John William Waterhouse Essay

Not only is he the most nominated living individual in the history of the Academy Awards (with 49 nominations), but he is also the third most-nominated person in Hollywood History, second only to Metro Goldwyn Mayer (62) Walt Disney (59). In his credentials he holds five Academy Awards, seven British Academy Film Awards, 22 Grammy Awards, and 4 Golden Globe Awards. Considering that obtaining a single nomination for any of the aforementioned awards is remarkable in itself, this astounding number is truly

While both poets Muir and Wordsworth wrote about the happy feelings that they have towards nature the beautiful outdoors or what some people may say Mother Nature, some of which the feelings are the same and some that are different as they speak of the different plants.

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

John Smith is one of the most famous people in American literature history. He was a dedicated man to his country of England, and wanted nothing more than to claim America in the name of the king. During his adventures to the new land he encountered many new things and people including a young Native American woman named Pocahontas. He also wrote many journals enticing people to want to come to America. This shall tell you the story of John Smith from his journeys as a young man all the way to when he finally came to America, and how his writings still influence people to immigrate to America still today.

The foremost reason for this being the abundance of movement both contained in the composition and implied by it. Lucretia’s figure may be, generally speaking, characterized by its classical orientation, standing upright with no peculiar manipulation to her poster—her chest is roughly aligned with the plane of the composition. What’s more, her figure is characterized by its well-balanced composition with respect to both the domains of shape and color, the most obvious observation being that each element depicted to the figure’s left is also depicted to the figure’s right (and vice versa), the dagger falling neatly between what is almost bilateral symmetry in her frame. Nevertheless, by means of only a few understated alterations to this otherwise archetypal stance, the painting is effective in intimating a sense of motion. Note the curved diagonal implied by her outstretched arms through the length of the dagger and leading upward through her bend, slightly corked neck. What’s more, counterpoint this observation with the perpendicular intersections of this line with those implied by the union of her arms, the breath of her shoulders, the spread of her jewelry, and the floating, lilting ends of Lucretia’s bonnet which appear at either upper corner of the composition quite as ghostly apparitions. The shading corresponding to both of these tails gives to the

His Promised Land: The Autobiography of John P. Parker, Former Slave And Conductor on the Underground Railroad.

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

One of the most remarkable stories is the one of John Norman. He was a deputy chief of the New York City fire department. He was asleep whenever the first tower of the World Trade Center was hit. He had turned off the ringer on his phone because he was on vacation from work. His plan that day was to sleep in. He was completely unaware of what was going on outside. Then his answering machine got an "all call" message from the department. Still he didn't know what fully was going on so he turned on the television. He said, “As I’m just about to turn off the TV and head for the door, the south tower collapses. I thought it was a bomb." It took him and hour and a half just to get to the city and where he needed to be. He was put in shock whenever

To further elaborate upon the elements of art on the painting, the lines are in their vast

The first element of art that is used in this work of art is line, which can be seen throughout the entire painting. Indeed, the first thing I noticed was variety of lines in this painting; for example, there are straight vertical and horizontal lines on the throne, curved and organic lines within the throne and the faces and bodies of the people, and diagonal lines within the border of the painting. Some of the most interesting lines come in the shape of hair; for example, the beards on the men have very organic lines that look realistic and full of depth. Now, another element of art used within this work of art is tone. It seems as though this painting is full of vibrant colors except for Mary’s robes, and the wings on the angels, so this painting was most likely created with few lines to allow a light and bright tone for the painting.

First off, the lines are incorporated throughout the entirety of the painting and play an important role. The wavy lines used in the sky and lake indicates movement in nature such as the clouds in the sky or water in the lake. Whereas, the straight lines applied on the bridge demonstrates the usage of depth and helps to stand apart from the rest of the painting. Another artistic element Munch incorporated in the painting was light. The element of light is employed in the screaming figure’s skin tone in contrast to his dark body.

Although the use of line and light is not as defined as the color scheme, they still play an important role in the overall organization of the painting. Gauguin uses curvilinear lines throughout this work with no right angles or sharp points. The outlines in the background are fairly blurry and some of the lines blend into one another. In contrast, the characters in the foreground are comprised of precise, sharp lines. Gauguin goes as far as lightly outlining the bodies with a dark line in order to give them a sense of depth. Light also serves to enhance certain aspects of the painting. Gauguin has been careful in his use of light to create some areas of brightness and some of darkness. The central figure glows in the bright light, which shines down on her from above. This light shows the importance of the decision of whether to pick the fruit or not. It is focused so directly on one area and is void in the others.

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.