John Coltrane Characteristics

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

The relation between Blues and Jazz music can be discovered if we look closely and scrutinize the origins of both the music genres. How one developed can be found out from the roots of the other as both the separate genres use similar sound patterns. Both of these genres belong to a different decade/era however, are closely linked to one another. In this essay I will deliver a brief history of both Blues and Jazz, their similarities, and also discuss how the advancement of technology has affected the way we hear both these genres of music.

Thesis: Although Jazz music was first introduced over 80 years ago, the genre still influences artists and the new music they make to this day.

Coltrane joined the Earl Bostic band in 1952. Bostic knew a great deal about the saxophone, and Coltrane benefited from his knowledge (21). He learned about fingering techniques and also Bostic's sound which differed from most saxophonists of that time (22).

Duke Ellington's pre-eminence in jazz is not only because of the very high aesthetic standard of his output and not simply due to his remarkable abilities as a pianist, composer and bandleader, but also to the fact that he has extended the boundaries of jazz more than any other musician, without abandoning the true essence of the music. Perhaps no other American musician left such a massive and challenging legacy in composition and performance.

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

Out of the streets of New Orleans, a new form of music arose. This new type of music was not known as African or European, but simply American. It was jazz. In 1900 jazz first developed, but it wasn’t until the

Our music industry would not be what it is today without one of America’s greatest music legends, Duke Ellington. He made major breakthroughs at a time when the odds were against him. The pioneer who scouted these new regions of musical space more than any other jazz musician of the time was Edward Kennedy “Duke” Ellington (1899-1974). (Tirro 1993)

John Coltrane Jazz, taking its roots in African American folk music, has evolved, metamorphosed, and transposed itself over the last century to become a truly American art form. More than any other type of music, it places special emphasis on innovative individual interpretation. Instead of relying on a written score, the musician improvises. For each specific period or style through which jazz has gone through over the past seventy years, there is almost always a single person who can be credited with the evolution of that sound. From Thelonius Monk, and his bebop, to Miles Davis' cool jazz, from Dizzy Gillespie's big band to John Coltrane's free jazz; America's music has been developed, and refined countless times

1. Richard Cook and Brian Morton The penguin Guide to Jazz, 2008, London: Penguin, p1020

Instead of keeping with his studies, Miles was more concerned with his career as a musician in a band. Miles made some of his first recordings in 1945 and also joined Charlie Parker's quintet. Though Miles was not as developed during this time, his style was already easily recognizable and distinguished. In 1949, Miles had the opportunity to lead a band which consisted of nine players, also known as a nonet. The band used non-traditional instruments in a jazz setting. Many consider this to be the birth of. That same year Miles visited Europe and played at that year's Paris Jazz Festival in May.

     Before even hitting a year as a soloist, Miles Davis put out his first album as a soloist named Birth of the Cool. This was definitely something to be marked down on the timeline of Jazz. The album was accurately named, being responsible for the stardom of Cool Jazz, a movement that the very new to the Jazz movement, Miles Davis, invented within his first year of success. The Cool Jazz, which featured Gil Evans, first appeared in the latter days of 1949.

Jazz is consider one of the most influential types of music an America History. Some of the greatest artist in the world have contribute to the success jazz have had not only on America History but throughout the world. This paper will explain the history of jazz, where it all came from and the effect it has had on the America Culture.

Miles Davis loved the "new" Coltrane, and hired him back into his band for a third time. Davis came up with a new jazz concept, modal improvisation.

Jazz was inspired by African-American folk music, Blues and Ragtime in the early 20th century and introduced in New Orleans. According to the text book “Discovering Humanities”, “Jazz was “the” American music, and was almost as popular in Paris and Berlin as it was in New York, Chicago, and New Orleans” (468). The first feature of Jazz is improvisation, when a song was played there is no specific arrangement, it is spontaneously elaborated around a specific song (Listen, 386). A second feature is that there is a rhythmic style that involves highly developed syncopation. Syncopation occurs when accents in