John Ford's The Searchers
A critical theory by Robin Wood posits that the filmic genres popularized by the Hollywood system are not "discrete", but represent "different strategies for dealing with the same ideological tensions." (478) Wood claims that conventional theories fail to address this ideological phenomenon, and proposes a search for the myths and contradictions, produced by American capitalism, which fuel disparate filmic genres. Wood's attempt to discuss this ideology lists the "components" of a definition of "American capitalist ideology." (476) One component is the character of "the ideal male", the potent hero of the American way. (477) As the films produced out of capitalism tend to uphold the system's ideology, the hero
…show more content…
It might seem difficult to reappropriate a genre which exists to recount the expansionist myth to denounce the role of money in society, yet Ford successfully contrasts Ethan, the hero in decline, with Martin's quasi-socialist values. The Western hero rarely possesses a penny, even as he acts as the model of personal initiative. (476) This inconsistency founds Wood's belief that the Hollywood system is "ashamed" of its own role in the allocation of wealth in the capitalist structure. (477) The Searchers, however, immerses Ethan in the economic sphere in a very negative way. Early in the film, he literally tosses a bag of fresh-minted "Yankee dollars"
at his brother. The ominous music, Ethan's refusal to explain his whereabouts since the War, and Reverend Clayton's remark that Ethan "fits a lot of descriptions " make the viewer believe that the alleged hero is actually a bank-robber. A hero could only be excused for such activities if the money was reallocated to the poor afterwards, but this does not appear to be the case; Ethan uses his money to appease people, and to establish his power. Later in the film, the discourse of monetary worth is reintroduced in the characters of Futterman and the Mexican, each of whom sell Ethan information regarding Debbie. The viewer is meant to condemn the characters' goals to profit from the Edwards' loss, and to be especially disturbed that Ethan engages and indulges their
Bulman explains, “I analyze these films as data, as cultural artifacts, to see what patterns and trends they reveal…I intend to gain access to certain aspects of American society through the myths that Americans tell to them in the movies (12).”Therefore, this shows how the division of social groups and economic inequality plays a role in our perception of American society. Bulman introduces his topics of different social school by separating each and dismembering them WORK ON INTR
When Ethan passes by his family’s graveyard, the narrator says, “For years that quiet company had mocked his restlessness, his desire for change and freedom” (Wharton 30). Ethan reflects on his year attending college in Worcester and working for an engineer in Florida before his marriage to Zeena. After his marriage, Ethan makes plans to move with Zeena to a big city where they can “see the world,” yet his circumstances stand in his way of his success (Wharton 42). Ethan never forgets his desire for a better life. The fifty-two year old Ethan Frome continues to buy a copy of the Bettsbridge Eagle, a magazine that tantalizingly displays ads for “Trips to the West,” business success stories, and the latest scientific discoveries (Wharton 9). However, as the young Ethan grows wiser and realizes the impossibility of life beyond Starkfield, his dream
At each stratum of society, there is the misconception of correlating money and character. Jim’s mother risked her life and that of her only son to get her ‘dues.’ “[I]’m an honest woman,” she proclaims and intends to prove this proclamation by taking only what is owed (Stevenson 17). It is astonishing how her perception of value is skewed. She sits counting money in the face of imminent danger. She values money over the safety of herself and her son. It is when danger is at the door that Jim is able to pull her back from the brink of death and disaster.
When you think about Ford, an automobile will usually come to mind. Most people don’t think about the man behind that name, Henry Ford. Henry Ford was the man responsible for the Ford Motor Company (FMC). He was also the creator of the invention that changed the mass production industry, the assembly line. As you read on you will learn about Henry Ford’s life, the FMC, and the assembly line.
The Thematic Paradigm, written by Robert Ray, shows that throughout America’s history, people are often attracted to heroes whose traits reflect those of the society at the time. Ray writes about how many American heroes are valued for their strong leadership and sense of community, but there are other heroes who are celebrated for their individuality and their ability to form their own moral laws. In The Thematic Paradigm, Robert Ray shows that the American people are drawn to those who embody traits of both good and bad values. By comparing common values and laws, showing a strong sense of individualism, and contradicting opposite views on America’s historical heroes, Ray is able to give a strong argument as to why Americans are drawn to certain characters in cinema and history.
In the short story “The Devil and Tom Walker”, the author shows greed by the main character selling his soul for a large treasure, being a cheap and greedy moneylender, and the lack of the main character and his wife sharing the wealth between each other in order to show that people will do anything for money and become rich.
In the” Stories Hollywood Never Tells”, Zinn is talking about those who have not the word in the official history: slaves, Indians, peasants, deserters, textile workers, trade unionists and pacifists - those who have scored victories sometimes wiped defeats often, but which, in any case, have been carefully erased textbooks. The historian Zinn argues that Hollywood has become too pro-military and too pro-business in their approach in movies, and that more movies should be geared toward the average-Joe of America. As the years progress, the more well to do increase their grip into Americas culture and twist it into their liking. The only way Hollywood would start making films geared toward the middle class and show a film about Americans rising up and opposing the powers that be
Wendell Ford was born on September 8, 1924 in Daviess County, Kentucky, and, after graduating from Daviess County High School in 1942, attended the University of Kentucky. Two years later, Ford enlisted in the army and served for two years before his honorable discharge in the summer of 1946 and continued to serve in the National Guard until 1962 (Quisenberry). He married Jean Neel on September 18, 1943; he has two children and five grandchildren (Kentucky).
Through the use of foreshadowing, the story has suspense to carry out the main message of importance of benevolence to the readers. In the novel, Ethan meets a man by the name of Link Hornsby, who has a bad reputation. He also meets Ike, a cook at the Chow Down diner warns Ethan about hanging out with Link, saying, “You wanna screw up your life hangin’ with the likes a’ Hornsby, you go right ahead.” (Aker, 253) This foreshadows how Ethan’s life was controlled largely by Mr. Hornsby, as he introduced gambling to Ethan and he became addicted to it. By the end of the book, his life was on the
How Marxist theory is presented in Disney/Pixar films, with a focus on Toy Story 3 and Wall-E.
Introduction: Good and Evil are portrayed through Tom Walker, when he tries to be sinful, yet lives in a world of greed. “The Devil and Tom Walker” was written by Irving Washington, a short story from his collection. Tom and his wife fought all the time, one day Tom went into the woods and encounters the Devil. Tom wanted to exchange his soul for the buried treasure, and then becomes a money lender. One day, Tom regretted the deal with the devil, robbing people of money, and then taken by the devil to never return. “The Devil and Tom Walker” was captivating, it shows that greedy people do not get what they want. Irving’s use of symbolism along with characterization, and irony present an idea that greed is something
Henry Ford was famous for the perfection of mass production and the assembly line. In Brave New World even humans are mass-produced and grown with the help of an assembly line. Efficiency, production, and consumerism are the most important values in Brave New World; not morality, compassion, or piety.
The central theme of the Readings was a simple quote stated by Henry Ford “Coming together is a beginning; keeping together is progress; working together is success”. Meaning that the Indians of the Northwest coast came together as a unit, which marked the beginning of what success could be and by staying together they progressed and over all succeeded even through obstacles they might have had to face. Coming together made it possible for the Indians to develop woodworking, homes, canoes and etc. By choosing to unselfishly become as one they developed a massive civilization through the natural resources of the land.
In this sociological study, an analysis of the rise of neoliberalism and the failure of Marxist ideology in the film Capitalism: A Love Story (2009) by Michael Moore. Moore’s film emulates the failed attempts to control and regulate a capitalist system that exploits the worker and the general public for the greater monetary profit of the ruling classes. In this system, the power of banking institutions, lack of governmental regulation, and “free market” ideology define the problem of neoliberal capitalist values that have become an endemic problem for a “democratic” society. Immanuel Wallerstein’s global view of capitalism defines the overarching dominance of neoliberal capitalism as a way to critique and analyze Moore’s frustration at a system that is destroying itself due to a lack of cooperation and collectivist participation in the American economy. Also, Luhmann’s functionalist theory defines the irrationality of capitalist ideology, which has created a social and cultural “norm” that supports capitalism—even though it is creating class division and poverty for a majority of the people. These aspects of Marxist and Functionalist perspectives critically define the underlying failure of Marxist ideology in Michael Moore’s Capitalism: A Love Story. In essence, Moore’s film defines the failure of Marxism in the rise of neoliberal capitalism in
Ford Motor Company has definitely seen its ups and downs over the past few decades. Although the company experienced a dramatic downturn during the auto industry crisis in recent years, they were the only American automaker that did not ask for a government bailout to keep afloat (The New York Times Company, 2011). This ultimately gave Ford Motor Company a great advantage over other automakers because it led to new customers and a better reputation. With that being said, without proper training for implementing their plan to stay above water during such an economical crisis, none of this would have been possible. While the competitive strategy was developed by Alan Mulally, now CEO of Ford Motor Company, the human resource department