Jhumpa Lahiri Quotes

time in his life. The theme of name and identity in Lahiri’s novel the Namesake is obvious.

Regardless of how a child acts towards their parents, all that matters in the end is their unconditional love for them. However, the time it takes for them to express their gratitude will depend on each child. In the novel The Namesake, Jhumpa Lahiri demonstrates this, describing the life of a young boy named Gogol and his continually progressing relationship with his mother. It demonstrates that a child is unable to view his or her parents as a human being until the parent figure experiences a traumatic event that allows the child to empathize with their parents.

In the Namesake, the new parents are faced with a decision to name their son. A tradition where the Grandmother on the Mothers’ side names the baby. Ashima’s Grandmother was sending word about the baby’s name from India. After not hearing from the Grandmother, a proper name

nothing. It’s no wonder Alexie does not waste much sympathy even on whites at all, he even

The film The Namesake started out while Ashoke Ganguli was traveling on a train to visit his grandfather. On the train Ashoke meets fellow traveler, Ghosh, who impresses upon him to start traveling. The train crashes and Ashoke almost dies but is found and survives. After the crash, Ashoke relocates to America for school. In 1977, Ashoke returns home to India to be arranged to marry Ashima. When Ashima accepts Ashoke’s marriage proposal, she has to move to New York with him where their residence becomes permanent. Ashima has to adapt and adjust to American culture, which is very hard for her because she has never been out of India and she misses her family. Shortly after, they become parents of a boy, who they name Nikhil, with the

Furthermore, another character that proves that Victor Hugo is trying to say that human nature is basically good is Javert. On page 336 it states, “Javert felt that something horrible was penetrating his soul, admiration for a convict. Repose first for a galley slave can that be possible? He shuddered at it yet could not shake it off… Javert bent his head and looked. All was black. He could distinguish nothing. He heard a frothing sound; but he did not see the river…”. This quote by Victor Hugo emphasizes on this unusual emotion of goodness arousing within Javert. It’s revealing a transformation of Javert’s character from a hardened law worshipper directly to someone feeling for a convict. Javert is seen gaining his conscious and eventually

When someone has established his or her identity based on experiences and is proud of that identity, he or she is said to be comfortable. In the novel The Namesake, the main character, Gogol Ganguli, is divided between Bengali and American culture, while also having difficulty accepting his name. This causes him to struggle with establishing and being comfortable with his identity. In The Namesake, Gogol, who struggles to identify with his name and his culture, becomes more comfortable with himself after going through difficult life experiences

Christian white culture inherits Native Culture Sacajawea is represented both as a statue and a living character. She comes alive at night but like all other statues at the museum, she is not allowed to leave the museum. If she leaves and sees the light of the sun outside the museum, she will be turned into dust and will no longer exist. She can go out of the museum and share information.

In summary, this reading passage talks about the relationship between one's name and his or her personal and cultural identities. Richard Crasta, the author of reading, introduces the relations between name and three types of personal and cultural identities: The cultural background, the wishes of parents, and the impressions even biases on personality. From my personal experiences, most of Crasta's contentions are plausible, yet some are subjective and obsolete.

Intergenerational conflicts mainly involves in the process of searching identity in a new country. In The Namesake, it seems like the major part of the book is about Gogol’s identity formation and confusion. In fact, Ashima is also part of the process of forming American identity. One of the significant incident is the name-changing process of Gogol. At first, we can see how Gangulis’ parents Ashima and Ashoke are “still proudly and deeply entrenched in their Indian heritage” (Bhattacharyya 77), when they were asked to name their baby after themselves or one of the ancestors. They think “This tradition doesn’t exist for Bengalis, naming a son after father or grandfather, a daughter after mother or grandmother. This sign of respect in America and Europe, this symbol of heritage and lineage, would be ridiculed in India” (The Namesake 28). But later when Gogol ask to change the name, his parents agrees either because becomes accepting individualism or doesn’t want to explain why they name Gogol at the very first place. This explains how much Gogol wants to possess a new identity beyond his parents’ traditional norms.

The Namesake, written by Jhumpa Lahira, a famous Indian writer who won the Pulitzer Prize for her story collection Interpreter of Maladies, brilliantly illustrates the immigrant experience and the tangled ties between generations. In this novel, the main characters Ashima and her husband, Ashoke, were first generation immigrants in the United States from India. The whole story begins with Ashima's pregnancy and her nostalgia of her hometown, and a sense of melancholy revealed from the first chapter. While Ashima felt insecure and worried about her new life in the United States, her husband Ashoke, rather wanted to settle in and struggle for a new life. All of uncertainty and reluctance of this new-coming couple faded way when their son,

The novel The Namesake written by Jhumpa Lahiri writes about the struggle and hardships of a Bengali couple who immigrate to the US from India to create a lifestyle outside of everything they have known all their lives. The story begins as Ashoke marries Ashima and brings her to the Massachusetts. Their first child’s name is Gogol, which they didn’t intend on naming initially but because of different mistakes, Gogol has officially become his name. This book/film gave a pleasant insight into identity

In the Namesake written by Jhumpa Lahiri, America is often referred to as the land of opportunity despite how foreign immigrants are still being treated as second class citizens such as an outcast. Throughout the novel The Namesake the parents of Gogol, Ashoke Ganguli and Ashima Ganguli brought their family to America to find their opportunity despite their strong beliefs in their Bengali culture. Going against their Bengali belief, Ashok and Ashima settled in america with their baby boy Gogol and their baby girl Sonia. Throughout the novel The Namesake Gogol has been struggling to find himself and make peace. Gradually throughout the story Gogol begins to wonder why his parents made the decision to come to america, Despite their strong Bengali beliefs to stay in india. Gogol’s crisis to finding himself slowly deteriorates when he finds himself come to peace with who he is. The author, Jhumpa Lahiri shows Gogol improving and developing as a mature character intellectually, socially, and emotionally despite all the hardships that Gogol had faced.

All around the world people struggle with a sense of self-individualization, which is the internal battle each person has to face in order to discover ones true identity. The quest to find oneself is a difficult and lengthy endevor that can take a lifetime to accomplish. Some if not most people never reach a point where they can truly face who they truly are. In the Novel The Namesake by Lahiri, identity is illustrated by intensely examining the importance of ones background, name and culture. The main characters in the story try to uncover the reasoning behind their lineage, which they belive will lead to discovering the answer destiny in life. Playing on this belief the Ganguli’s sustain the element of traditions with them and practices

The immigrant experience affects families in a unique manner wherein ethnicity, and therefore, identity becomes something continuously negotiated. Jhumpa Lahiri’s contemporary novel, “The Namesake,” beautifully illustrates the complexities of generational culture clashes and the process of self-individualization over the course of this experience. Lahiri challenges the often-one-dimensional approach to ethnic identity by allowing readers an intimate and omnipresent look into the internal struggles of the Gangulis, a first-and-second-generation Bengali family, following their relocation to America. The novel incorporates a heavy presence of reading, and the abundant representation of books and documents throughout it are vital to its