation is very different in many places if you look at the woman's dress and in the dog, you can see that it is very saturated but if you look at the two girl's dresses you can tell that its less saturated. When

using water colors and oils, and did excellent pen and ink drawings. He began to make a name for

Henri Boulangerie: Creating and Using a Master Budget BACKGROUND PART I: CREATING THE BUDGET MEETINGS WITH DIVISIONAL MANAGERS Henri Boulangerie is a medium-sized regional bakery that specializes in providing orders to grocery and convenience stores. Because of the popularity of its brand, it has also opened a small café for walk-in business. In order to maintain its high quality standard, Henri produces only three products: breakfast muffins, fresh bread, and chocolate chip cookies. Although business has been good in the past few years, a lucky contact with a large chain has recently allowed it to expand its brand out of the local region. Growth has been high since the new contract went into effect.

The vision was to have a colony on the Mississippi River that was a gateway to open and expand trade with the new world. On May 7, 1718, Jean-Baptiste Le Moyne de Bienville and the French Mississippi Company officially founded Nouvelle-Orleans. Bienville would later become governor of the Louisiana colony three different times between the years 1702 and 1743. The city was named after Duke Philippe d'Orléans, who was France's head of state at the time (Briney).

At age nineteen, Marie Joseph Paul Yves Roch Gilbert Motier, commonly known as Marquis de Lafayette, abandoned his high social class in France and became a major General in the United States continental army. Lafayette had developed a strong relationship with George Washington, creating a friendship that would last a lifetime. He undeniably was a key component in securing the victory of the American Revolution. Marquis de Lafayette was one of the most successful leaders during the American Revolutionary War.

The painting Man feeding his dogs was created in 1941 its dimensions are 51.2 by 61.4 cm painted onto an oil canvas. The painting shows a man in the centre carrying a sack of what could be food. Dark colours of dark brown, orange, red and black make up the dark, dull earth while the clouds are light blue, some whitish grey clouds with a tinge of orange and red. This gives the picture a gloomy and dull look not a place where you would want to be at that time. The man in the centre of his painting and the greyhounds in the bottom half of the painting are thin and scrawny making them look if they hadn’t been fed in a

Henri Rousseau, born in May 21, 1844, was a self-taught artist who started his artistic career when he was forty. He began his life working as a clerk, then he joined the French army after being accused of stealing money from his employer. He later moved to Paris and obtained a job working for the French Customs Office, and it was there that he began painting part-time. It was really this background of his that allowed his paintings to be original and uninfluenced by traditional painting techniques. Since he was a self-taught artist and had no significant experience with painting, he had the freedom to paint as he perceived and as he imagined. Henri Rousseau was a man who liked to exaggerate his life to make himself seem adventurous and exciting. He made up stories about his time in the military and overstated his importance in the Customs office where he worked. This was also reflected in his artwork where manipulated the painting to emphasize beauty and excitement.

When at the Legion of Honor, we as a group came across a painting known as “The Pâté” which was completed by French artist John Baptiste Oudry in 1743. Some quick dimensions of the painting include, 69 3/4 x 49 (177.2 x 124.5 cm) being a rather average size painting in that century in that geographical location. The artist John Baptiste Oudry was a well known Rococo painter, tapestry designer as well as illustrator. Most of his praised work was centered around hunted game or animals in well forested landscapes. He attended the French Royal academy and towards the later end of his life was made head of the Beauvais tapestry. The painting which is a trompe-l 'œil, which literally translates to “fools the eye” was made during a time of economic and cultural prosperity in France and most parts of Europe. Under the reign of Louis XV we see acquisition of new land by France and relative economic strength at the populous level. This is also a times of artistic prosperity and freedom with the vast amount of academies and schools available to the population (nominally the rich, educated, particularly skilled). However, the only evidence of societal influence we see in this art piece is the French Royal insignia, on the mixing bowl that symbolizes French society and strength

The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees

On the foreground, the painting captures two dwarfs. The adult dwarf is Maribárbola while the midget is the daughter Nicolás Pertusato (Umberger 97). Nicolás has her foot on the back of the dog, which appears unperturbed despite the presence of human foot on its back. This calmness shows a well-trained dog of the royal family whose presence is calming. The dog appears to be trained to be a child’s pet or companion hence it calmness despite

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this