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John Waters Film Techniques

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Director John Waters is mostly regarded as making films subjected to shock value or are in poor taste and are mainly there to make a person laugh or over exaggerate the roles of actors and actresses at this time, but they had also stretched boundaries in which case that the censors didn’t whether or not to classify his earlier films as pornography. John has a style closer towards formalism. His scripts weren’t as detailed as say Hitchcock and they were mostly a spur of the moment type deal. John started making films when he was about 16 and his grandmother gave him an old camcorder. He shot mainly in 8 or 16 mm films. In the mid-60s to early-70s, he would make films with his childhood friends and would mainly star them, but would eventually amass more different types …show more content…

He did play more than just female roles, but mainly his roles were lead female roles. John likes to use the weirdest and foulest types of people in his films and likes to use similar subject matter. What was considered grotesque and shocking back in the mid-60s and early 70s to a group of young catholic teenagers were primarily a huge part in the plots of his films at the time which would be anything adhering to the realm of homosexuality or sin in general. Pink Flamingos (1972) was about Divine and her family verses another group of horrid individuals for the title of the filthiest people alive. If John were to still be making films today, he would probably be using the same subject matter, but with a modern twist. His film Hairspray in 1988 was surprisingly his first PG rated film. A short essay titled “The Nicest Kids in Town” that John wrote for his 1981 book called Shock Value, is where he spoke about his love and obsession with all the dance crazes of the time and watching Baltimore’s own real life equivalent to the Corny Collins Show called the Buddy Deane

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