Jellicle Cats Dance Essay

always been known for the risky and powerful movements which are often why dancers retire from the company. The dancer’s movements were often very intense and emotive, such as the “throws” across the stage in which the dancers would, almost violently, launch themselves across the stage in different forms (leaps, falls and flips to name a few). Another section where the movements were emotive is where the dancers were thrusting their hips in different positions to perhaps show sexuality in “self”.

The use of theatrical elements in Jiri Kylian’s dances is a defining characteristic of his style as a choreographer. He chooses to use plain, often nude coloured costumes in all his dances, for example in ‘Sarabanade’ and ‘Petite mort’, the dancers look naked. This is a personal choice and was done to reinforce his views that dance should be about ‘dancing not the costumes’. Also this nude costuming matches the

As the steady beat helped travel the dancer to the center of the stage, the musicians then switched to syncopated rhythms. As the syncopated rhythms would play, the performer would become more rigid in his movements. The dancer would use his wrists in sharp motions as if jerking his hands to the new beat. Also, the dancer would start off by rolling his neck in circles and this motion would transition into quick turns. The turns would start off in the squatting position and end up all

In the second section it represents the women fighting for their freedom. The movements are a lot more circular in this section. It uses more contractions, releasing & vibratory movements. In the first two sections, the dancer shows the struggle being not only physical but emotional also. She does this by the powerful expressions she uses on her face. She even imitates a couple of screams that play in the song ‘Been On A Train’. This gives the audience a clear understanding of the how she is feeling.

In the third section Ms. Donna Wood looks like an African goddess and her body has an unexpected gracefulness. Even stage color was bright reddish, warm atmosphere around the dancer, like a sunrise in the morning. Stage would fill with colors. Music and performer are singing together. A sound of music tempo gets faster. She has the happiest face ever, no pain and no slavery. She jumps, she swings her leg and arms, and even she pulls her dress up and shows her leg an entire dance. Sound and lightening create the environment and good mood. She uses high level of dance than in previous two sections. She moves in between melody. I liked how she uses

The male dancer only wore pants and bared his upper body. This simple costume design not only made the people who watch the dance to have a clear vision of the dancer, but also better presented a predicament that the character was experiencing at that time. At the first half of the dance, the dancer would leave at least one part of his body on the bench, and tried hard to reach other parts of his body away. This muscular interplay between the dancer and the bench resonated with the audience to experiencing the same struggle feelings as the character. As the performance developed, the dancer started to leave the bench to fully use the space. The dancer had many different movements comparing with sitting on the bench previously. He started to lie down, roll over, stand on the bench and make a turn use only one foot. The level of the dance was no longer limited in the middle but changing from low to high as well. Having such a change, the dancer is converting a more delight and energetic feeling to the audience, in order to demonstrated that the character was recovered through the

The beat in this section builds up as more percussion is added. Similarly, dancers gradually feed on to the stage as the levels of percussion increase. The dancers walk, isolating their hips down stage Right then break off into trios as they rise and fall with the syncopating drum. E.g. with steps, turns, leg lifts and back bends.

A common theme to their dances was society’s affinity with the Earth. The most common step in African dancing, which would later become the most basic step in tap dancing, was an example of this symbiotic relationship. In order to stay connected with the power of the Earth, dancers would keep their feet close to the dirt. Flatfootedness created steps that consisted of dragging, gliding, and shuffling step(Knowles). Today’s tap clearly resembles African dance because it often utilizes drags, slides, and

The actors all sing while dancing, which makes the fact that they always hit their notes perfectly, even more impressive. The “cats” dance throughout the entire play. All of the dances are complicated and include difficult turns, leaps, and some acrobatics. The background of the stage is a 3-dimensional setting built to look like a dump. The cats use the “dump” as part of the stage. They enter and exit through old tires in the floor and jump across the other objects as if they were real cats playing in a dump.

This dance Is called the Motivational step dance. The main point of this dance is to keep persevering and take steps to finish your goals or to start your goals, it is supposed to motivate the dancer. When someone is feeling down and feels like they cannot succeed they can do this dance and it will give them a boost of confidence to make it happen. The rhythm of music would be upbeat to get the people pumped in accomplishing their goals. The music would get people up and start dancing.

The movement is, above all else, gestural. The gestures start out as being removed from meaning and feeling, but eventually become more sensual and fulfilled. The gestures are also what could be considered taboo. Both dancers grab their breasts, groin, and thrust their lower bodies repeatedly throughout the piece. As the dance progresses, the movement goes from being placed and calculated to becoming something more reckless and passionate. There is also a lot of

The body systems that I saw on the dance show which was muscles, bones, organs, breath, balance, and reflexes. The inner on this dance was senses, emotions, though and intentions. Therefore, the elements of actions that I saw during the dance show which was the movement pauses, and movements of relative stillness. In other words, I also think that from the elements of action it shows their doing the same movements and the rhythm.

When a person performs a dance many elements are put into it, so that the best result possible can be developed. In the video Sergei Polunin, “Take Me to Church” by Hozier viewers realize the amount of practice that had to go into perfecting the ballet and modern dance. The director of the ballet and modern dance is David LaChapelle, who helped Sergei Polunin film and photograph the dance. Throughout the ballet human experiences are brought forth with the form, repetition, and rhythm.

The movements were very specific and showed the story of the dance. The partners used many movements that contained many body

He creates this dance-like feel in a variety of ways. Firstly, the 2/4 time signature makes the music feel upbeat compared to the 4/4 time signature of the rest of the piece. Secondly, the sforzando accent on the first beat of every bar drives the music onwards. Also the catchy, short and rhythmic melody is lively and metronomic. Finally the fiddle-like manner in which the violins play creates a sense of a dance. There are unexpected changes and dramatic dynamic changes throughout the trio which are both romantic qualities. The fact that this movement moves seamlessly into the next is also romantic.