John Constable: I Should Paint My Own Places Best

He is best known for his oil paints, but he is also considered one of the founders of English landscape painting with watercolor. Within his travels of Europe he found his own style, known as “Painter of Light”, which created scenes of luminous imagery using brilliant colors and had only been 17 years old when he received the Great Silver Pallet for landscape drawing from the Royal Society of Arts (2015).

Early Landscape photography used the same principles as painters in order to create pieces of art. Before the 18th Century, artists used landscapes as backdrops and as a frame for the principal subject. Towards the later part of the century, however, artists such as Nicolas Poussin started to romanticize the environment, instead using it as a principle subject in paintings.

Cole has no restrain in describing the beauty of all the elements found in the American scenery. He talks about the mountains, the sky, the streams, the sunset, waterfalls, all of which are overflowing in richness, full of magnificence, and unsurpassed by any other. For Cole the scenery and nature are subjects which must be present in the souls of every American. While he considers himself and even others underserving of “such a birthright”, he is thankful for the beauties given to us by nature. Cole suggests to his audience that the reason behind him painting natural scenes relates to the experiencing of a particular emotional response while doing so. This is a response which can only be compared to a “calm religious tone”, full of “tranquility and peace.” Witnessing the beauties of the American scenery, anywhere one goes, makes one realize how “the sublime and beautiful are bound together in an indissoluble chain. In gazing on it we feel as though a great void had been filled in our minds.” Cole places great emphasis on the importance for all members of society to learn how to cultivate “a taste for scenery.” This can be achieved by appreciating the physical beauty of nature and the ability of said beauty to provide mankind with a different perspective about life and with

Humanity is but a facet of the sublime macrocosm that is the world’s landscapes. In the relationship between man and landscape, nature is perpetually authoritarian. In her free-verse poems, The Hawthorn Hedge, (1945) and Flame-Tree in a Quarry (1949), Judith Wright illustrates the how refusal to engage with this environment is detrimental to one’s sense of self, and the relentless endurance of the Australian landscape. This overwhelming force of nature is mirrored in JMW Turner’s Romantic artwork, Fishermen at Sea (1796). Both Wright and Turner utilise their respective texts to allegorise the unequal relationship between people and the unforgiving landscape.

-In the 1700’s a new middle class emerged. Mass print became a thing as well. Every day people started to purchase art works to display in their homes. It was a way for them to express their status and national patriotism. The diversity in patrons had a great impact on the arts of the 15th – 18th centuries. With new patrons and the demand for art work, artists were able to capture more than just religious scenes. They were able to create landscapes and everyday life in their work. Artists were commissioned by the new middle class to create art work that they were able to hang in their houses. For instance, artist Joseph Wright of Derby’s painting “A Philosopher Giving a Lecture at the Orrey (1765).”

14: Though the landscape is one of rare beauty, to a European or English eye it seems desolate, and even after more than forty years my father could not become reconciled to it. He longed for the generous and

“The landscape, the whole great circle of it, grassheads, scrub, water, sky, quite took his breath away.” (Pg 17)

Painting landscapes was very important during the 19th century. Thomas Cole was one of the most important figures in landscape painting in the United States. He went to many places searching for nature, which he painted to show the unmatchable beauty nature creates. His works of art helped people see and take pride in their great land, which was called America. Cole’s works were often made people feel like they needed to go out in nature and discover the inspiring world of mother earth.

Phrases such as “botanising in glorious freedom [...] wandering through innumerable tamarac and arbor-vitae swamps, and forests [...], rejoicing in their bound wealth and strength and beauty, climbing the trees, revelling in their flowers and fruit [...], glorying in the fresh cool beauty and charm of the bog [...] displayed in boundless profusion”, “rarest and most beautiful”, and “I was able to wander many a long wild fertile mile in the forests and bogs, free as the winds, gathering plants, and glorying in God's abounding inexhaustible spiritual beauty bread”, all show how Muir felt about nature and what nature meant to him. A key phrase that shows Muir’s attitude towards nature states, “Storms, thunderclouds, winds in the woods—were welcomed as friends”. These phrases, as well as the words mentioned above, are extremely positive and show the utmost joy Muir found in his surroundings. The long and detailed descriptions of Muir’s surroundings helps to reinforce his joy in nature. The words that Muir uses to describe nature shows that he is close to nature and feels a connection with it. These positive words also show how absolutely stunning Muir finds nature and how he finds peace and joy in the wild. All of this is also supported by one of Muir’s

From the start, Constable was more disposed toward landscape painting, mostly scenes of his family’s properties that he had grown up on. Sloan, however, was more disposed to painting scenes he saw in the city, usually involving people from many different walks of life. Even so, a great deal of affinity can be found between

Nature and wilderness were very important ideas to some extant for St. John de Crevecoeur and Ralph Waldo Emerson, each had their own opinions and ideas that contrasted against each other and were somewhat similar to each other. Emerson who valued it and looked at the nature as something to proud of had used it many times in his works as examples and that we are part of nature as well and make whatever choices from it as it can from us. While Crevecoeur believes that in every land it has its own form of culture as it does its own kind of nature, and describes how the land and nature was then and how it will be giving details of it in his pieces of work. How they use and see nature is described equally important in both their works “the American Scholar” and “What is an American” but shows how different their views really are in them.

It is the first modern landscape in Western art. Though the humans seem to be the main focus, the landscape is just as important.

Nature and wilderness were very important ideas, to some extent, for St. John de Crevecoeur and Ralph Waldo Emerson. Each had their own opinions and ideas that contrasted against each other and were somewhat similar to each other; Emerson valued nature greatly, whether it be from looking at it as something to be proud of, to using nature as an example in his work, such as how we are a part of it and how random it can be. Crevecoeur believed that every land has its own form of culture as it does its own kind of nature. He describes how the land and nature was, and how it will be, by giving details of it in his pieces of work.

The beauty of nature is often overlooked and underappreciated in today’s society. The neglect and lack of respect given to such a beautiful creation by members of society is widely reflected in Romantic poetry. The romantic era began in 1798, where writers such as William Wordsworth and Samuel Taylor Coleridge expressed their opinions and feelings towards nature. Overall such writers typically express a positive outlook on the natural world around them, however some stray the other way. Specifically Coleridge and Wordsworth began to express the feeling of disconnect towards nature. Both writers began to feel as though they could not understand nature and cannot connect with the beauty it gives off as expressed in poems such as “Dejection”, “London 1802”, and “Lines Composed a Few Miles Above Tintern Abbey”. Not only did some of these writers begin to feel a disconnect but a select few also begin to feel as though people are disrespecting the balance of nature and are trying to disrupt the balance and manipulate it. Writers such as Mary Shelley, author of the novel Frankenstein, expresses the concern of people taking the laws of nature and twisting them. Writers and people living during this time period not only express an appreciation for nature but also the truth about the human relationship with nature. The relationship between humans and nature is on of mistreatment.

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.