Jo Treggiari's Ashes, Ashes

In Thomas Foster’s How to Read Literature Like a Professor and John Steinbeck’s Of Mice and Men, both authors demonstrate the use of violence between characters in multiple ways. In Chapter 12 of How to Read Literature Like a Professor, Foster describes two different ways that violence is used in literature, both of which can be found in Steinbeck’s Of Mice and Men. In addition, both books also explore how each type of violence has a different effect on the plot and the characters. These two books are related because of their exploration of a deeper meaning of violence between two or more characters in literature and the different effects each type has.

There are two categories of violence in literature: the specific injury and the narrative violence. Specific injury causes characters to visit on one another or on themselves. Narrative violence cause the characters to cause harm in general.

One of the examples of graphic violence occurs at the beginning of the novel. The first chapter of the novel begins with the protagonist,

Many people have different views on whether or not they are for or against violence in children’s literature. I am for children’s literature due to the fact that if one is not educated, how is one expected to know. In this essay we will look at the pros and cons of including violence in children’s literature.

For years, post-modern writers have foreshadowed what the end of the world would look like through dramatic representations in literary works. Cormac McCarthy’s The Road and Margaret Atwood’s novel, Oryx & Crake, are no exception to this. Delving into the complexities that underlie man’s existence on Earth, these authors use their novels as vehicles to depict a post-apocalyptic world, in which all that once was is reduced to an inconceivable wasteland, both figuratively and literally.

     The title of this book is Angela’s Ashes. The title doesn’t make a lot of sense because the story about Angela’s cremation and her lost ashes is found in part two of the book. However, ashes do appear in the book in relation to Angela. An example of this would be the ashes from Angela’s Woodbine cigarettes. And another example would be Angela sitting next to the ashes from the fireplace during hard times.

In the first chapter of How to Read Literature Like a Professor, every trip a protagonist takes becomes a quest in the story. These quests often entail a Quester (the protagonist), a specific place to go, a reason to go to a said place, obstacles, and challenges on the way, and the Quester’s real reason to go to said place. Whatever is gained from this quest can vary from unlimited wealth to a whole lot of nothing, but the Quester seems to always be guaranteed to receive one thing: self-knowledge. In chapter 2, Foster emphasizes the point that whenever people eat or drink together, it’s communion. Basic survival states that people need food to be able to live.

Chapter 11: More Than Its Gonna Hurt You: Concerning Violence In Their Eyes Were Watching God, Janie shoots Tea Cake. It reveals that Janie is finally free from dealing with men. She finally sticks up for herself and stops running away from her problems. An example of authorial violence is at the end of Frankenstein when Victor dies.

In the 21st century people seem to have become more fixated on how the world is going to end than actually living in it. This is evident in the numerous post-apocalyptic dystopian bestsellers there have been recently. One of the most prominent of those is Cormac McCarthy’s The Road. Separating it from the flood of numerous other books in its genre McCarthy and The Road challenges existing motifs of post-apocalyptic literature. The Road uses these themes to focus on the central idea of good vs evil.

Another example of humanity’s struggle with violence theme happened when Kino killed a man in self-defense. Kino was caring and friendly; he would never intently mean to harm or kill anyone unless someone was bringing harm to him and the things that he loved. One night a “dark one” on the path attacked Kino as he was walking toward his brush hut. The “dark one” wanted Kino’s pearl and would do anything to get it. In return, Kino also wanted the pearl and would protect it at all cost. The following quote demonstrated the violent actions that resulted due to this attack, “He heard the rush, got his knife out and lunged at one dark figure and felt his knife go home” (59). Kino’s violent actions towards the dark figure revealed the theme of violence. This dark figure, who attacked, Kino wanted his most valuable possession and Kino was not going to give his pearl up for any reason. Kino protected what was his, his pearl. Kino felt he attacked the “dark one” in self-defense, but the way the town’s people thought it was different. Violence, once

The landscape of a post-apocalyptic society contains nothing to live for, it is a world without the people you love, without sun, flowers or food; only lawlessness, fear and uncertainty of survival. McCarthy creates a post apocalyptic world in his book, “The Road,” that addresses the issues of our time by illustrating the fears of society and the violence that accompanies them. These fears at the time were most recently initiated by the attacks of 9/11 and the subsequent Iraq war and the resulting violence experienced both in America and around the world. McCarthy’s “The Road” is a worst-case scenario, in which the broad American view that we are invincible and our principles are infallible is challenged. And with the violence in today’s

This book is important to our society and culture because it shows that we should always appreciate, what we have before it is gone and how we should always be prepared for a disaster. This is demonstrated multiple times, by the protagonist, Alex, that was a moody teenager that didn’t care about his parents and sister, he didn’t ever pay attention to his mom and her reprimands. In when the eruption of the volcano occurred, Alex was left fighting for his life and remembering taking everything for granted. For example, his family, water, light and stableness. This book is also important because it shows we should always be prepared for a disaster in life. Therefore, we as a society should always have knowledge over protecting ourselves and taking

Violence can be described as a behavior involving physical force intended to hurt, damage, or kill someone or something. Violence has been around from the beginning and can be seen through history in writing and events that occurred. In Mark Twain’s The Adventures of Huckleberry Finn, violence’s jarring effects on societal members are evidenced through various relationships and partnerships, portraying society’s corrupt ideologies and ethics.

How would you react to being trapped, fighting for survival, in a post apocalyptic society? Coupland takes an interesting look at this and presents many other underlying ideas that build up the basics of human nature, such as, competition, control and survival of the fittest. The relatable main character showcases the darker, bitter, side that is contained in the fabric in all of us, but in a satirical comedic tone. He does so in a way where the even the structure of the writing is how you might expect an average persons’ thought process of events.

Violence is a concept which can be felt more aptly than defined. The word ‘violence’