John Donne 'to his mistress going to bed' comparative discussion with 'Courtly love or woman as thing' and 'Unbearable Weight'

In the polemic “Against Love”, Laura Kipnis considers love to be a mysterious force, which attaches to people as if it controls their thoughts and decisions. It is a capricious tyrant, who bring forth the tragedy for those failing to achieve such essential feeling. Still, artists create romantic poems about its cruelty while audiences enjoying watching the pain it gives to them. Ironically, through such pain, people yearn for a glimmer of brief happiness.

John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.

William Shakespeare’s “Sonnet 116” and John Donne’s “A Valediction: Forbidding Mourning” similarly explore the theme of everlasting true love. However, both poems differ in rhyme scheme, techniques, and meaning. The poets use these tools to convey to the reader that everlasting true love does in fact exist. Although both speak so passionately about said love, only the speaker of Donne’s poem has actually experienced it.

While the first two stanzas illustrate his view of Love in general and all lovers, the third stanza relates his personal experience with Love and Donne reveals the reason for his view of Love as a cruel, consuming power. Donne entice the readers with his use of figurative language, specifically imagery and personification, and diction. The speakers own experience with Love has left him feeling empty. And makes his feel how powerful and cruel love can really be. Donne’s use of those certain literary elements allows him to create a hostile speaker who is against love and is currently feeling heartbreak from losing his

Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a

“How little that which thou deniest me is”, the speaker is angry as the lady is denying sex due to something as little as marriage. This mood then quickly changes, “It suck’d me first, and now sucks thee”, to excited as the thought of the fluids mixing arouses the speaker. The speaker then becomes restless and impatient, “Through parents grudge, and you”, as the lady continues to fight against him. Donne then begins to mock her using the words cruel and sudden as he was unable to seduce the lady (skoool.ie :: exam centre, 2014). Throughout the poem Donne, uses the change of moods to imitate an argument and continues on the theme of

Poets have written love poems for centuries with the first said to be around 1000BC. But what is love? It is defined by the Oxford English Dictionary as ‘ to have attachment to and affection for’. However, after studying various love poems, I have found that love is portrayed in many different ways. It can be possessive, hateful and pure and the fact that William Shakespeare said ‘The course of true love never did run smooth’ suggests that love is more complicated than a simple dictionary definition.

The theme of this poem was easily determined after reading through the poem. The poet has a certain desire of the woman he’s trying to get into his bed, making sex seem like no big deal, “How little that which thou deniest me is” (Donne); sex wasn’t taken lightly in the 17th century for unmarried woman and he attempts to make it seem as small as a flea. He is straightforward with his offer; rather than attempting to arouse the woman, he attempted to appeal to her sense of reason. Donne is in belief that she was tempted, so he attempts to coerce her into the deed. Marriage is a reoccurring theme and use of persuasion go get the woman to have sex with him, “O stay, three lives in one flea spare. Where we almost, yeah more than married are” (Donne). He uses the second stanza to focus on marriage.

Love can be quite a difficult topic to write about, expressing one’s intimate and innermost emotions requires a great level of dedication and honesty. If done correctly, the outcome is truly stunning. John Donne’s “A Valediction: Forbidding Mourning” and Katherine Philips’s “To Mrs. M.A. at Parting” are two masterpieces of this genre. These poems depict the concept of true love so meticulously that the reader cannot help but envy the relationships presented. Perhaps the reason that these works are so effective is due to the fact that they are incredibly similar to each other. Although some differences are present when it comes to structure and gender concerns, the poems share the same theme of love on a spiritual level and show many parallels in meaning.

Written during the 17th century, John Donne utilizes an unconventional genre in his poem, demeaning and objectifying the female sex. A common motif in poems of the Renaissance, Donne uses a flea as a metaphorical comparison to sexual intercourse and the eternal bind between man and woman. Illustrated throughout the poem, Donne

Donne uses imagery in an attempt to draw attention to the importance of his lover, but ends up insinuating ownership over her instead. He says, "She is all states, and all princes, I," whilst pairing him and his lover together in this metaphor establishes an idea of unity, the impression that he controls her is given from this choice of comparison and suggests to me that he thinks that she does not hold enough importance on her own, only when he has that ownership over her she is

Since the beginning of time, human beings have found a variety of ways to illustrate their affections for one another. An intriguing form to present an individual’s ideal thoughts across is the form of poetry, for it displays a deep and mysterious meaning behind the connotation of the words used. Poetry allows writers to express themselves through the act of writing with the usage of a few words. However, it is sometimes difficult for a reader to comprehend what the poem is trying to imply, but that is the beauty behind poetry which as a reader, one might have a different interpretations from another. In an analysis of “She walks in beauty” by Lord Byron and “Sonnet 130” by William Shakespeare, they both have a unique distinction on how the words are used to project affections to their respective lover. The linguistic style of the poets diverges in their depiction the physical appearance, emotive feelings, and understanding what the lover means to them.

Near the end of the poem, Donne makes an unlikely comparison between the couple and a draftsman's compass. This is one of his most famous metaphysical conceits because the two elements which are being compared appear completely different, and yet, amazingly, Donne is able to connect them. He explains that his wife is his "fixed foot" that leans towards him as he roams and straightens again as he returns, but remains his center. Her firmness is what makes his circle complete, "[a]nd makes [him] end where [he] begun"(line 36). The imagery of the circle and the spheres in this poem solidify the eternity of their love and the knowledge that the speaker will always return to the place where he began. Donne's comparisons create an image of celebration rather than mourning.

The central theme, introduced quite early within the poem, is the helplessness of death. Throughout the poem the speaker belittles death and approaches it with such bravery and poise. Donne confronts death by saying it is not in any regard “mighty and dreadful” (2), but rather brings “much pleasure” (7). Death is personified in the poem, and in this regard, possess no greater power over man. The speaker of the poem is Donne himself. He uses his literary tools of rhetoric and poetic devices to belittle death. Throughout the poem, the speaker comes across as being slightly arrogant, but he refuses to show weakness. His arrogance shows that he is not afraid of death as he demands death not to be proud. Donne takes the association of death and sleep, and reinvents this comparison to a greater effect. He describes sleep as being “pictures” (5) of death and death is no more different or more frightening. He extends this metaphor throughout the poem. In the second last line of the poem he

John Donne John Donne had a rich life full of travel, women and religion. Donne was born in 1572 on Bread Street in London. The family was Roman Catholic which was dangerous during this time when Catholicism was being abolished and protestant was taking over. Donne’s farther was an iron monger who died in