John Muir And Wordsworth Analysis

Since the beginning of human existence love has earned a meaning of pure bliss and wild passion between two people that cannot be broken. Through out time the meaning of love has had its slight shifts but for the most part, maintains a positive value. In the poem “Love Should Grow Up Like a Wild Iris in the Fields,” the author, Susan Griffin expresses that this long lost concept of love is often concealed by the madness of everyday life and reality. In the poem, Griffin uses many literary elements to help convey the importance of true love. The usage of imagery, symbolism, and other literary techniques really help communicate Griffins’ meaning

Two talented literary authors William Wordsworth and John Muir express their emotions towards through their writing; their belletristic stories depict how their experiences with nature positively impacted their lives while giving them constant memories that will stay with them forever. Both Wordsworth and Muir used syntax and diction to verbalize their passionate relationship towards nature.

While both poets Muir and Wordsworth wrote about the happy feelings that they have towards nature the beautiful outdoors or what some people may say Mother Nature, some of which the feelings are the same and some that are different as they speak of the different plants.

Explanation: John Muir felt so captivated by the Calypso Borealis. He was stunned with feelings and passion just from looking at it. He felt so much joy by looking at the plant that he cried because of how beautiful it was.

John Muir and William Wordsworth are great examples of this theory. Throughout their stories, both men give great insight to how the harmony of nature impacts their lives in a way that can make them forget about all the sorrow and depression they have following behind them; Wordsworth and Muir’s stories include syntax and diction to verbalize their passionate relationship towards nature. William Wordsworth’s poem, “I Wandered Lonely as a Cloud” excellently shows how the power of beauty can changes one's once depressed, sad day into joy and blissfulness. In Wordsworth's story, he exploits his experience of how nature changed his mood of depression and sorrow to grateful and glee when he stumbles across a bed of beautiful golden daffodils dancing in the breeze. Wordsworth writes: “A poet could not be but gay, in such a jocund company” (stanza 3). In this passage, Wordsworth shows his change of heart when in the presence of something so beautiful and alluring. Wordsworth also shows how nature impacts his mood from the quote: “They flash upon the inward eye, and my heart with pleasure fills” (stanza 4). In this final quote, Wordsworth explains that even when he is apart from the beautiful golden daffodils, it is the memory that keeps his spirits alive. While Wordsworth's experience with nature

Thousands of flowers swaying in the wind, lined up like stars in the night sky. Just the thought of nature brings a smile to my face. The two authors, John Muir and William Wordsworth have two different styles of writing, but they share their love of nature to help us appreciate nature. We have two beautiful writings, written by two naturalistic authors, Williams Wordsworth and John Muir. Both authors have different ways of explaining what nature means to them, but at the end of the day both pieces of work are beautifully and creatively written. Wordsworth and Muir express their meaningful relationship with nature using descriptive words and witty writing.

Physicist Albert Einstein showed that fulfillment and understanding come from studying nature when he said, “Look deep into nature and you will understand everything better” Both William Wordsworth and John Meir show how their relationships with nature have led them to a deeper understanding of their lives and the world around them. In The Calypso Borealis, John Meir discovers a sense of freedom when he discovers the simple but beautiful Calypso Borealis. Whereas Wordsworth finds happiness by holding on to the memory of a beautiful field of daisies in I Wandered Lonely as a cloud. William Wordsworth and John Muir used imagery and diction to express their relationships with nature. Muir uses these literary devices to bring the reader on a journey filled with ups and downs. Wordsworth, on the other hand, uses these literary devices to paint a picture of a scene that lifts his spirit. Both authors use of imagery and diction explain their love of nature and how it has impacted their lives.

Albert Einstein spoke of nature and its value when he said, “Look deep into nature, and then you will understand everything better.” As Einstein pointed out, by looking into nature you could discover something new about yourself and the world around you. John Muir and William Wordsworth both discovered joy when they looked deep into nature. This joy gave them a new perspective on nature and life and they each expressed this joy through different works of writing. Both authors have a unique outlook on nature and its impact as well as different thoughts on how to share their relationships; Muir used diction and connotation to show his relationship in his essay “The Calypso Borealis” where Wordsworth used tone and syntax in his poem “I Wandered Lonely as a Cloud”.

Two literary works best conveyed nature in their own manner, one called "The Calypso Borealis," an essay written by John Miller called and a poem written by William Wordsworth's called "I Wandered Lonely as a Cloud." Both author created work that captures the beauty of nature, while displaying their compassion and emotion for such beauty. They each capture the essence in their own way, one through a poem while the other through an essay , each using a their own descriptive imagery to cultivate the scenery and amazement of the experience. William Wordsworth and John Miller not only through the diction , vocabulary, and syntax, but also through the impact of tone, and mood, and while both authors express their relationship in different ways there

Henry David Thoreau once said, “It 's not what you look at that matters, it 's what you see.” William Wordsworth, the author of the poem I Wandered Lonely as a Cloud, and John Muir, author of the essay The Calypso Borealis, have proved this in their works by looking at nature and portraying it differently but beautifully in each piece. They have been able to express their relationships with nature differently through choices about format, such as if a rhyme scheme will be used; their word choice, like choosing to give something a specific name; as well as through literary devices used, including tone, mood, and irony, but, even though they made many different choices, their works are both able to make nature seem beautiful and mysterious.

Muir weaves his childhood memorized scripture into the wondrousYosemite beauty, while he observes the Pika as a “haymaker,” he writes, “God up here is looking after them”. “Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they?” (Matthew 6:26, NIV). Muir describes the visiting flowers as nature’s cloud of witnesses as in the book of Hebrews. “Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles. And let us run with perseverance the race marked out for us,” (Hebrews 12:1, NIV).

Over the past two units, we have discussed in great detail the progression of the criminal justice system over the 18th century. As the British criminal justice moved away from executions and capital punishment it transitioned into solutions of imprisonment and transportations of those convicted of a crime. In this time, we also see the move towards attitudes of imprisonment and convict transportation in the eighteenth and nineteenth centuries. The purpose of this chapter was to discuss the third punitive option developed in the nineteenth century. This was the option of transportation, which was widely discussed amongst reformers for a more humanitarian approach, as convicts

Throughout “I Wandered Lonely as a Cloud” William Wordsworth shows his relationship with nature through his choice of diction, fantastic descriptions, and shifting mood of his poem. There are also many words and phrases that Wordsworth included into his poem that shows how he feels about nature. These phrases are well written, extremely descriptive, and show how Wordsworth is influenced by the wild: “I wandered lonely as a cloud”, “When all at once I saw a crowd, a host, of golden daffodils", “Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance”, “The waves beside them danced; but they out-did the sparkling waves in glee”, “I gazed—and gazed—but little thought what wealth the show to me had brought”, and “For oft, when on my couch I lie in vacant or in pensive mood, they flash upon that inward eye [...] and then my heart with pleasure fills, and dances with the daffodils.” Another phrase, which indicates that the flowers were so beautiful that no true poet could be sad in their presence, also builds upon Wordsworth’s relationship with nature. These particular lines in “I Wandered Lonely as a Cloud” show how Wordsworth’s mood shifts from somber and lonely to joyous and content. The lines also show how the gorgeousness of nature sticks with

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

Where Wordsworth focused too on love and nature at first, he then took on more spiritual subjects. Further, if we assume that Wordsworth’s imitation of “The Retreat” was intentional, then Vaughan may have even been a poetic model (in some sense) for Wordsworth later in life. True, Wordsworth is not generally considered a religious poet; he would never have originally considered Vaughan a model because of the latter’s extreme religiosity. Yet if these two poems don’t echo in godly gestures per se, they do in a more spiritual sense—and perhaps Wordsworth, as a man confronted with his own mortality, found Vaughan’s treatise on the spirit’s immortality a sympathetic sentiment. Thus by comparing the two, we also might better understand Wordsworth’s poetic progression.