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Johann Sebastian Bach Research Paper

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Johann Sebastian Bach was a German composer and musician of the Baroque period. He was born on July 28th, 1750. Bach was born in Eisenach, in Germany, into a great musical family. His father Johann Ambrosius Bach was the director of the town musicians, and all of his uncles were professional musicians. It is believed that his father probably taught him to play the violin and harpsichord, and his brother Johann Christoph Bach taught him the clavichord and exposed him to much contemporary music. At age seven, Bach went to went to school where he received religious instruction and studied Latin and other subjects. His Lutheran faith would influence his later musical works. By the time he turned 10, Bach found himself an orphan after the death …show more content…

Gardiner suggests instead that the absences may have resulted from a negative atmosphere in a school and town filled with “rowdy, subversive, thuggish” boys”. After going under the care of his brother, Johann Christoph Bach, Bach started achieving good grades and high class standing. This period was viewed as a period of academic accomplishment by many. Bach had a beautiful soprano singing voice, which helped him join at a school in Lüneburg. Sometime after his arrival, his voice changed and Bach switched to playing the violin and the harpsichord. He was also greatly influenced by a local organist named George Böhm. In 1703, he eventually landed his first job as a musician at the court of Duke Johann Ernst in Weimar. No one realized that Bach would later become such an influential musician, not only in the Baroque Era but still influential to this day of …show more content…

However there is no clear evidence that Anna Magdalena composed music, nor that she studied a string instrument. Jarvis reports when he was studying the works in his youth he sensed that they differed from other music by Bach. The lead to these accusations can be caused by the idea that feminism and equality is to be promoted through history and currently. The idea of speculation if in fact true is due to the fact women were underrated and not deemed worthy to write and publish music unlike men in the history of music. Like many previous female musicians whom had to publish under male names and titles. As Amy Beth Kirsten has said “A classical-music world dominated by the past will, inevitably, be one dominated by men. Instead of trying to invent a female Bach in prior centuries, let’s seek her in the

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