John Anthony Burgess 's A Clockwork Orange

Through literature, many authors have attempted to represent the societies in which they live and what they think society may become in the future if things continue to be looked over such as political corruption. This is clear in F. Scott Fitzgerald’s novel ‘The Great Gatsby’. Fitzgerald tries to encapsulate the corruption that lay beneath the extravagance of society in the roaring twenties. In contrast, Burgess’s novel, ‘A Clockwork Orange’, depicts a futuristic society in which the novelist fears about mankind’s capacity for corruption are explored.

Burgess turned this tragedy into a scene in the novel.  The home of a writer by the name of F. Alexander is invaded by Alex and his thugs.  Alex brutally rapes his wife, who later dies.

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess

“The attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my sword-pen,” Anthony Burgess in his novel ‘A Clockwork Orange’, which happens to be a scathing critique of totalitarian government, through the character of F. Alexander. Burgess is attempting to criticize the type of governments that try to limit the freedom of an individual through science and technology. To be more specific, the use of ‘Ludovico technique’, is one example of the government using technology to establish control in the dystopian world of the text. Although the government, in its defense, prioritizes the safety and well-being of society, it is imperative to note that this use of technology turns Alex, the protagonist into a creature devoid of moral choices. This is what Burgess is referring to by the term ‘mechanical creation’, Alex goes on living his life as a machine, his criminal reform is marked by his inability to make conscious moral decisions. How then, is this scientific measure of criminal reform pursued by the government justifiable? Good and evil are intrinsic part of any human being. An individual always has the moral conscience and choice of picking between the two, and this is what makes him human.

Alex DeLarge is a vicious fifteen-year-old droog whose thirst for ultra-violence is his main catalyst in A Clockwork Orange. His savage characterization is clearly illustrated through his thoughts and actions in Anthony Burgress’ original novel, as well as Stanley Krubrik’s film rendition. However, while both interpretations follow corresponding objectives, they differ dramatically in the way they are perceived by the audience. The most prominent distinction between the two pieces of work is the way Alex is perceived by the audience throughout the story.

When African slaves were sold to Americans, they lost their fundamental rights as human beings. However, their inferiority was further cemented when slaves eventually conformed to their white owners. In slavery’s infancy, almost all slaves resisted against their oppressors in one form or another but had limited to no success. These failed resistances eventually led to hopelessness for the slaves as they even began to consider slavery as an accepted practice. Many slaves developed a notion of performing their forced labour more willingly and in turn their owners decreased the beatings and cruelty towards them (“Slavery in the United States.”) For instance, slaves who displayed respect towards their owners were assigned to perform less

A Clockwork Orange is futuristic look at England. Where teenagers rule the streets and neglect the somewhat standing laws of society. The novel's main character, fifteen-year-old Alex, and his three droogs (friends) Pete, Georgie and Dim, take place in all-night acts of random violence and

Authors tend to have a reason for everything they do in their writings, especially when it comes to their choice of vocabulary. Anthony Burgess’ A Clockwork Orange has dialog that is very hard to follow. Instead of using everyday vocabulary, it uses words that are assumed to be slang. Burgess’ diction throughout the novel displays a sense of disconnection between Alex and his friends and the real world, exemplifies how disrespectful him and his friends are to other people, and it creates a mischievous tone along with a cynical mood.

Burgess' A Clockwork Orange, a critically acclaimed masterstroke on the horrors of conditioning, is unfairly attacked for apparently gratuitous violence while it merely uses brutality, as well as linguistics and a contentious dénouement, as a vehicle for deeper themes.

Burgess points out the necessity of free will to maintain humanity at both the communal and individual level. The novel represents a futuristic dystopian society through its anti-hero Alex and charts the protagonist’s

John Anthony Burgess, born 1917-1993, who published under the pen name Anthony Burgess was an english writer and composer. He was best known for his novel Clockwork Orange that become popular for the 1970 Stanley Kubrik film. Burgess was also a poet, a playwright, a critic, librettist, screenwriter, essayist, travel writer, broadcaster, translator, and a linguist educationist. He had written 33 novels, 25 non-fiction pieces, 3 symphonies, over 250 other musical works; sometimes he claim to consider himself as much as composer as an author, even though he enjoyed significantly more success in his writings. Other than A Clockwork Orange who is also well known for Earthly powers, The Wanting seed, and Inside Mr. Enderby.

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of

I think that A Clockwork Orange is a book worth reading because it is relatable, makes you think, and is interesting. The author, Anthony Burgess, was born February 25, 1917. At the young age of two his mother passed away. He was brought up by his aunt and later his stepmother. Even with such an unstable childhood Burgess continued on to enroll in college and major in English. He had a passion for music, which he expressed in the main character of A Clockwork Orange. Burgess wrote several accomplished symphonies in his day, as well as over fifty books. He was diagnoses with a brain tumor at about age 40 but well outlived his doctor’s expectations continuing his artistic output until his death from lung cancer at age 76.

Burgess also manipulates language in A Clockwork Orange in more traditional ways, in the form of literary and linguistic devices. The novel is saturated with irony and dark humor, dotted with repetition, and laced with word play.