John Donne Research Paper

John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.

The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The

A text is essentially a product of its context, as its prevailing values are inherently derived by the author from society. However, the emergence of post-modern theories allows for audience interpretation, thus it must be recognised that meaning in texts can be shaped and reshaped. Significantly, this may occur as connections between texts are explored. These notions are reflected in the compostion of Edson’s W;t and Donne’s poetry as their relationship is established through intertextual references, corresponding values and ideas and the use of language features. Edson particularly portrays key values surrounding the notions of the importance of loved based relationships, and death and resurrection: central themes of Donne’s Holy Sonnets

Could a single death affect society? Should it interest the community or let it only pertain to those involved? In "Meditation 17" by John Donne, 'no man is an island' and we must treasure every life and mourn every death. However, are people really touched if a stranger or enemy dies? In addition, should civilization move on since one or two demises isn't an 'important failure' as described in W. H. Auden's "Musee de Beaux Arts"? Perhaps an isolated death isn't important seeing that mankind can still function without

that this act of the flea having both of their blood in its body is

Donne’s poem is written in the traditional 14-line format of a sonnet, “which was the vogue… in England at the end of the sixteenth century” according to authors Kennedy and Gioia in Literature: An Introduction to Fiction, Poetry , Drama and Writing ( 574). Donne lived from 1572-1631 (Kennedy 744). “The sonnet owes much of its prestige to Petrarch,” (Kennedy 574) an Italian poet. “English poets …(eventually) worked out their own rhyme scheme,” (Kennedy 574) which would explain why this isn’t a true Patrarchan sonnet. Donne’s penned work naturally breaks his thoughts and the poem into three quatrains and a couplet. His thoughts come to a conclusion after lines 4, 8 and 14 with the use of periods, as well as a question mark for line 12, noting the end-stops. The rhyme scheme in American English is abba, abba, cddc ae, but if spoken with an English accent, the final couplet could reasonably be interpreted as aa, which would appear to be more likely.

The poem, ‘The Ecstasy” is one of the more well-known works written by John Donne. In the poem, Donne seems to agree with the philosophy that true love can only be available on a spiritual level and explains what the process is to get there. The purpose of this essay is to analyze how the poem expresses the unique ideas of love and how two people make connections through different pathways, aside from just the physical bonds.

All love is fair if you trust the Love God with your all. Throughout this poetic piece, John Donne is speaking from the heart. The language presented is a sensation whom is loving, caring, adoring, and faithful. A past lover may have done him wrong and seems to ne reflected upon it. He speaks from the deepest of his soul, from a love so powerful that couldn't be. “Donne’s love poetry was written nearly four hundred years ago; yet one reason for its appeal is that it speaks to us as directly and urgently as if we overhear a present confidence.” (Poetry Foundation) The author mentions he has deep affections for a woman that does not reciprocate the same feelings. John Donne can not seem to conclude why the woman does not feel the same way about him if the woman has experienced love before. As hes speaking on his personal experiences it even gives off a sense of empathy towards the end of the

Donne transformed the love poetry he wrote in his early days, beginning in 1617 with the death of his wife Anne More, to religious poetry with a strong sense of awareness of death and its import. This poetic development from classical poetry to more personal poetry reflects the events that marked his own life, and can be traced throughout his poetry. This kind of personal and thereby

Donne's purpose is clear: he is writing to convince himself and society that no matter what denomination one chooses to adhere to, they are all seen as one under the eyes of God. He concludes the

By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.

This week’s lecture is about John Donne. This essay is going to cover the differences between Donne and Jonson, metaphysical poetry, Donne’s life, his work, techniques, religious poems & sermons, and the final poems. John Donne was very close with Ben Johnson and sometimes they were compared. However, they are extremely different people. These two men had different temperaments, personalities, and world outlook, etc.. During his time, Johnson was the more popular and influential between the two men. His was able to continue this popularity to other generations. Donne was only able to expand throughout a private group but he was well-known during his time and he was even admired by people. However, he was never able to compete against Johnson. He reputation even faded over several years but his work was able to make a comeback.

By using metaphysical conceits in "A Valediction: Forbidding Mourning," Donne attempts to convince his love (presumably his wife) that parting is a positive experience which should not be looked upon with sadness. In the first stanza, Donne compares

In this essay I will mainly focus on two poems written by John Donne, The Rising Sun and Death be not proud. These poems were written during the Elizabethan era, which was an era mainly characterized by love and colonialism, on separate terms of course. These principles often influenced poets who lived during this period. Their poetry acts as testimonies of their underlying thoughts and desires. Furthermore, metaphysical poets deliver a more divine and profound perspective to their poetry. Within their conceits, they manage to engage and delight themselves in deeper movements. This essay will further discuss how John Donne used death and the sun to his disposal. I will also critically analyse the two poems as well grasp on external aspects

When there marriage was discovered Donne was thrown into prison by Anne’s father along with several other of Donne’s friends who were involved. John Donne lost his job and for the next few years struggled to provide for his family through his writing of poetry and practising some law and ‘tutoring’ rich women. It was not until 1609 that Donne was reconciled with his farther-in-law who then provided John and Ann with a dowry. Later on his life Ann died in labour of his thirteenth son. He then lived his life out as a protestant and part of the new Church of England.