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Jimmie Blacksmith Analysis

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Black should be gone, this is the truth behind Mr and Mrs Neville’s words. This counsel that Jimmie’s salvation lies in the spread of his genes until they lose all force in the white gene pool is the point at which you get specifically down to it, as genocidal as what Jimmie in the end does. It is really pathetic for the public to think that way and it has unfortunately been accepted by the public at that time. Yet, Jimmie Blacksmith is an aboriginal man who dreams and tries to make a life for himself, one that is based on the lives that the white people that surround him. He’s simply trying to gain the same life that many white people have, and he’s taking the steps and opportunities that are provided to these white people to help further …show more content…

The blacks were always looked down by the whites regarded with hatred and treated with disdain which was extremely agonising for Jimmie to comprehend in the differentiation of his diligent work, effort and self-suppression. In the long run (as it had happened in Australia in the true instance of Jimmy Governor at the break of the twentieth century), all the mockery, mistreatment and misuse that Jimmie experienced goes back to its provoker (Healy,1989). He finds that he will never be at home in either the white or dark …show more content…

Many reviews recommended the film. Most notably by Geraldine Pascall in ‘The Australian’ (Pascall, 1978), Pascall delivered an extremely positive review of the film, enthusing “The Chant is not only the best Australian movie made so far, it is, more importantly, a magnificent, daring and powerful one”. John Hindle (Hindle, 1978) concurred, suggesting that, The Chant “is an important film and should be seen by all people who enjoy the cinema, and by many who don’t.” Further to this Peter Coster (Coster, 1978) observed, “I advise you to see the film. It’s just that the ‘best’ Australian film has not been made.” High praise indeed.The film’s success is additionally a consequence of Schepisi's direction, calibrated to absorb wide and wonderful scenes while populating them with little and regularly empathetic points of interest that truly touched us. It doesn't take him long to build up outskirts characters in expressive

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