Jimi Henderson Analysis

In the 1960s, Rock ‘n’ Roll was replaced in popularity by other branches of rock such as Acid Rock, Psychedelic Rock and Hard Rock as a hippie counter culture arose, mainly to protest against the Vietnam war. These new forms of rock provided social commentary on the wide range of assassinations and anti-civil rights actions that infested the country, and united those that wanted to end them. They too celebrated anti-authority actions, but now they were used to promote peace and drugs. Americans—mainly college students—were still rebelling against societal constraints, but instead of fighting against the conformity of white suburbia and their parents, they were uniting to fight against U.S. governmental authority. Rock in the 1960s still mainly appealed to the younger generations, but its influence was spreading. Folk Rock (Bob Dylan) was playing in protest, reminding the individuals there that they were fighting for peace, and Psychedelic Rock—which replicated or enhanced the mind altering experience of psychedelic drugs—created a soothing and new atmosphere in the U.S. Music festivals such as Woodstock in 1969 sprung up to promote peace, do drugs, listen to music, and enjoy being alive and young.6 However, this element of extreme partying and pleasure, eventually brought a few stars to early deaths, such as Janis Joplin and Jimi Hendrix. In the

Jimi Hendrix is an American guitarist, singer, songwriter and producer who is widely considered to be the most important electric guitarist in the history of music. Although Hendrix is known for his outstanding ability to play the guitar, he is also a very famous name in Blues music. He played the acoustic guitar but is known for his outstanding ability to play the electric guitar. With songs such as Red House, Here My Train A Comin', and Born Under a Bad Sign, Hendrix is considered to be in the Chicago category and quickly made his way into the history of Blues music.

Alexie showed the brokenness of the Native American people through the personification of Jimi Hendrix’s music and alcoholism in Victor’s Father. His father was constantly in a state of medicating his anger. Alcohol and Jimi Hendrix both offered his father a source of freedom. Jimi Hendrix was similar to Victor’s father in that he was known as an angry and rebellious man. He lived a dangerous life of drug addiction and violence and died at the young age of 28. His

For as long as I can remember, my dad always had his music playing. In the car, in the house, everywhere. In time, his music became my music; and it still is. Though my dad’s music taste was vast, his staple was Van Halen. Little did I know how much that band would shape me as a person. While most fans were in love with David Lee Roth, (the singer) I was all about Eddie Van Halen; the greatest guitarist in the world. The greatest because to me, he isn't just a guitarist. He’s an innovator, a genius, and one of my biggest role models. While I think all art is powerful, it’s all subjective, and to me, Eddie Van Halen is the perfect example to why art is so powerful. For he has created the passion, perseverance, and creativity that lives inside me today.

Jerry Garcia’s most obvious influences deal with music and the modern pop music band’s role. He has changed the way music is produced, the way music relates to its listeners, and how the band interacts with its fans. Jerry Garcia was the renaissance man of the 1960’s singing, writing, and playing many instruments including the acoustic, bass, and electric guitars, the banjo, and the piano, which was a revolutionary idea for the time. He and the Grateful Dead worked to successfully enable the elimination of a record company in the music world. Jerry Garcia and the Grateful Dead all worked together- blending different musical genres- to create new styles of music that will continue into modern day. Jerry Garcia is largely responsible for the revolution in the identity of the music artist, for the increase in popularity of the live album, for the divergence of many musicians from record companies, and for the changes in bands’ touring style and interaction with their

"He lived and he loved the songs that he wrote and the songs that he sang. He’s a man of great courage. He’s kind. He’s gentle and he has God-given talents. He chose a career he was hoping he could make a difference in. That career made a difference in

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

“Many commentators have since claimed that peace and good will arose not in spite of disaster, but because of it. The hunger, rain, mud, and unserviced toilets conspired to create an adversity against which people could unite and bond” (Cooke 178). Most of the fans present expressed how they felt about the war in riots and violence. “Woodstock Ventures retained its exclusive rights, but the memory of Woodstock Nation belongs to the world; it is irrevocably imbedded in American culture” (Cooke 179). Not only was the war an influence, but the gathering itself influenced the historical outcome. “The most common feeling among all parties-producers, musicians, audience, town, and nation-was the sense of history in the making. It was the largest group of people ever gathered, and the greatest roster of musicians ever assembled, and it became the defining moment of a generation” (Cooke 178).

Soon after hendrix released his new hit song “Purple Haze” and “The wind cries Mary” the band immediately went top of the charts and being front cover of the rolling stone magazines. Hendrix instantly became famous making many more songs with Jimi hendrix experience. His first album, are you experienced in 1967, he delegated the audience with his guitar playing skills and his playing style. June 1967, he won over american music fans with his performance at the Monterey Pop Festival which ended with him lighting his guitar on fire. “Quickly becoming a rock superstar, later that year hendrix scored again with his second album” Bold as love in 1967.

One of the most influential figures in modern music to this day, Jimi Hendrix, was a complex and unusual man for his time. Being most well-known for his eccentric performances and style, both in fashion and in music, Jimi stood out in the western world 's very uniform Rock’n’Roll scene. Playing with his teeth, burning his guitar, rising to fame in a matter of weeks all contributed to his remarkable life. Jimi Hendrix’s life and rise to fame were exceptionally unordinary and extraordinarily influential. Filled with curiosities from the day he was born to his tragic drug-related death, Jimi was unusual. Accordingly, these curiosities are what makes Jimi Hendrix such a notable figure in history.

"The zeitgeist of the time was the final collapse of a certain kind of thinking. The seeds were sown for feminism, for the whole notion of cyberspace, ecology, and the whole philosophy of Gaia." Suzy Hopkins, formerly Suzy Creamcheese, a dancer and inspirational figure on the underground scene in Los Angeles and London, remembers the visceral way psychedelic culture affected the senses. "There's a difference between a drug and a psychedelic. Drugs make you drugged and psychedelics enhance your ability to see the truth or reality," she says. For her, LSD and music created a kind of alchemy. "When I start to dance, at a certain point, the dance takes over and the music is dancing me. Dancing is this electric enhancement of your spine by sound." Many psychedelic bands explored this sense of abandonment in their music, moving away from standard rock rhythms and instrumentation. The Grateful Dead of San Francisco, for instance, created an improvisatory mix of country rock, blues, and acid R&B on albums like The Grateful Dead (1967) and Anthem of the Sun (1968), while another 'Frisco band, Jefferson Airplane (fronted by the striking vocalist Grace Slick), sang of the childlike hallucinatory delights of an acid trip in the 1967 Top Ten hit "White Rabbit." In Los Angeles the multiracial band Love played whimsical,

The structure and lyrics on most of the songs on Are You Experienced? form the basis upon which it is possible to measure the change in the style of Hendrix, both lyrically and musically, that were to occur until his untimely death in 1970. The commercial success of the album and the confidence that Jimi must have gained from reviews which called him things like “an absolute master” allowed Jimi to make smooth transitions to whatever he felt like experimenting with or changing. The importance in Are You Experienced? lies in the fact that it was successful, and that the Jimi Hendrix that everyone heard on that album would be acceptable whether he was playing straight-forward blues, playing “Stone Free” or covering “Hey Joe.” Are You Experienced? represents the starting point from which Jimi Hendrix would take his new style of music and make himself into one of the most influential musical figures of his time. The true arrival of Jimi Hendrix occurred with the release of The Jimi Hendrix Experience’s second studio effort, Axis: Bold As Love. With this album, production costs were estimated at ten thousand pounds, allowing Jimi the valuable studio time he needed in order to more completely master his craft. Approximately three thousand of those pounds were spent production costs of the album sleeve, which picture Jimi and his bandmates in and surrounded by Indian imagery, to which Jimi responded:

On July 20th, 1947 a man was born that would single handedly change American Popular music with the strum of his Paul Reed Smith guitar. To this day, at age 67 he is still credited with being the first to create music in which “uniquely blends Latin-infused rock, jazz, blues, salsa and African rhythms.” (Biography, 1) With a net worth of over 40 million dollars he can be described with many professional titles including singer, songwriter, but most widely known as a guitarist for his band Santana. Santana, described as a Latin Rock band was formed in 1966 in San Francisco, California. The band 's success would be obvious to music lovers all throughout America after their psychedelic performance of “Soul Sacrifice” at the 1969 Woodstock in

“All Along the Watchtower” is known as a classic rock song, but was originally crafted by Bob Dylan in 1967. Artists like Pearl Jam, U2, Dave Matthews Band and Eric Clapton have all covered this song, but notably the most famous version would be Jimi Hendrix’ rendition. A year after the song’s original release, Hendrix covered the unknown Bob Dylan song and propelled its legacy. Both songs draw different artistry and interpretations, but the concept is fundamentally the same.

They knew that they were all on our way to the same place to enjoy "three days of peace and music." Had the festival lasted much longer, as many as one million youths might have made the trip to Bethel. What started off as a promotion for a music studio, ended up as one of the most significant political and sociological events of the age. The main attraction of the festival was an all-star cast of top rock artists. Some of the greatest musicians of the 1960s performed, including singers Janis Joplin, Ravi Shankar, Arlo Guthrie, and Joan Baez as well as the bands The Stone; and Creedence Clearwater Revival (Sandow, 1). Singer Joe Cocker and guitar player Carlos Santana, up to then unknown, became overnight stars. Some performers who were scheduled to appear could not due to traffic problems. Jimi Hendrix ended the event with a freeform solo guitar performance of "The Star Spangled Banner." The dictionary defines a hippie as one who doesn't conform to society's standards and advocates a liberal attitude and lifestyle. Most of the people at Woodstock were not hippies in the commonly accepted sense: a good half of them, at least, were high school or college students from middle class homes ("The Big Woodstock, 33"). But at Woodstock they exhibited to the world many of the hippie values and life styles, from psychedelic clothing to spontaneous, unashamed nudity to open and casual sex, and also illicit drugs. Youthful imaginations were