Jean Michel Basquiat Research Paper

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

“Basquiat, The Radiant Child” is a documentary about a young artist of the early 2000’s. This young artist left home to begin his journey; he started out as a bum with nothing and became a street artist. Obviously, Basquiat was very driven by his work otherwise he wouldn’t have taken such a big risk. For this reason, many people were inspired by him and loved what he was doing. I however wasn’t a big fan of his. Throughout the documentary his friends and other artist talk about how he would pretty much mooch off of other people; although his friends said it in a nicer way. He even told his girlfriend that he couldn’t work because he didn’t like how people treated him, so she had to pay for their rent on her own. I personally felt like this

Jacques Cousteau was a man of all trades. He was a photographer, inventor of diving devices, undersea explorer, soldier, writer, oceanographer, and documentary host (“Jacques Cousteau biography,” n.d.). He developed the first ever trademarked SCUBA device titled the Aqua-Lung (“Invention; the Aqua lung,” n.d.). SCUBA is an acronym for self-contained underwater breathing apparatus. Cousteau made his grand entrance June 11, 1910, in Saint-André-de-Cubzac, France. Cousteau was a sickly child, who the doctors told not to participate in any strenuous activity. He learned to swim at age 4 and soon developed a love for the sea as well as developing a mechanical aptitude (“Jacques Cousteau biography - life,” n.d.).

So within the context of the movie Basquait the story emerges of a Haitian-American kid, who has 'seen the streets' and lived on the hard side of the tracks. Carrying his copy of 'Greys Anatomy' he dissects the streets, dissects and illustrates what he finds beneath and this dissects society and his own fractured place in it. His art even looks a bit like the anatomical drawings of Greys Anatomy and it is this ferocious dissection that formed the basis of a lot of his work. Although Mayer said “Basquiat speaks articulately while dodging the full impact of clarity like a matador. We can read his pictures without strenuous effort—the words, the images, the colors and the construction—but we cannot quite fathom the point they belabor” it is maybe through the lens of thinking about his background as a child who had a challenging childhood that we can figure out what was going on (2205 50). His painting of an African-American policeman with its huge size and broken body may give a further clue with the cultural / race identity confusion of his childhood in the 1960's and 1970's very evident. It is these pressures combined with the pressures of the corporate money-focused art-as-currency/investment discourse that must surely impact on an artist such as Basquiat: painting from within the establishment and making money from it a mechanism that can only

When Jean-Michel Basquiat was invigorating the oppressed art movement of street art, Madonna was an upcoming singer. After a couple of years, and while he was creating amongst, with and for the LA and New York’s art elite, Madonna was still an unknown but aspiring entertainer and they were together.

On January 30, 27 year old Alexandre Bissonnette opened fire on a Quebec city Islamic Cultural Center, killing six attendants of the service. He was initially described a “lone wolf”, angering many more semantically minded people, claiming the act was one of terrorism. Bissonnette is described as a far-right nationalist, who called for more strict muslim restrictions and vetting. This one of the many act of violence relating to muslims in Canada, the last being a 2014 shooting of a Canadian soldier by Michael Zehaf-Bibeau. In 2015, a mosque in Ontario was set on fire following the infamous Paris Terrorist attack. There have been, in fact, four mass shootings in Canada since 2014.

Jean lafitte was a privateer turned soldier that fought for America after trading his abilities for a clean slate. Lafitte did everything from smuggling slaves to fighting in battle.

Toussaint L’ouverture was a slave, who was born and raised on a plantation. As a child, he was thought how to read and right. In 1770, Toussaint was a free man, but during that time, many people in Haiti were enslaved and weren’t granted equality. Toussaint and his good associate, Jean Jacque Dessalines wanted everyone to be free and treated equally. During this time, many slaves were treated brutally and it was a struggle for the slaves in the French’s colony. In 1799, Whites in Haiti had more power over the colony, but since it was a mixed raced colony, the Blacks hoped for an essential change in the colony. Even though those Blacks were born free, they wanted to be treated with equality and with respect. Throughout this, there was a slave who was a voodoo priest,

Sometimes words cannot exactly explain what we want to convey, so we need a visual to support it. A similar thing was observed in the article of Alan M. Dershowitz, he cleverly makes use of Ben Shah’s painting in the article to grab the attention of folks. The author writes about a murder case of a paymaster and a guard of the South Braintree by Sacco and Vanzetti, both were Italian immigrant anarchists. Surprisingly, the truth was not revealed that whether Sacco and Vanzetti were the killers and this case is still unsolved. I agree with the author that the trials could not get to the fair results. I believe that the painting is an ironic symbol of the justice. It silently expresses a lot what the text can’t. I think the painting adds words

His mother, who was something of an amateur artist herself, frequently took him to visit New York’s many art museums, and even enrolled him in a children’s program at the Brooklyn Museum of Art. Basquiat would later credit his mother with getting him started as an artist. Basquiat’s first artistic works were cartoon drawings, often of characters from Alfred Hitchcock films. Basquiat would sit beside his mother at night, drawing his cartoon sketches while she worked on her own designs.” From what I have researched I have learned that Basquiat and his father did not have a good relationship.

Jean-Michel Basquiat emerged from the punk scene in New York as a street-smart graffiti artist. He successfully crossed over his downtown origins to the international art gallery circuit. Basquiat’s work is one of the few examples of how an early 1980’s American graffiti-based could become a fully recognized artist. Despite his work’s unstudied appearance, Basquiat very skillfully and purposefully brought together in his art a host of disparate traditions, practices and styles to create a unique kind of visual collage. His work is an example of how American artists of the 1980’s could reintroduce the human figure in their work after the wide success of minimalism and conceptualism.

Jean Michael Basquiat was an African American Painter part of the Neo- Expressionism movement and was born in Brooklyn, New York in 1960. Coming from the “punk” and “graffiti” scene in New York, Basquiat has now become one of the most celebrated African American Painters in the Neo- Expressionism movement. Basquiat’s work is considered “unstudied” because he didn’t go to school for art. Even though the appearance of his work seems to be unstudied he skillfully created collages using a lot of urban influences and African-Caribbean tradition. One of my favorite Basquiat paintings is untitled and was painted (1982). In this untitled painting Basquiat uses images that are often associated with African art, a skull, a bone, and an arrow but Basquiat modernizes the images in his Neo- Expressionist style using thickly applied paint and rapidly rendered subjects.

Michel Foucault’s work within philosophy has made important impacts when it comes to understanding how power affects a capitalist state. Believed that history of a country should how the past created a better future for society but in most cases through history, that was not the case. One of the examples that Foucault uses is how the mentally ill were treated in the Renaissance compared to the 18th century. During the Renaissance period, the mental ill people were allowed to seen within society and were seen as useful and gave wisdom into their society rather than in the 18th century. People with mental illness were put away and see as a burden to society and seen as needed to being cured by sinister people. Another example that Foucault discuss

Marcel Marceau is a pantomime he was born on the 22nd of March 1923, in France. He died on the 22nd of September 2007 in France. Marcel Marceau has a promoting communication style he measures progress in applause. Friendly people, new opportunities, and attention are motivating him. The last fact of why Marcel Marceau has a promoter communication style is that his most effective environments are social changing,youthful and optimistic. That is why Marcel Marceau has a Promoter communication style.

When the two men meet, Matisse’s career was beginning to take off. On March 19th, 1906, his second one-man show opened at a Private Gallery where he exhibited fifty-five paintings, along with a number of sculptures, watercolors, drawings, and lithographs. The paintings ranged in date from 1897 to the current year, so the exhibition served as a retrospective that gave a clear idea of his art development. For the 1906 Salon exhibition, Matisse only showed a single painting, Le Bonheur de vivre (Fig. 5), which was the largest- and most daring- canvas he had ever done. Matisse’s creation of The women with the hat (Fig. 3) had unexpectedly shocked people, but with le Bonheur de vivre. Matisse appear to have purposely set out this painting to create a shocking effect. That Matisse wanted his painting to be a kind of manifesto. Leo Stein bought the painting and declared it to be “the most important painting done in our time.” And was hung up high in Gertrude and Leo’s studio. Leo’s high opinion of Le Bonheur de vivre must have vexed Picasso.