This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly …show more content…
Still, out of all of the artists of the time, Martin believed that Carracci was the one who "rescued painting from its sorry plight." Martin believed that Caravaggio was a great naturalist during the Baroque and he contributed to the trend of the time. Caravaggio's chiaroscuro throughout most of his works enabled him to further the idea of realism. Still, Caravaggio is able to maintain his own individualism and style. Soon after, Martin talks about the works of Bernini. Although Martin believes that Bernini's efforts of realism are the most amazing, he does not force that idea on the reader. He simply suggests that Bernini, through his detailed sculptures of flesh, movement, and grace, gives the viewer a better sense of the moment which is being presented. <p>
The next theme of the Baroque which is discussed is referred to by Martin as the "passions of the soul." These emotions or in Martin's words, the portrayal of the inner life of man," finally came to life during the Baroque. The Baroque was a time where no emotion lay hidden and all were to be felt by both the artist as well as the spectator. Chiaroscuro was a tool used in many paintings to further the emotional sense in the spectator. Sculpture too, was an emotional ride in the Baroque. One such work is Bernini's The Ecstasy of St. Teresa.
The Baroque era began in the year 1600, at the end of the Renaissance period (Kamien 99). The word Baroque has had several different meanings. Back in its time, the word Baroque has meant: Bizarre, Flamboyant, and Elaborately ornamented. Historians, however, used this word to indicate the particular style in all different forms of art that fills space; which includes canvas, stone, or sound (Kamien 99). The Baroque Period is also known as “the age of absolutism” because so many different rulers of the time used and abused their royal power to control their subjects. For example, in Germany, the duke of Weimar imprisoned the famous Johann Sebastian Bach into prison for a month just because Bach asked to leave his job as the Duke’s musician (Kamien 99). This era in time was also home to scientific discoveries by Newton and Galileo. The Baroque era has shaped the world, as they knew it, to what the people of the twenty-first century all know and love.
The Baroque period can be described by many events including the American Revolution. However, what distinguishes the period is the work or art that was done during that time. The Baroque was a period of a particular artistic style that exaggerated emotions. The art of that time produced grandeur, drama, tension, and exuberance. The forms of art included painting, sculpture, architecture, theatre, and music. The style began in Italy, and it eventually spread to other parts of Europe . Nonetheless, it was mostly practiced in Rome. The baroque style of art made popular by the Roman Catholic Church. The church employed the style during the Protestant Reformation to stop the religious group from spreading their reach. There was a deliberate intention
2. What was going historically during this era? What was life like? The Baroque was a period of absolute monarchs. The monarchs had total control over every aspect of their realms: the economy, the books, the style of art, and even life and death. Louis XIV became the model and he set the stage for many things going on during this period. In many parts of Europe, a strict social hierarchy, rigid laws, and elaborate codes of dress and manners characterized life. There were no major wars. There were knew technological developments that led to scientists and philosophers open up to new ideas and a new way of thinking rather
Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.
A multimovement form for one or more solo instruments accompanied by a basso continuo. The different types were Sonata da camera (concert performance) and Sonata da chiesa (church performance)
The word Baroque was derived from the word barroco, which is used to mean the period in which western region widely used music especially in the nineteenth century to express how the European artist practiced the art. When the historical happenings of the music in well explored, the critics who applied the musical knowledge made it look strange and majorly sounded exaggerated. Furthermore, ornamentals were initially used during the era of Bash and Handel. After the brand of music had shed the connotations that were derogatory, baroques became one of the mot simplest and convenient in the brand and one of the richest term, which in the diverse period was included the musical history.
The 16th and 17th century consisted of Baroque art, in everything from paintings, statues and architecture. The term was thought to have derived from the portugese word "barroco" which meant "irregularly shaped pearl." It was orginally used to criticise something, so anything that looked unusual or preposterous was considered Baroque. Baroque art was dynamic, emotionally intense, naturalistic
The period of Baroque art was from 1600 to 1750, and relates to the style
The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like
•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts
The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.
A number of modern artists have focused on reflecting personal perception of the world through a contemporary Baroque style in art. The increasing popularity of Baroque nowadays is due to the complex processes that took place in society and the solutions the modern culture has to offer to resolve them. Truly, through the history, the emergence of Baroque elements has always reflected the complexity of human life, followed by technological progress and cultural exchange. Eventually, Baroque, the style characterized by extravagance and drama, has been defined as anti-classical, innovative and experimental, intended to touch directly the beholder, individual of diverse and pluralistic society.
It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.
In 1600 a new style of music began to evolve, this form of music was
Baroque Period, during which a few of the greatest composers on this planet were born, brought classical music onto a whole new level. The word “Baroque”, which came from the Portuguese for “the imperfect pearl”, implies strange, extravagant and overblown. Toccata, fugue, chorale, ortario, and the concerto Grosso, all of these special musical forms were created and represent this period. The six main characteristics: increased emotional expression, contrast, use of basso continuo, continued harmonic development, use of ornament, and the emphasis of improvisation, molded the unique style of music of the Baroque period.