John Dryden 's A Song From A Marriage

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

A wife is unable to express full freedom because she must acknowledge her husband’s wishes and put them over her own. In the poem

a story that reflects the subordination of woman in marriage. By the time of the early

In the poem “The Wife’s Lament” there is a transfer to a female point of view which was rare during times of a patriarchal society. A theme seen is this poem is exile. The wife who faces exile from her lord later reaches a state of bitter unhappiness. The wife expresses her longing for her husband through use of ubi sunt:

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

In the third stanza it states that “If she wants to grill anything, it's her husband spitted over a slow fire. This quote makes me feel that she want to kill her husband because he is probably not helping her at home and making her his slave. I believe that this person is tired of cooking and being a slave to her husband. In the end of the poem, it also states “During dinner is not incompetence but war”. This means that this happened for a long time I believe that women all over the world are being mistreated and they should stand up for what they believe in. Therefore women should be treated the same way men are being

“Hypocrite of Women,” by Denise Levertov seems to contain a deep message within its playful wording. The basic meaning that I was able to pull from within this was that as women we are hypocrites, because we will shun others within society for what we consider to be inappropriate behavior, or below the standards of society, however when it comes down to our own personal faults within our characters, we tend to overlook them or ignore them. This is a fascinating poem because I feel like it does reflect how society was as well as is today. In “The Ache of Marriage,” I was able to discern that Denise Levertov’s goal was to explore the pain of an unwanted marriage. The pain that she reflects within her writing seems to be of both an emotional and a physical basis.

We first hear about Curley’s wife when Candy Tells George about her, "He got married a couple of weeks ago. Wife lives over in the boss’s house, seems like Curley 's even cockier since he got married" Candy doesn’t seem to like the way Curley’s wife is making his job even more difficult.

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

This poem by Charlotte Mew tells a story in which a farmer marries a very young girl who could not be less ready to marry. The maid in this poem is abused throughout the poem by her so called husband who does not treat her even as a human. Her marriage arranged at a young age the girl is forced into adult duties and actions much too early. This cause many issues to her mental health and her trust towards other humans. The farmer, as the narrator, uses several similes throughout the poem comparing the maid to a rabbit. This shows how he views her and why he treats her like he does in the poem. The six uneven stanzas allows Mew to express her intentions not limited to another's style. This allows for amazing line placement throughout the poem, and the only form she follows throughout the poem is iambic tetrameter. There is no rhyme scheme allowing Mew to have freedom like the girl so much desires. In “The Farmer’s Bride”, Charlotte Mew uses irregular rhyme and form with iambic tetrameter, as well as thorough imagery and comparison to show the broken marriage in this poem.

Weddings are meant to be a time of happiness and joy for both families of the couple who intend on joining their lives together. This cultural normality does not prove true for Frankie Addams, in the novel The Member of the Wedding written by Carson McCullers. Frankie is a young, twelve year old girl full of jealousy towards her older brother who will be wed towards the end of the novel. Despite being a tomboy, Frankie dreamed and eventually became obsessed with her wedding and the thought of getting married. The novel, set in southern United States in 1944, focuses on Frankie’s lack of a crowd to classify with and her desire to change herself to fit in with those around her. The reader learns of Frankie’s plans to run away with her brother because she feels she will fit in with him and his fiancé due to the love she has for the two of them. The author develops this novel by creating a “fascination with the breaking apart of the individual and social body” (Thurschwell 109) and sharing this fascination with the reader. This character analysis will show how the novels plot is guided by the transformations of the protagonist, Frankie, shown primarily through her identity changes which separate the novel into three separate parts in order to develop the main theme of losing innocence.

I am lost in the turmoil of my own mind, the faithful spirits that ‘tend on mortal thoughts’, deserted me long ago. I repudiated my fundamental social aspect of being a woman and a wife. I did the unthinkable and gave away my woman hood, my femininity, my tenderness. And what for? To stop

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by

From a feminist critical perspective, it is clear to perceive that her husband’s death was a release of freedom from her marriage. The text describes that at times, she did and did not love her husband. However, love had not mattered anymore because she was now free. Whether they loved each other or not, she would have still been his property. This restriction of freedom was no longer her cross to bear. The death of her husband would pave her a path for a new life.