John Opie: The Art Of Cultivated Feminism

Mina Loy’s writing, “Feminist Manifesto”, is about feminism in the early 20th century. In this period, women were fighting for equality in their everyday life. Loy’s idea is that women should not try to be equal to man but to find a standard within themselves to live up to. This piece has modernism ideas as she is encouraging a change to society and women’s values. She repeatedly questions traditional values and beliefs about women’s roles in society. She was trying to make a historical change for all women in the 20th century. Loy says, “She abandons the suffragette movement’s central issue of equality and insists instead on an adversarial model of gender, claiming that women should not look to men for a standard of value but should find it

During, the 1960s and 70s American Feminist Movement, women had begun to protest for the same human rights as men. The main areas of protest in The United States of America were Boston, Los Angeles, and New York City. There were many ways to protest, including writing, art, and organizations. There were many writers who wrote about feminism during this time, some include Betty Friedan, Robin Morgan, and Kate Millett. Art also encouraged feminism, specifically the paintings by Judy Chicago and Miriam Schapiro. There were many feminist groups that protested for equal rights, some of which were The National Black Feminist Organization, The National Organization For Women, Bread and Roses, and The Chicago Women's Liberation Union. In the 1960s and 70s,

A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.

“Art is the most intense mode of individualism that the world has known.” -Oscar Wilde. Women are wild, sensitive, magnificent, mysterious, and above all: individual. Art’s many different medias allowed artist throughout the ages to capture women at both their strongest and most vulnerable points. It has the power to capture a woman: as a naïve, young girl clutching her brother as they are painted into a lasting portrait, a golden statue of an angel sent down to Earth to help a saved man take his first steps into an eternal life with God, to the powerful goddess, Artemis, transforming a hunter into a deer and having his hunting dogs tragically attack him. The six pieces of art chosen express the individuality of each women who has walked, walks, and will walk the earth.

Early feminism was typically focused only on white women, likely because racism was still extremely prominent at the time feminism began emerging. It was not until Kimberlé Crenshaw introduced the term “intersectionality” in 1989 that feminism started to look at oppressed group’s needs (Nash, 2008, 2). Intersectionality is a way of thinking that acknowledges that when a person has identities that belong to more than one oppressed group, it impacts their quality of life more negatively. In this paper, I will argue that intersectionality is important in the discussion of feminist theories and activism because it ensures that feminism is for all women, not just a select group of them. Intersectionality has changed the way the feminist movement handles the overlapping of different identities, which has helped feminist theorists understand the experiences of women of colour much more clearly. While intersectionality has a very important role in the conversation and practice of feminism, there are certainly critiques of the concept that should be brought up. These critiques, however, can offer a way to improve the study of intersectionality.

The word feminism became prevalent when women began speaking of sex openly and reassuringly. It was to “express their demand in greater liberty, free sexual expression and reproductive choice. The right to ‘control one body’ meant the ability to refuse sexual advances, including those of a women’s husbands ” (Handout 703-704) Men normally felt women to be vulnerable and were in need of protection. Women during the progressive era believed their biological makeup did not determine what men or the government can treat them. As women expressed their entitlement to the pleasures of sex just like men, the men had already found pleasure in alcohol and prostitution.”Drink appeared to be a spur to illicit sex... As medical science revealed the consequences

The definition of feminism is very elusive. Maybe because of its ever-changing historical meaning, it’s not for certain whether there is any coherence to the term feminism or if there is a definition that will live up to the movement’s variety of adherents and ideas. In the book “No Turning Back,” author Estelle Freedman gives an accurate four-part definition of the very active movement: “Feminism is a belief that women and men are inherently part of equal worth. Because most societies privilege men as a group, social movements are necessary to achieve equality between women and men, with the understanding that gender always intersects with other social hierarchies” (Freedman 7).

Looking at this from a feminist theoretical lens, liberal feminism plays a major role throughout the novel The Street by Ann Petry. Women are being seen as sexually objectified throughout the novel. In other words, “women are being viewed primarily as an object of male sexual desire.” (Wiki, 2016)

Catharine MacKinnon, in her book Feminism Unmodified, takes a unique approach to the problem of gender inequality in America. She claims that pornography defines the way in which America’s patriarchal society perpetuates male dominance, and attacks traditional liberal methods that defend pornography on the basis of the first amendment’s right to free speech. According to MacKinnon, pornography is not an example of speech but rather an act. She proposes that this act discriminates against women as a class, and therefore violates their civil rights and should be outlawed. MacKinnon’s critics may think her argument is excessively radical, and contemporary society may not embrace the

Feminism by definition means the advocacy of women’s rights on the grounds of political, social and economic equality to men. But many a time’s people restrict the boundary of these forgetting the very important element of diversity of women living in different places and in varied situations.

There is some disparity between the way critics and philosophers like Judith Butler view Cindy Sherman's work and the way that Cindy Sherman speaks of her photographs. It may be the disparity that exists between many modern artists, who often operate on an intuitive level, and the philosopher critics who comment upon them from a theoretical perspective or a pre-established framework. On one level, Cindy Sherman may only be playing "dress-up" (as she herself admits) in her famous History Portraits (1989-90) (Berne, 2003). On another level, however, her "dressing-up" may be indicative of a deeper problem in modern gender identity theory which is the problem of "becoming" woman (Butler, 1994) or, as Judith Butler sees it, the problem of performativity. In the History Portraits, Sherman may certainly be said to be "performing" and perhaps even attempting to "become" the male and female characters she represents in her work. Indeed, it is upon such a premise that philosopher critics and gender theorists find her work so engaging. This paper will examine Cindy Sherman and her History Portraits in relation to Judith Butler's gender theory, the portrayal of the self, and how gender identity has changed throughout the course of modern history. It will examine representations of womanhood from Romantic Idealism to Post-Modernism and will also

The idea of women being equal to men has been debated for a very long time. Even when civilizations were just starting, most women were treated very differently from men. When women started fighting against this oppression they were called feminists. Feminism can be separated into three waves. The first wave of feminism was from the mid 1800s to the early 1900s. The second wave was from the 1960s to the 1980s. The third wave of feminism started in the 1990s, but its end is unclear. Some people believe it has ended and the fourth wave of feminism has started, but others believe it continues today. The different waves have been very different in some aspects, but very similar in others. The main differences between the first and third wave of feminism are what they fought for, how they protested, and society’s reaction to their cause.

"People who are liberal thinkers have been enslaved by these poseurs, these racketeers, people who are pretending to be liberal but who are in fact just naïve politically. I have been congratulated by women...who are so sick of being bullied by these sanctimonious puritans who call themselves feminists." --Camille Paglia

In Afghanistan, it is widely known that certain sub-cultures allow a man to violate his wife physically and sexually to gain dominance over her. This notion is typically created by the unequal treatment of women in their society. The low social statuses of women in society and the power imbalances between men and women created by this, result in discriminatory practices and physical and sexual abuse against the female population of all ages in Afghanistan. (Povey 268). Despite violence against women being part of their general society, during times of war or political conflict, similar to Afghanistan in the novel, this violence toward women increases. This idea is presented throughout A Thousand Splendid Suns in Rasheed’s relationships with

In today’s world of 2017, feminism is more relevant and controversial than ever, with a new, controversial president and more and more women in positions of power. However, feminism has changed and evolved since the first writers expressed their wish for more women’s rights, as do all movements. “It is time to … restore to them their lost dignity—and make them, as a part of the human species, labour by reforming themselves to reform the world,” wrote Mary Wollstonecraft in her Vindication in the Rights of Women (Wollstonecraft 49). Mary Wollstonecraft, the mother of the feminist movement wanted women to be able to be a good wife or mother through education, but today’s feminists are educated already- they want more rights for women, such