Johann Sebastian Bach Bio Bach Instruments

Johann Sebastian Bach was a German organist, composer, and musical scholar of the Baroque period, and is almost universally regarded as one of the greatest composers of all time. His works, noted for their intellectual depth, technical command, and artistic beauty, have provided inspiration to nearly every musician after him, from Mozart to Schoenberg.

When looking throughout the history of music, there is no name with a larger impact than Bach. Writing over 200 pieces throughout his 65 year life. Many people know the names of Mozart, Beethoven, and Brahms; but only a select few know the specifics about these land mark composers. “Most would say that Beethoven should have been named called ocean instead of brook” Bach in German. During this papers I will be giving a brief look into the life of one of the most prolific composer that ever lived.

When given the task of writing a biography on Johann Sebastian Bach, there are roughly nine periods in his life that can be discussed in detail. Beginning in Eisenach with his birth, moving to Ohrdruf after his parent’s death, deciding to pursue choral studies in Luneburg, his first stay in Weimar while awaiting the organ to be built in Arnstadt, moving to Arnstadt and beginning services for the town at age 18, auditioning for the organist position in Muhlhausen, returning to Weimar to continue working as a member of the chamber orchestra and as Organist of the Court in Weimar, leaving Weimar to become the Chapel master in Cothen, and finally residing in Leipzig where he eventually passed away at age 65.

The fugue is often regarded as a genre defined by strict procedural guidelines. It is notable that three historically important composers, Johann Sebastian Bach (1685-1750), Georg Friedrich Handel (1685-1759), and Wolfgang Amadeus Mozart (1756-1791), all employed a closely related fugue subject in three different works. An analysis of each of these works individually, and a comparison of these works collectively reveal numerous latent and salient features, and a reflection of the composers’ style within these works. Analyses also provide an outlook into the fluidity in certain aspects and rigidity in others of the form itself, reflected historically. The three composers analyzed fall closely together in history. J.S. Bach and G.F. Handel were contemporaries, whereas Mozart was born six years after Bach’s death and three years before Handel’s death. Analytically, the angularity of these similar fugue subjects presupposes a treatment regardless of the composer. Because of the shared intervallic content among the subjects of these fugues, despite being written by several different composers, a surprising number of similarities arise. Therefore, it is reasonable to assert that compositional choices made in the construction of the fugue subjects limit the number of results possible.

If we are to evaluate Bach’s significance as a tutor, should we then assess the success of his students? Bach had taught numerous pupils during his life, particularly since c. 1706/7, where most primary sources are dated from. Johann Casper Vogler was one of Bach’s ‘successful’ students who became a nationally known organist and won an exclusive examination performance in the Markt-Kirche at Hanover. In 1721 he moved to take Bach’s former post as Organist for the Weimar Court. Vogler, previously known as “Anonymous 18”, is of significance today through his hand copies of Bach’s works. His copy of Bach’s Prelude and Fughetta in C Major, BWV 870a, is of particular influence, being highly regarded within performance study practices for having the fingerings written out. It is seen that Bach’s teaching methods went beyond the scope of influencing his direct pupils. Johann Tobias Krebs was another of Bach’s ‘acclaimed’ students who in 1721 accepted the post as Organist at Buttelstedt. Here he was expected to play the organ of Michaeliskirche and instruct at the school. Although J. T. Krebs remained at Buttelstedt for the rest of his life, he is mostly acknowledged as being the father of Johann Ludwig Krebs, also a student of Bach. Johann Ludwig Krebs became to be considered comparable to Bach; continuing the genius particularly through his keyboard technique and counterpoint. The names of some other notable pupils of Bach include Johann Martin Schubart, who in 1717 succeeded Bach at his organist post in Weimar. Another student was Johann Schneider who became organist of St.

Johann Sebastian Bach was a composer born on March 21, 1685 in Germany during the Baroque period. The Baroque period was a time during history when a certain style of European architecture, music, and art flourished there. Music during that specific time were often focused on lower and higher tones. Bach was able to play the organ, violin, viola, and harpsichord. As a result, he is considered one of the greatest composers of Western history, especially back in his day. Bach was influenced by his family of many musicians. For example, his father Johann Ambrosius Bach taught him how to play the violin and harpsichord, while his uncle had taught him to play the organ.

From 1600 to 1750, Western Europe music was known as the Baroque period. The most known composers of this era were Bach, Vivaldi and Handle. Their music and styles inspired the people of their time and continue to do so 400 years later in the modern world. The Baroque era was considered a time of flamboyant lifestyles; a style that “filled the space.” When the church began to distance themselves from the political control of Europe, composers began to come up with more radical styles to be used in their pieces that had not been seen before. For this reason, Baroque music became known for its highly energetic and dramatic styles. Of course, behind this great music came amazingly talented composers who made it all happen. Perhaps one of the

When Bach was only nine years old, both of his parents died; thus, he moved with his brother and learned about music with him at Ohrdruf. Bach stayed with his brother until he decided to travel northern Germany on his own. Bach’s first job was as a musician at the court of Duke Johann Ernst in Weimar in 1703, had a wide variety of jobs there because of his versatile skills. Many of Bach’s early careers include moving from church to church composing or performing music for the mass, so he was soon recognized by nobles and aristocrats for his talent. The Duke Wilhelm Ernst in Weimar hired Bach, and Bach created some of his most famous works there, such as “Toccata and Fugue in D Minor” and “Jesu, Joy of Man’s Desiring.” Prince Leopold of Anhalt-Cothen hired Bach as well. With Leopold’s support, Bach wrote pieces for solo instruments, specifically for the violin. He also wrote keyboard practices to help his students learn techniques for playing

Johann Sebastian Bach was born the 31st of March, 1685 and died the 28 July 1750. He was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organization, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.

“Music is an agreeable harmony for the honor of God and the permissible delights of the soul.” - Johann Sebastian Bach. Born on March 21, 1685, Bach was a young instrumental prodigy, which whom took on his parents' occupation by playing the organ, violin and many other well known instruments. One of Bach's most mellifluous composed works was "Toccata and Fugue in D Minor" which stunned the Duke of Weimar and his people. As like Handel, Bach started to have trouble with his sight and died of a stroke before he could see his legacy. Despite the fact of his failing eyesight, he loved God and found the best way of praising him was through song. Still to this day, Bach has been known to be one of the greatest musicians of classical

Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very young age. All of Bach’s uncles were professional musicians, one of them; Johann Christoph Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach’s older brother Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to the prestigious

By now Bach had high ideals for the church music of Germany. He began organizing the rather poor facilities of Muhlhausen; he started by making a large collection of the best German music available, including some of his own. The first result of these efforts was his cantata ‘Gott ist mein Konig’. This, incidentally, was the only one of Bach’s cantatas to be published during his lifetime. This success gave Bach the hope to put in a long and detailed report, proposing a complete renovation and improvement of the organ. The council agreed to carry the proposals out, and Bach was given the job as supervising the work, for not only now was he a brilliant player, but he became an expert on constructing organs.

This music by Bach portrays all the characteristic of early Baroque Music which includes melody, texture, and timber. It is one of the Bach’s sets that forms a master anthology that demonstrates all possible possibilities inherent in a specific musical form. It is scored for violin, continuo, two flutes, and strings. The flutes was called “fiauti d’echo“, which represented the softer part of the song that echoes. However, this may not be the case since the flutes appear at the beginning even without the solo violin. Flutes double the solo but occasionally used in echo function.

This is the volume I of the Series II. It includes sixteen sonatas. Only one of them is unaccmpaniment flute sonata, other fifteen pieces are wind and string instruments and basso continuo. Excepts the manuscripts and the scores, this volume also contains three useful sections which are an introduction, Abbreviations, and the critical report. The critical report is located on the page one hundred and twenty-seven to page one hundred and forty-six.

As soon as he arrived, Bach had the position of court organist and was also a member of the orchestra. He mostly focused on the organ for the first few years of his post.in 1713, he had the opportunity to follow Friedrich Wilhelm Zachow’s position at the Liebfrauenkirche, Halle; but his salary was raised so that he could remain where he was. In 1714, he became the concert master which required him to compose one cantata per month. Bach befriended a relative named Johann Gottfried Walther who was a composer and music lexicographer, as well as organist of the local church. Bach participated in music activities in the town, and then began to teach Ernst August and Johann Ernst, Duke Wilhelm’s nephews. Johann had a talent for composing concerti