Jekyll And Mr Hyde And Society

Stevenson is perhaps suggesting that if people repress the bad in yourself then it will take over and destroy you, especially with the fact that Hyde dies, therefore killing Jekyll. The view that Hyde is smaller because he is being repressed is more realistic than it being because it is less dominant than Jekyll’s moral side due to the fact that he even says it himself in his confession letter. ‘I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both…’Another aspect is the way other characters in the books describe the overall appearances of both Hyde and the monster. When Victor’s creation first opens his eyes, he views it with disgust although he ‘had selected his features as beautiful’ because he can only assume that something so disgusting can never be a good thing. At this point, Shelley uses in depth description to paint the picture of the monster’s

"The Strange Case of Dr. Jekyll and Mr. Hyde" by Robert Louis Stevenson discusses the duality of human nature. Human nature is difficult to explore because it is ambiguous and difficult to describe by one attribute. We could not make conclusions by what we see because all humans conceal their false identities from others. people do this in order to impress people by making fake smiles, fake mannerisms, and pretend to care about others. The following is a discussion of characters, which Stevenson uses to support duality of human nature. This parts will includes Mr. Utterson's, Dr. Lanyon's, and Mr. Enfield's evil side of human nature, and psychogeography on Jekyll's house. Moreover, Dr. Jekyll was not capable to control his evil side because

Dr. Jekyll wants to live two lives, so he creates a potion to create Hyde, a purely evil, dwarfish, ugly, devilish form of himself that allows him to run around and create chaos without getting caught and ruining his real reputation. Dr. Jekyll has been using Hyde to do things he never could in his own skin, but when Jekyll starts taking advantage of his his new self, Hyde starts to take over. “this incoherency of [Jekyll's] life was daily growing more unwelcome. It was on this side that [his] new power tempted [him] until [he]

If Hyde has been described as Hyde "savage, uncivilized, and given to passion…poorly evolved" (Shubh), then perhaps he represents the true, original nature of man, repressed by society, norms, and conscience. The Strange Case of Dr. Jekyll and Mr. Hyde suggests that this restrained, amoral side of human nature, once given a chance to escape, cannot be controlled. Even in this 'height of western civilization', Victorian England, this tempting evil can overcome even the most virtuous of men. Jekyll is neither good nor bad, but a man whose deeply repressed urges motivated him to separate, but not remove, the evil parts of his nature. There is a misinterpretation that Hyde is an unwanted byproduct of trying to create pure good, that Jekyll is not in control as Hyde, and that Jekyll doesn't enjoy being Hyde. In fact, Jekyll loves being Hyde, he revels in the freedom that he brings him (Stevenson 54), but the problems with his dual personality starts when he has to face the consequences of his actions. Jekyll has a difficult time balancing Hyde's debaucheries and Jekyll's rational, refined side. However, Jekyll realizes too late that he has indulged in Hyde too much and has let him grow out of control. At the beginning of the novel, Hyde was the “smaller, slighter, and younger than Henry Jekyll” (Stevenson 57). His more youthful appearance represents how young and free Jekyll feels as Hyde, but also symbolizes how little his personality was seen before Jekyll drank his potion. Early in the novel, Hyde is easily controlled, Jekyll can use his potion to limit how often he transforms into Hyde (Stevenson 56). However, as he starts to morph back and forth, it starts to take more and more potion to control the switches until

Eventually due to the inaccuracy of his ‘unscientific balderdash’ (as spoken by Lanyon) something goes wrong and his changes from Jekyll to Hyde become more irrepressible, ‘My blood was changed into something exquisitely thin and icy. Yes I had gone to bed Henry Jekyll, I had awakened Edward Hyde.’ He lacks the power or strength to stop these changes. Hyde seems to perform the metamorphosis without warning or consent. I believe this to be significant to the fact that Hyde is becoming stronger and less willing to do as dictated, and because he, the inner demon, has been exercised at such a severe extent he had become a bigger part of Jekyll and so containing the inner beast becomes harder. Stevenson writes ‘the powers of Hyde seemed to grow with the sickliness of Jekyll.’ I do not think he wrote this meaning a literal sickness but was instead talking about the mental deterioration of Jekyll. The distinction of the unplanned and unwelcome changes between Jekyll and Hyde is symbolic to the fact that as the lines forming the distinction of the personality of Hyde and Jekyll began to merge thus so did the transition.

Jekyll and Mr. Hyde is one long social commentary. One of its main themes is breaking down the façade of perfection created by the upper class, and examining what lies underneath. In fact, the whole story is about a man in high society, whose private life is rather an opposite of his public one. In Dr. Jekyll’s letter, Stevenson writes, “I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold slave to my original evil… I was suddenly aware that I had lost in stature,” (Stevenson page 2273). The idea of a “loss in stature” holds a double meaning. Stature, meaning size, can allude to Hyde’s height which is understood to be much less than Jekyll’s own. Yet, stature, meaning stance in society, can also imply that Jekyll, when transformed, no longer hold’s his prominence in his culture. This speaks to the Victorian society’s habit of only portraying the high society as impeccable which Stevenson battles throughout this mysterious case. Another parallel of appearance is described by Nabokov as he states, “The relations of the two are typified by Jekyll’s house, which is half Jeykyll and half Hyde,” (Nabokov 186). The side facing the street filled with others in the upper class is neat, tidy, and welcoming; this is Jekyll’s half. The side facing a dimmer and more dangerous street is dark, looming, and mysterious; similar to Hyde’s

Jekyll seems to be in control of his desires and temptations but as Hyde he can fulfil them and not feel guilty. Stevenson is stating that everybody has evil inside of the, wanting to get out and that everyone gets a thrill of letting it out sometimes.

Jekyll talks about the years before the creation of the potion that transforms him into Hyde. He summarises his finding of the dual nature, human beings are half good and half evil. Jekyll’s goal in his experiments is to separate two opposite elements, creating a person with only good characteristics and a being of only evil. He does this because he wants to free his good side from dark urges. He fails this experiment, in fact he only manages to create a whole evil person ‘Mr Hyde’. In the letter, Jekyll says ‘I learned to recognise the thorough and primitive duality of man . . . if I could rightly be said to be either, it was only because I was radically both.’ The events of the novel inform the reader that the dark side (Hyde) is much stronger than the rest of Jekyll, this is why Hyde is able to take over Jekyll. This letter is really important for the reader so that the whole novel is understood. A lot of horror is created and it is all quiet in the reader's mind. The reader feels horrified by the way in which Jekyll seems to love and care for Hyde. Jekyll’s words make the reader angry that a man who was so good could enjoy becoming so

     Jekyll is tempted to do bad things and he uses Hyde to overcome his temptations. Jekyll gets his satisfaction of doing bad deeds by becoming Hyde. Jekyll says “If each, I told myself, could be housed in separate identities, life would be relieved of all that was unbearable; the unjust might go his way” (Page 105). He states that he wants to do bad things but knowing he cant and still live the life he has, he uses Hyde as an escape from his temptations. Once Jekyll is able to control his temptations but still do bad as Mr. Hyde he says “I felt younger, lighter, happier in the body” (Page 106) Mr. Hyde is Jekyll’s way of escaping his sophisticated lifestyle and entering a totally separate way of life. Jekyll then didn’t feel any guilt for Hyde’s actions.

In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be

“All human beings are commingled out of good and evil.” Robert Louis Stevenson was no fool when it came to understanding the duality of human nature evident within mankind. In his novella, the Strange Case of Dr. Jekyll and Mr. Hyde, Stevenson is able to explore his interests concerning the dark, hidden desires that all human beings are guilty of possessing. In his story, a well-respected professional by the name of Dr. Jekyll experiments with the idea of contrasting personalities and successfully undergoes a physical separation of such identities—one which would soon wreak havoc upon his very existence. As a result of his success, Edward Hyde is born. Hyde, characterized as a miniscule and terrifying, apelike figure from the start,

Among the words used to describe the elitist Victorians, “hypocrites” may very well be the most popular. This supposed generation of “Do-Gooders,” with their heightened sense of morality, repressed sexuality and increased piety, were actually far from perfect. They had an exceptional list of standards by which they claimed to dutifully abide, but more often than not fell short of. The Victorians were, in the words of literary critic Walter Houghton, brilliant actors able to “[conceal] or [suppress] their true convictions and their natural tastes” (146). The matter of Victorian hypocrisy, as it has come to be known, has been scrutinized by a plethora of critics and authors alike. However, the moral façade that has come to be associated with the Victorian era was perhaps first criticized in Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde. Apart from being an exceptional Gothic work, Stevenson’s novella is an excellent critique of the hypocrisy that dominated the Victorian era. In his novella, Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson uses the characters of Dr. Jekyll and Mr. Hyde to expose the double standards and moral pretensions that governed Victorian society.

Although Jekyll was initially in control and had all the means to stop turning into Hyde, Jekyll portrays himself as Hyde’s victim. By victimizing

Despite saying this Jekyll still succumbs to his Id and Hyde is drawn out again. Jekyll knows of the evil that comes out when he transforms into Hyde. Jekyll says “This, as I take it, was because all human beings, as we meet them are commingled out of good and evil: and Edward Hyde alone in the ranks of mankind, was pure evil”(Stevenson 108). Here Jekyll clearly states that he knows Hyde is evil yet he still cannot overpower his Id and then his Superego is overcome. By turning into Hyde, Jekyll feels free and can do whatever he wants without the slightest hesitation. Following his innate desires Hyde murders Sir Danvers Carew and tramples a young girl. These actions are done through the Id and even though Jekyll is civilized law abiding man once the Id has taken over and he transforms into Hyde, his dark side is unleashed. Dr. Jekyll and Mr. Hyde are but one; one body but two conflicting characters, the good and evil.

Hyde. In this way, Jekyll becomes monstrous himself as he wishes to pass on his evil parts into another person. Jekyll’s concoction is a threat to cultural morals and values as it enables someone to set evil free. Consequently, there is no obligation and interest in adhering to any moral standards. In the end, he is a split person, one-half is represented by Jekyll and the other one by Hyde. Stevenson used the different standpoints in the story to create the feeling that Jekyll and Hyde are two different individuals: “‘The Master Hyde, if he were studied,’ thought he [Utterson],’must have secrets of his own; black secrets, by the look of him; secrets compared to which poor Jekyll’s worst would be like sunshine.” (Stevenson 22). Thus, Strange Case of Dr. Jekyll and Mr. Hyde is a story where the line blurs. As Hyde and Jekyll are one and the same person, the reader realises that they together are both moral and immoral and both good and