John Updike's A And P

John Updike's "A&P" is about a boy named Sammy, who lives a simple life while working in a supermarket he seems to despise. As he is following his daily routine, three girls in bathing suits enter the store. The girls affect everyone's monotonous lives, especially Sammy's. Because the girls disrupt the routines of the store, Sammy becomes aware of his life and decides to change himself.

Transition -- In fact, Supporting point 2 -- when he contemplates what Queenie might be thinking Quote -- he wonders if her head is empty or “a little buzz like a bee in a glass jar” (824). Explain/relate quote to point -- In his mind she and the other girls are objects, not human beings. Transition -- Even the nicknames he makes up show the sexist attitude of an immature teenage boy. Supporting point 3/Quote -- Referring to the one he likes as “Queenie,” to her tall friend as “Big Tall Goony Goony” or other female shoppers as “houselaves” indicates that women in his view have no place or identity beyond themselves(825). Explain/relate quote to point -- indicates that women in his view have no place or identity beyond themselves Transition – further Supporting Point 4 -- His false-chivalric gesture at the end reveals his immaturity. Quote -- He assumes that the girls need an “unsuspected hero” to save them Explain/relate to point --, that they cannot take care of themselves or handle a little embarrassment (827). Concluding sentence -- Clearly, Sammy has much to learn about heroism, chivalry, and

We learn about Sammy's station in life through the setting of the story. He is not a big time war hero or superstar but a checker at a small town A & P, not moving up in his job or down, simply stagnant. The town is located north of Boston, five miles from a beach, with a summer colony on the Point. Sammy is ready to make a change. He wants to be part of the girls' world. Sammy's thoughts give us some insight in his feeling that the girls, just like the wealthy summer colony they came from, are out of his reach. "All of a sudden I slid right down her voice into her living room. Her father and all the other men were standing around in ice-cream coats and bow ties...When my parents have somebody over they get lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every time' cartoons stenciled on."

There is a sudden change in Sammy's attitude toward the girls throughout the story. At first, Sammy and his friend's he work

To begin with, Sammy shows a rude attitude through the story. He indicates little regard for other people’s age or knowledge. To illustrate, Sammy asserts the old aged customer, who reprimands Sammy for scanning her item two times while he is gawking at the girls, is “a witch about fifty … [who] would have burned her over in Salem” (Updike 320). Sammy’s despise toward this old lady—in fact shoppers—is perceptible. Also, when Sammy quits A&P, he talks discourteously to his manager Lengel. The readers soom comes to discover that Lengel is a friend of Sammy’s parents. Lengel attempts persude Sammy from making his rash decision, pointing out that he does not want to do to this to his

Sammy surmises how he will never know for sure how girls’ minds work, he says “do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?” I personally believe that Sammy is attracted to the girls in a way that he undermines their intelligence because he feels their beauty is beneath him. He criticizes the way they walk and their appearance, but perhaps he is jealous of them, thus making this remark.

Sammy is the only character in this story who asserts his individuality. Two of the girls are simply following their leader, and Queenie is easily embarrassed and capitulates to Lengel. The other shoppers

To Dessner ,critic of Updike's “A & P,” Sammy is naive to an outrageous extent but also ambitious in morals while also believing that Sammy has no care for the circumstances of his actions (315, 316). To some extent Dessner is correct about Sammy having ambitious morals, on page 413 in the Norton Intro to Literature shows how Sammy's morals are about treating people right even if they break the unwritten rules of a public place, yet his

The interaction between Lengel and Queenie intensifies as she formulates excuses toward Lengel regarding his reprimand “My mother asked me to pick up a jar of herring snacks” (194). This very moment in the story, Sammy abruptly formulates a deeper perception of Queenie, “All of a sudden, I slid right down her voice into her living room” (193). His dream-state imagery of her life, and the sharp contrast to his own, helps him create a more constructed identity for Queenie. His dreamlike state of comparison with Queenie establishes for Sammy a logic in his rationale for yearning to truly form a deeper relationship with and be recognized by Queenie.

The critical essay by Lawrence Jay Dessner explains the importance of the themes of irony and innocence in John Updike’s short story “A&P.” The essay begins with a short summary of the story, and introduces the character of Sammy. Dessner argues that the story depends on irony. The reader expects a certain action and reaction from Sammy, but instead he does the opposite. This irony provides an innocent air of humor due to Sammy’s lack of world knowledge and youthful outlook on life. The remainder of this literary criticism analyzes Sammy’s interactions with the other

Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play."

In a continuing attempt to reveal this societal conflict, Updike introduces the character of Lengel, the manager. He accosts the girls and starts to make a scene accusing them of being indecent: “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.’ He turns his back. That’s policy for you. Policy is what the kingpins want. What others want is juvenile delinquency” (Updike, 600). When the store manager confronts three girls in swimsuits because of their indecency (lack of proper clothes), they are forced to leave humiliated. At this moment Sammy makes the choice to quit his job in protest of the manager’s handling of the situation. In his mind, and arguably in John Updike’s mind, the standards of walking into a grocery store in a bathing suit and humiliating someone in front of other people are both unacceptable. This part of the story is pivotal for one main reason: a voice in the business community is speaking. As a manager at A & P, Lengel is the voice of The Establishment and guards the community ethics (Porter, 321). Queenie’s (the ringleader of the girls) blush is what moves Sammy to action. Here are three girls who came in from the beach to purchase only one thing, and this kingpin is embarrassing them in order to maintain an aura of morality, decency,

This imagery shows the kind of scandalous clothing that they were wearing giving them the power to bring attention and desire to Sammy and his coworkers. They stood no chance to these appealing looks that the girls had with the help of the bathing suits and the environment that they were in as Sammy describes “You know, it’s one thing in to have a girl in a bathing suit down on the beach, where what with the glare nobody can look at each other much anyway, and another thing in the cool of the A & P, under the fluorescent lights, against all those stacked packages, with her feet paddling along naked over our checker-board green-and-cream rubber-tile floor.” (Updike 165). This also shows that Sammy can not control himself once he unleashes his descriptive imagination when thinking about Queenie and her friends walking through the store.

Sammy faces the decision of staying at his job or leaving. His parents are friends with the manager of the store, Lengel. One day three girls walk into the store wearing nothing but bathing suits. Seeing it is a slow day, Sammy observes the girls as they go through the store and to his luck come to his check out station. Lengel then sees them at checkout and confronts the girls to tell them about the store’s policy that they should be dressed decently upon entering the store, “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy’” (Updike). This is where Sammy has his transitioning experience. Upon hearing this conversation, Sammy tries be a hero for the girls by making the decision to quit his job, “The girls, and who’d blame, them are in a hurry to get out, so I say ‘I quit’ to Lengel quick enough for them to hear,

As the girls continue their journey throughout the store, Sammy can’t help but to notice anything and everything that they did. As they proceed, they grab fancy herring snacks and walk into Sammy’s checkout isle. Because they decided to go into Sammy’s lane might not have had anything to do with Sammy at all, however he took it as if he was chosen specifically because Queenie had some sort of attraction to him. Sammy instantly becomes emotionally attached to Queenie as he rings her up, even going so far that he fantasizes about the life he could have with her, and how much better his life would be with her in it. In the midst of Sammy’s daze, his boss, Lengel, emerges from his office to reprimand the group of girls for their attire. Lengel makes a scene, and publicly embarrasses the girls. As the girls scurry away to Queenie’s mother’s car, Sammy makes a desperate final attempt to impress Queenie by quitting his job and standing up for them. Lengel seemingly realizes what Sammy is trying to do, and offers him an out. Because of Lengel’s good relationship with Sammy’s parents, Lengel says, “Sammy, you don't want to do this to your Mom and Dad.” Although Sammy is given the opportunity to take back his foolish act, Sammy tells us, “But it seems to me that once you begin a gesture, it’s fatal not to go through with it.” This points to Sammy’s immaturity, his only