John Everett Millais Ophelia

The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim

Hamlet is an acknowledging Shakespearean play that was later filmed in 1990 by Franco Zeffirelli and in 1996 by Kenneth Branagh. Both these directors interpret the play differently adding unique twists and turns of their own to help focus on one thing than the other. In their contrasting films, these two directors depict the character of Ophelia very differently. Through Zeffirelli’s film, Ophelia, played by Helena Bonham Carter is portrayed as a dreamy, naive, childish character, however in Branagh 's version; Kate Winslet portrays Ophelia as a more mature, sensible and strong willed character. These different portrayals of Ophelia can be further analyzed through cinematography, set and costume designs and through the actor themselves.

Her death however has both innocent and corrupt overtones. She shows the innocence of women by drowning in a creek in a pure white dress. Water and white being symbols for purity and innocence. Yet, however he death may seem pure, it manipulates the male characters, Laertes and Hamlet. The death of Ophelia causes Laertes and Hamlet to dual. This ultimately ends in the death of both men, and other characters. In life, Ophelia was manipulated by the men around her, but in death Ophelia manipulates the men still living.

Ophelia is a very interesting and confused character in William Shakespeare's play Hamlet. She has so many moments where she is hanging onto her sanity by a thread, and one small thing could set her off. Ophelia illustrates character traits leading to her tragic downfall, including innocence, ignorance, and distraught actions.

Shakespeare places many interesting characters in his plays. Claudius, Polonius, Marcellus, and Reynaldo are a few from his play The Tragedy of Hamlet, Prince of Denmark. However, Ophelia appears to be the most innocent all throughout the play. This character has either indirectly or directly affected the lives of every main characters in the script. Ophelia’s character is portrayed as obedient, maidenly, and a mad young girl.

It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one,

Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was

Ophelia can be portrayed as having little power, which is evident in her obedience to her father in 1.3. However, Ophelia's final act is of defiance in her use of flowers to mark the bad qualities of other characters. The symbolism of the flowers is a very feminine way to express that the corruption of Denmark is disguised, much like how the pretty flowers represent something deeper. Ophelia dies a tragic death, but it is unclear whether or not it was suicide, but Shakespeare's imagery depicts her death in a frail beauty, much like the flowers earlier in the act represent qualities such as innocence are

In the play Hamlet by William Shakespeare, there were many important characters just like Hamlet who show up in more than three-fourths of the play; but there are also characters that don’t necessarily show up as much but still have a strong role. One of the characters that didn’t get as much screen time but was still important was Ophelia. Ophelia was a sister, girlfriend, and daughter that so many people loved. Therefore, Despite the lack of presence of Ophelia, she ultimately played a big role in the lives of a lot of the characters.

Keeping her characterizations true to the spirit of the times in which they happened, she smoothly weaves in her perspectives into the story even as she writes a tantalizing back-story. Her most popular title is the story of Ophelia that portrays a beautiful young woman that is desperately in love with a man unable to reciprocate without attracting undue attention. Even as Hamlet is a household name, the story is anything but the original Hamlet even if it has all the madness, death, and treachery at court of the original

This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)

He is very attached to her, and the tied tails show his connection with Ophelia in the beginning of the play. He is so connected to her that Polonius tells Ophelia to keep away from him and deny him multiple times. The first classical painting is Angelica Carving Medoro's Name on a Tree: 1757. It is a picture of a lady carving a man’s name on a tree as he looks up to her. This shows the potential state of the relationship between Ophelia and Hamlet, as Hamlet is open to take her in his arms and show her love.

"Her whole character is that of simple unselfish affection" (Bradley). In comparing the characters in the play Hamlet, Ophelia’s purity and delicate beauty make her comparable to a flower. Ophelia signifies the nature and righteousness of the Elizabethan Era, with her willow trees and flowers visible, and epitome of a goddess. Throughout most of the play, Shakespeare uses Ophelia to enable other characters in reaching their goals. Elizabethan society created impossible expectations for women, considered to be the weaker sex, exploited, and in need of protection. With no exception to this expectation, Ophelia is mistreated, scorned and ultimately shamed by the men in her life. Ophelia is the most innocent victim of Hamlet’s revenge in Shakespeare’s play “Hamlet”.

Ophelia is a piece of art that was painted by Sir John Everett Millais. It was painted in the Tate Britain, and completed in 1852 (Lewis par. 2). The painting shows a fictional actor from Shakespeare’s theater piece Hamlet. William Shakespeare’s work was a great inspiration for Sir John Everett (Lewis par. 2). The fictional character is called Ophelia. This painting by Sir John has since been celebrated for its uniqueness and attention to detail. John Everett Millais and his colleagues were famously known for painting items sourced from the modern world and literature while at the same time utilizing traditional attires. These artists carried out their work directly from nature. Their

Ophelia holds her heart in her hands and this is shown in Shakespeare's “Hamlet.” He writes, “ You speak like a green girl.” (1.3 110) meaning that she is gullible with love and thinks with her heart instead of her mind. She also wants to be loved by Hamlet, but he doesn’t want to love her. Ophelia doesn’t think of herself as a highly as she should “ tender yourself more dearly” (1.3 116) the significance is that she should think of herself as a superior.