John Donne 's A Valediction : Forbidding Mourning

James Fenton and Carol Ann Duffy are both contemporary poets. Their poems ‘In Paris with You’ and ‘Quickdraw’ both include the themes of the pain of love. This essay compares how the two poets present the pain of love in their poems, exploring things such as imagery, vocabulary and form and structure.

Poetry written in the sixteenth century is not very different from modern-day poetry. Poets seem to continue to craft work based upon love and heartbreak more than any other topic. In Georgia Giscoigne’s 1573 poem “For That He Looked Not upon Her”, the speaker comes off as distraught over a girl, but actually has a more conflicting attitude towards her. The speaker feels desire towards this girl, but his desirer comes off as ambivalent at times. He shows indecisiveness about his feelings towards her, and at times comes off as regretful towards his past with her. Gascoigne presents a desiring, ambivalent, yet regretful attitude through his choice of title, diction, and use of metaphors.

In a sense, a felt that Donne was saying that death dies to us because we no longer have to experience it. This was my interpretation of the poem, and I feel that this poem speaks to me because as a Christian, I understand that death is not the end, but merely a phase of transition in to the afterlife. Those of us who have faith in our God and the lord Jesus Christ, know that our souls rest eternally in heaven with God when we die. I think the fear of death arises because of the mysterious and unknown aspect of death, but for those who belief in the word of God, death no longer holds power over them.

Unlike other forms of literature, poetry can be so complex that everyone who reads it may see something different. Two poets who are world renowned for their ability to transform reader’s perceptions with the mere use of words, are TS Eliot and Walt Whitman. “The love song of J Alfred Prufrock” by TS Eliot, tells the story of a man who is in love and contemplating confessing his emotions, but his debilitating fear of rejection stops him from going through with it. This poem skews the reader’s expectations of a love song and takes a critical perspective of love while showing all the damaging emotions that come with it. “Song of myself”, by Walt Whitman provokes a different emotion, one of joy and self-discovery. This poem focuses more on the soul and how it relates to the body. “Song of myself” and “The love song of J Alfred Prufrock” both explore the common theme of how the different perceptions of the soul and body can affect the way the speaker views themselves, others, and the world around them.

The art of poetry speaks to people through the deep meanings represented in the words of the author. These meanings are meticulously pieced together through the mind of the writer. Readers can unveil the words to find truth within the work. The truth being presented in George Gascoigne’s poem illustrates a man that has given up on love because of his past heartbreak. It’s obvious that past failed relationships have altered the speaker’s view of love. George Gascoigne utilizes metaphors in “For That He Looked Not Upon Her”, to revel the truths that are embedded in the poem.

This essay will be exploring the use of language and imagery in the poem ‘Valentine’ by Carol Ann Duffy to emphasise certain emotions within the text. This poem refers to the dark side of love and relationships several times, for example; “Its fierce kiss will stay on your lips.” This creates a different atmosphere to the stereotypical love poems, which are known for their mention of red roses and satin hearts. Although the title gives us an impression of a cliché-filled poem, as we continue reading, the poem seems like more of a warning than an encouragement to involve oneself in relationships and commitment,

Love can be quite a difficult topic to write about, expressing one’s intimate and innermost emotions requires a great level of dedication and honesty. If done correctly, the outcome is truly stunning. John Donne’s “A Valediction: Forbidding Mourning” and Katherine Philips’s “To Mrs. M.A. at Parting” are two masterpieces of this genre. These poems depict the concept of true love so meticulously that the reader cannot help but envy the relationships presented. Perhaps the reason that these works are so effective is due to the fact that they are incredibly similar to each other. Although some differences are present when it comes to structure and gender concerns, the poems share the same theme of love on a spiritual level and show many parallels in meaning.

Oftentimes, poetry is used to express extremely romanticized love, such as in Shakespeare’s “Sonnet 18.” This love is often explicitly expressed through numerous emotional appeals and comparisons of love to many seemingly incredible views or experiences, such as stating “Shall I compare thee to a summer’s day?/ Thou art more lovely and more temperate,” (Sonnet 18, 1-2). In contrast to this figurative expression of one’s love, Declan Ryan provides a more human and tangible expression of his love while writing about what seems to be a more mundane experience in his poem “Rope-a-Dope.”

In “Valediction Forbidding Mourning,” the third stanza (lines 9-12) compares the married lovers separation to an earthquake. The idea brings panic and fear to mind and is thought to be catastrophic. Donne then says “Though greater far, is innocent.” (line 12), meaning that while the thought seemed so devastating, in reality it is just an innocent small rumble, or “bump in the road,” that doesn’t have damaging lasting effects. In “Because I Could Not Stop for Death,” the sunset is an important metaphor.

Love has a voice that speaks to everyone differently. For some people it is a gentle whisper, but for others it is a scream, yearning to be noticed. Love is a common theme in literature, discussed in many works. Love is a very broad term, that can be defined in many different ways. Love has many characteristics, with many individual interpretations. In this essay, I will be talking about three poems: Robert Graves’ Symptoms of Love, Bob McKenty’s Adam’s Song, and Muriel Stuart’s In the Orchard. Each of these poems demonstrates their own meaning of love, and each author interprets love in their own different ways.

John Dunne’s poem A Valediction: Forbidding Mourning uses many conceits and allusions to display the love between both the author and his significant other. Although the narrator is leaving, he believes their love for each other is strong enough to withstand the separation. Also, as the narrator is giving a valediction to his lover, this suggest he may be comforting her throughout the poem.

In order to describe the form which Donne gives to true love he chooses to create a scene of separation. He insists that when in love, absence is not a cause for despair. Stanza two describes the usual reaction lovers have to separation but explains that such reactions of tears and sighs do not prove one’s love but rather the

Adrienne Rich was a highly acclaimed twentieth-century poet who railed against war and the injustices in the world, and also used imagery that spoke tenderly of love—feelings that she sensed were both highly individual for her, but also universal. “Twenty-One Love Poems” were written between 1974-1976 to her lover of the time, and they track the course of the relationship through the sweet beginning stages, the development of mature love, and all the way through to its dissolution due to her partner’s seeming inability to “come out” and admit to her homosexuality at a time in society when relationships between women were not endorsed or supported. The language in these poems is very rich and weaves both ugly city imagery and elegant metaphors and similes together, with the apparent intention of making the reader search inside to see if the images and ideas conveyed by the language can be applied to the reader’s own experience of living too. While these poems are highly individualistic and at times very personal, this impressive and moving body of poetic accomplishment also reflects themes to which all human beings can relate.

By using metaphysical conceits in "A Valediction: Forbidding Mourning," Donne attempts to convince his love (presumably his wife) that parting is a positive experience which should not be looked upon with sadness. In the first stanza, Donne compares

The central theme, introduced quite early within the poem, is the helplessness of death. Throughout the poem the speaker belittles death and approaches it with such bravery and poise. Donne confronts death by saying it is not in any regard “mighty and dreadful” (2), but rather brings “much pleasure” (7). Death is personified in the poem, and in this regard, possess no greater power over man. The speaker of the poem is Donne himself. He uses his literary tools of rhetoric and poetic devices to belittle death. Throughout the poem, the speaker comes across as being slightly arrogant, but he refuses to show weakness. His arrogance shows that he is not afraid of death as he demands death not to be proud. Donne takes the association of death and sleep, and reinvents this comparison to a greater effect. He describes sleep as being “pictures” (5) of death and death is no more different or more frightening. He extends this metaphor throughout the poem. In the second last line of the poem he