Jean-Jacques Rousseau's Film Triumph Of The Will

Jean-Jacques Rousseau was an Enlightenment thinker during the eighteenth century and is most noted for his work The Social Contract. The Social Contract published in 1762 and is a philosophical document that expresses the ideas of popular sovereignty. Popular Sovereignty is a form of government in which “the doctrine that sovereign power is vested in the people and that those chosen to govern, as trustees of such power, must exercise it in conformity with the general will.” This is basically a fancy way of saying that the people have the power of authority of their government and the people should decide how they are governed. Like The Social Contract, the Declaration of Independence is a document that sets out to explain the relationship between a government and its people based on an an understanding of that relationship. The Declaration of Independence was composed by Thomas Jefferson in 1766, and shares many of the same ideals as The Social Contract. The Social Contract and the Declaration of Independence are more similar than different because Jean-Jacques Rousseau influenced John Locke, whose Social Contract Theories directly influenced Thomas Jefferson during the writing of the Declaration of Independence.

The ideas of Enlightenment philosophers rippled throughout the globe, however, they seemed to have the most interesting effect on France. Jean-Jacques Rousseau was a major contributor to Frances political and social structure post-French revolution. These ideas weren’t the only triggers for the French Revolution. A combination of strangling taxes, economic disparity, and an impotent ruler led to the development of an intense need for reform in France. “France spent an enormous amount of money during the American war which put them on the verge of bankruptcy” (McKay et al., pg. 662). To make up for this immense national debt, taxes were raised which put more pressure on the already struggling working class in France. The privileged classes

The 1700s saw the waxing and waning of Enlightenment philosophies and a greater fascination in reason and logic. The individual became supremely important and the idea of selfhood was much debated by philosophers such as Jean-Jacques Rousseau. The idea of the individual also led to greater fascination with culture in many areas in Western Europe, leading to an increase in nationalism. This increase on the emphasis of individual and that individual’s relation to the state led many to begin traveling widely across Europe and record their travels. Though stories of vampires began trickling from Eastern Europe to Western Europe as early as the 1690s, vampires did not gain true traction in Western Europe until the 1700s (Nelson). For less

In Jean-Louis Comolli and Jean Narboni’s essay “Cinema/Ideology/Criticism,” they put forward the central argument that film is a commercial product in the capitalist system and therefore also the unconscious instrument of the dominant ideology which produces it. In opposition to the classic film theory that applauds camera as an impartial device to reproduce reality, they argue that what the camera reproduces is merely a refraction of the prevailing ideology. Therefore, the primary and political task for filmmakers is to disrupt this replication of the world as self-evident and the function of film criticism is to identify and evaluate that politics. Comolli and Narboni then suggest seven categories of films confronting ideology in different ways, among which the second category resists the prevailing ideology on two levels. Films of this group not only overtly deal with political contents in order to “attack their ideological assimilation” (Comolli and Narboni 483), but also achieve their goal through breaking down the conventional way of depicting reality.

Although presumptions began to arise, Riefenstahl stated that Triumph of the Will was clearly a factual documentary and stated: “Not a single scene is staged…It is history, pure history” and that she simply filmed what she saw. Susan Sontag’s response in her dissertation Fascinating Fascism concluded that the film is fascist propaganda promoting Nazi ideology but itself is not a about fascism . Sontag was right to the title the film was fascist due to Riefenstahl’s extreme forthright about her infatuation with Hitler. In an interview with Detroit news Riefenstahl stated: “To me Hitler is the greatest man who ever lived. He is really faultless, so simple yet so filled with ,manly power... He is really beautiful,

In this essay, I will compare the contrasting views between Thomas Hobbes and Jean Jacques Rousseau based on the state of nature and civilization. Rousseau was seen as an optimist who viewed human nature as good (“Noble Savage”) and believed that civilization corrupted us; While, Hobbes thought the complete opposite believing that humans in their natural state were selfish creatures purely interested in themselves and that government is imperative in keeping us in check. Throughout this essay, I will further explain their differing ideas and I will show how I view and interpret them as well.

The influential career of Leni Riefenstahl has been a point of great contention amongst scholars and filmmakers over the last few decades. The legacy Riefenstahl leaves behind are her achievements and failures of her

Society tends to associate propaganda films with issues such as Nazi Germany and their film messages for their country; however, it is also possible for small independent companies, groups of like-minded people and individuals to use the media of film to incorporate messages for our society (The Independent, 2010). These messages are often in relation to changes that individuals should make in order to improve the standards by which they live their lives and changes to everyday habits that will benefit the individual, the individual’s family, a group of individuals or even a single person (Barnhisel and Turner, 2010).

Soviet Montage is a movement driven by “Marxist [politics]” and an “economic philosophy” developed in Soviet Russia at the time of revolution. Lenin himself considered film, as an art form as the “most influential of all arts” as it not only entertained but could be used to “[mould] and reinforce values.”( Mast, G. & Kawin, B. F.) Sergei Eisenstein, himself a Marxist, is no exception to this and not only are his films are full of political propaganda, but he is also considered “the greatest master of montage.” .”( Mast, G. & Kawin, B. F.) His film October, called Ten Days That Shook The World in the Western world at the time and butchered due to its content, has always been considered problematic for audiences and critics alike and the standard critique of the film soon became “The Film as a whole is difficult and incoherent.” (Sperbur) Although if analysed properly, you can see that it has powerful political and social messages to convey and comprises of film form that Eisenstein himself called “intellectual film.”

The game seeks to trick us for a time into abandoning what is real (home) and focus on what is inside our monitors and T.V.s. Baudrillard spoke on the process of a simulated reality in a multi-step process. “In the first case, the image is a good appearance – representation is of the sacramental order.” This can be related to the early days of video games when they used cathode ray tubes to project pixelated images onto a curved glass scene. Video games where very new, and exciting. “In the second, it is an evil appearance – it is of the order of maleficence. This can be related to games starting about 15 years ago till today. Video games were and still are thought to be a source of violence in people. Many view them as a waste of time and that they detriment a person. Though this mentality is starting to fade as we shift towards the third order “In the third, it plays at being an appearance – it is of the order of sorcery”. Technology is starting to advance to the point that anyone without training in the field cannot understand what is going on. As myths about video games negative appearance are being debunked or confirmed their negative aspects are getting swallowed up by the more exciting advancements in the fields. “In the fourth, it is no longer of the order of appearances but of simulation.” At this level the video game stops being a game, and starts to become a part of everyday life (home). For as much as some may dedicate their whole lives to games, in the

In the twenty first century, the media has been transformed into a highly influential tool and segmented to aspects such as print, broadcast, film, outdoor and internet etc. The relationship between the media and construction of national identity is apparent with distinctive representation of nationalism in news coverage of politics, celebrations, tourism and country heritage (Leong, 2001).

democratic society. This film has made think in a three dimensional way for whom is

Over the course of history this idea of freedom has been developed and defined by many famous political and philosophical thinkers. Many of Jean-Jacques Rousseau’s ideas are acknowledged in the “Discourse on the Origin of Inequality” and more notably the “The Social Contract”. John Stuart Mill’s major points originate from a book called “On Liberty”. All of these works are still read today and taught in schools around the world. In particular, their ideas on freedom and liberty have drawn a considerable amount of attention. For instance, Rousseau is well known for his idea of “forcing citizens to be free”, while Mill claims that freedom can be found in “pursing our own good in our own way”. Therefore, it is evident that fundamental differences occur between Rousseau’s and Mill’s ideas on liberty and freedom. Rousseau’s rejects this classical liberal idea of freedom of the individual, and instead argues that the highest quality of freedom is achieved through a social contract where collective decisions represent the law and people have a duty to the state, while Mill sees freedom as not being constrained by the government (freedom from laws) and pursuing one’s own good as long as it does no harm to others.

Eighteenth-century philosopher Jean-Jacques Rousseau influenced many French revolutionaries with his ideas. In the time of the Enlightenment, people believed that humankind could progress and improve through the use of reason and science. One of them was French artist Jacques-Louis David, who was official artist to the French revolution (p158, Blk 3). Just as Rousseau had used his publications to reflect on his ideas, David had used art as a media to reflect the ideas and values of the society in the eighteenth century. In this essay, we will be examining the influence of Rousseau’s views on the relationship between the state and the individual in David’s painting “The Oath of the Horatii”.

Rousseau starts his discourse with the quote, “What is natural has to be investigated not in beings that are depraved, but in those that are good according to nature” (Aristotle. Politics. II). It is this idea that Rousseau uses to define his second discourse. Rousseau begins his story of human nature by “setting aside all the facts” (132). Rousseau believes the facts of the natural state of humanity are not necessary to determine the natural essence of human nature, and adding facts based on man’s condition in society does not show man’s natural condition. The facts don’t matter for Rousseau because to understand the essence of human nature requires looking to how man is in a completely natural state. Since man is no longer in this state,