Joe Henderson Recording Style

Joe Henderson was a tenor saxophonist was born on April 24, 1937, and lived until June 30, 2001. He recorded several albums, including In ‘n Out. It was recorded on April 10, 1964. On the album, Joe Henderson is both the bandleader and tenor saxophonist. Kenny Dorham plays trumpet, McCoy Tyner plays the piano, Richard Davis plays bass, and Elvin Jones plays the drums. The style of jazz on the album has multiple aspects. The jazz quintet encompasses both a swing feeling (the swinging of the eighth

Louis Armstrong, one of the most influential figures in jazz music, enjoyed a career that spans across 50 years, and through different eras of jazz. Nicknamed” Satchmo”, “Pops”, and” Ambassador Satch”, Armstrong could do it all, he sang, occasionally acted, composed music, but was most famous for his cornet and trumpet playing. Although Armstrong is well known for his amazing trumpet play, he also influenced the direction that jazz music during his time was headed. Over the course of this paper I

rooted in the mingled musical traditions of American blacks. More black musicians saw jazz for the first time a profession. Since its beginnings jazz has branched out into so many styles that no single description fits all of them with total accuracy. Performers of jazz improvise within the conventions of their chosen style. Improvisation gave jazz a personalized, individualized, and distinct feel. Most jazz is based on the principle that an infinite number of melodies can fit the cord progressively

Early Jazz The earliest easily available jazz recordings are from the 1920's and early 1930's. Trumpet player and vocalist Louis Armstrong ("Pops", "Satchmo") was by far the most important figure of this period. He played with groups called the Hot Five and the Hot Seven; any recordings you can find of these groups are recommended. The style of these groups, and many others of the period, is often referred to as New Orleans jazz or Dixieland. It is characterized by collective

ENOJ era, The Swing Era, Blues etc., until the end of his career. The accomplishments he has achieved throughout his life and the hardships he has gone through has shaped his persona, contributing to how he will become as an artist. His instrumental style, singing, career throughout musical eras, accomplishments, and etc., contribute to how adaptable and diverse he is. Background/Influences on Early Life Louis Armstrong, a well – known influential jazz artist. He was known differently to each person

Louis Blues", Clarence Williams, and the Red Onions Jazz Babies. By this time, Armstrong had gained enough individual attention to make his recording debut as a leader in 1925 when he returned to Chicago. He joined his wife's band at the Dreamland Café, and also played in Erskine Tate's Vendome Orchestra and then with Carrol Dickenson's Orchestra at the Sunset Café. That same year Armstrong recorded

interesting jazz musician I’ve ever seen in my life. He just looked so authoritative . . . I said, ‘Well, that’s what I want to do when I grow up.’”(DeVeaux, 35) Cannonball Adderley said these words when he first saw Coleman Hawkins with the Fletcher Henderson band at the City Auditorium in Tampa, Florida. Just as Hawkins influenced one of the greatest alto players in history, he has influenced many people to become phenomenal saxophone players. Lester Young and Sonny Rollins both give tribute to Coleman

was a great success. For the next three years Armstrong was almost always on the road. He crisscrossed the U.S. dozens of times and returned to Europe playing in Denmark, Sweden, Norway, Holland and England. In 1935 he returned to the U.S. and hired Joe Glaser to be his manager. He had known Glaser when he was the manager of the Sunset Cafe in Chicago in the 1920s. Glaser was allegedly connected to the Al Capone mob, but proved to be a great manager and friend for Louis. Glaser remained Armstrong's

love for music. In 1914 the home let him go and he began to work odd jobs such as selling newspapers and hauling coal while continuing to play music. People began to recognize him as a great blues player and one of the best cornet players in town, Joe “King” Oliver began to mentor and teach Armstrong more about music. In 1918 he replaced a musician in Kid Ory’s band, which was the most popular band in New Orleans at the time. Because of this he was finally able to quit his odd jobs and focus all

and the information that is available on Armstrong is endless. So much that this paper is going to concentrate on Louis Childhood how he got involved with music and the early years of his music career with King Oliver's Creole Jazz Band and the recordings of the Hot 5's and Hot 7's. Satchmo, which is only one of his nicknames