John The Baptist Chapter 14 Essay

One of the major themes of the Book of John is to prove that Jesus is the Messiah and the Son of God. What makes these miracles so special is the difficulty faced to create them and what each is trying to teach. There are seven main miracles, seven being a significant number throughout the bible, that are used to help better understand Jesus and his true identity. We can also find a last miracle in His resurrection, which in itself is simply put that Jesus is a part of God because of how impossible this action seemed. The last miracle is sometimes skipped as a sign that Jesus is the Christ and Messiah. This book was written from true events which is why it is made important and allows people to see who Jesus is. The reason

The painting shows two figures, center left is John; further to the right is Jesus. John is in the foreground, and the center point of the painting is his head in profile. John kneels on a rock which allows him to be slightly elevated above Jesus, who bows his head towards John. While kneeling on the rock, John uses a stick to maintain his balance and is baptizing Jesus. Jesus has his hand crossed and looks humble and serene. John is wearing a cloth made from an animal skin and is half-naked. Jesus is wearing a seamless robe. Jesus’ head has halo while John’s does not. John the Baptist is holding a kind of circular plate and is pouring water on Jesus’ head. Jesus’ face has a deep smile while John the Baptist looks determined in what is he doing and shows serious face. Both Jesus and John are surrounded by a body of water. The body of water surrounding them is Jordan river.

In the Gospel of John 4:5-42 Jesus was walking through Samaria and when he became tired he stopped at a well. A woman came to the well and Jesus asked her for a drink. She responded how can a Jew ask a Samaritan for a drink. Jesus then begins telling the woman of living water and tells her to go get her husband and to return but the woman says she does not have a husband. Jesus says to her the she has five and the woman recognized him as a prophet because Jesus knew everything about her.. Then came the disciples and were shocked to see that Jesus was talking to the Samaritan woman. When the woman left the well she left her jar behind and began to tell of her encounter. When people heard her story they

Here are the three insights that I discovered when reading our textbook and the book of John. My first insight:

John as we know today was one of the twelve apostles of Jesus. He was also the brother of James, who was also an apostle. John was the son of Zeebee and of Salome. His father was a fisherman while living in Bethsaida in Galilee on the border of the lake Gennesareth. John's mother was one of many women who gave to the maintenance of Jesus Christ. John's parents were very good people, they loved God and his son. It is said that john and his brother James were fishing when Jesus came and chose them. They were soon known as the fishers of men. The John of whom I am talking about is John the Evangelist.

David M. Stone has made some great points in his article, “Signature Killer: Caravaggio and the Poetics of Blood.” Stone set out to explain his ideas about Michelangelo Merisi Caravaggio’s honorary knighthood and the social standing it gave him, and what it meant for Caravaggio to sign his name in The Beheading of Saint John the Baptist, in the blood of St. John the Baptist himself. Stone gave great insight into the world of Caravaggio’s life and what he could have been implying through the act of signing in blood.

Imagine seeing the crucifiction of Christ. Seeing that happen would change everyone’s view of the world. Christ’s crucifiction affected many people, including His mother, Mary. Juan de Juanes, the artist, painted this scene realistically. This painting was made with oil paints on panel with long flowing strokes, which seemed to make it come to life. Juan de Juanes depicts many aspects in this painting such as historical significance, colors, and subject matter.

Prior to Raphael’s The Alba Madonna, there had been numerous paintings of the Virgin Mary and Baby Jesus. What was unique about this one was the fact that a very young John the Baptist was included. In his painting, Raphael has John the Baptist holding a cross and the Baby Jesus grasping it. All three subjects in the painting are gazing at the cross. Church teachings state that Jesus had an understanding of his fate at a very young age. This painting signifies that understanding. Baby Jesus is accepting his future fate of suffering and dying on the cross. His mother Mary and cousin John are also accepting of his fate. Raphael has captured

Giotto di Bondonne created “Lamentation” circa 1305. This piece depicts Jesus Christ removed from the cross as Mary the Virgin embraces Him. There are two figures in the foreground with their backs facing the audience. Dawning a new style of artwork creating a sense of depth. John the Baptist is seen flailing his arms backwards. Body gestures were stiff and stern in comparison to previous works. Bondonne is an early artist in “the revival of the visual arts” by painting a scene to suggest a story (Richards). For example, angels are captured flying in the distance watching the people care for the deceased Jesus Christ. They grieve in unison with the crowd down below. Bondonne successfully creates a feeling of three dimensions by including a cluster of people on the far left tucked away in the corner. The mass of people gathered around to offer praise for His ultimate sacrifice.

An artist has the ability to connect with one’s audience through their art and the obscure connotations that appear beneath it, not just the image that lies on the surface. Artists Jan Van Eyck and Caravaggio communicate these implications through their work, utilising symbols and motifs. Van Eyck’s The Arnolfini Portrait (1434) explores the social status of the time, along with the issue of marriage between two unequals. Caravaggio’s The Beheading of Saint John the Baptist (1608) reflects the world of his time’s attitude on violence and the insensitivity of a positive resolution. Although, these two paintings showcase incredible technique and attention to detail, the context is what is integral to the audience’s understanding of their world

In the beginning God intended for his people to live in a creation that he had made, and to love and take care of it. He wanted his people that he created to love him and be obedient to his plan for civilization in regards to how much he loves us. His will was for us to trust him and live in peace, in the creation that he had made for us to have dominion of. The thing is we could not identify with what God was doing for us even when the human race was in the beginning as we saw them in the garden of Eden. So if we could not have a good relationship with God who did all of this for us. Then how do we expect to have good human relationships with one another if we could not love what God had done

Hebrew poetry is used to express various things in the Bible. Hebrew poetry is used to “express emotion, facilitate worship, and to instruct in wisdom” (Hindson, 2012). God uses Hebrew poetry to teach us how we can better live our lives. Within Hebrews the terms laziness, diligence, folly and wisdom are utilized. God’s plan for us to apply some of these terms and to give terminology to the way we should be living against.

The subject of religion has captured the attention of artists for centuries, working its way throughout the years, in and out of various of styles and movements. The artists of this era often found themselves reliant on this subject matter due to Churches being a steady Patron throughout the Renaissance all the way to the Baroque period. Whether it was because of the rich cultural impact to society or the enforcement of strong divine beliefs, depicting biblical narratives have struck an everlasting cord within this medium. Two particular ones, in fact: The Deposition from the Cross (Entombment of Christ) by Jacopo Pontormo and The Entombment of Christ by Michelangelo Caravaggio. Both of which provide an excellent example of how culture and artistic style combined can alter the message of the same iconic scene and still evoke different emotions.

It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, Saint Mary Magdalene and Joseph of Arimathea.

In this painting, he is being accused by the woman to the soldier. Caravaggio portrays the story of the Denial of St. Peter, as told in all four Gospels (Matthew, John, Luke, Mark) of the Bible. When Jesus was arrested, he prophesied that Peter, his disciple would denounce his name