John Williams And Star Wars

Williams connection with this orchestra stems from his position as their conductor from 1980-1993 (although he still acts as the Laureate Conductor with the organisation). Along with the orchestra, he recorded numerous tracks for Sony and Phillips' classical labels, including award-winning albums, along with entertaining audiences live with classic and contemporary commissioned pieces. Some of the most memorable performances were

John Williams is probably one of the most well known composers in history. If there’s any doubt in anyone’s mind, just think back to some of the most iconic movies of the past (like Jaws, Star Wars, E.T., Schindler’s List, Jurassic Park, Harry Potter, and even Memoirs of a Geisha) and the most striking feature about all of these movies is their amazing soundtracks. They compel and spellbind us; tying magical stories together with even more poignant melodies to captivate the mind’s imagery.

     The First of the three part series, Star Wars, is the tale of a band of

The purpose of this essay is to analyse music from the film ' Star Wars' and discuss in detail, the function of this music, the elements of music used and how this music embellishes the film. This includes the purpose of the music. It is to represent a character/ action / set a geographical location/ create atmosphere/ to psychologically unite the audience.

John Towner Williams was born in New York City on February 8, 1932. He acquired his love of music from his father who was a musician in the city. His passion for music took a three year hiatus when Williams was drafted in the U.S. Airforce in 1951, after which he returned to New York City to work as a jazz pianist while attending the Julliard School of Music. It was during his studies in Julliard where Williams decided to become a composer, humorously because he thought the competition for concert pianists was too high. After graduating from Julliard he moved to Los Angeles in the 1950s and began working as a movie studio musician. He worked as a pianist for a few years before given the opportunity to start composing his own music: Gilligan’s Island and Lost in Space were some he had a part in composing. This was also around the same time that he started working with the big screen movies as well. He received an Academy Award nomination for Valley of the Dolls (1967), then went on to win an Academy Award for his music in Fiddler on the Roof (1972). This was when things got interesting for Williams, the meeting and future collaboration with directors Steven Spielberg and George

“Clifton Williams musician, composer and prolific composers of serious contemporary music for the wind band.” He has created some of the biggest standards in the American, Canadian, European, and Japanese Band repertoire.

suited to film. It is no accident that he was the composer for some of

Williams’ music was influenced at an early age beginning with the music of his father. Growing up, his musical stylings were altered because all of the amazing composers and conductors he had the pleasure to meet during his time working in Hollywood. Without these individuals,

The creator and director of Star Wars, George Lucas, was incredibly successful for his movie series, but even more successful for its overall purpose: to sell toys to ten-year old boys. The use of ethos, pathos, and logos are very abundant in this movie. Ethos, Greek for “character”, is anything referring to or relying on the author’s credibility. Pathos, Greek for “emotional”, is anything that makes you feel emotion. Logos, Greek for “word”, is anything that makes you think. By using these he was able to persuade the audience into thinking, feeling, and loving Star Wars, making the audience want to purchase figurines.

Most people have heard his musical scores in famous movies and movie series such as Jaws, Superman, Jurassic Park, Indiana Jones, E.T., Harry Potter, and Star Wars, but many people don’t know the composer behind the movies’ masterful scores. John Towner Williams was born on February 8, 1932 in Queens, New York to John and Esther Williams. With a father who was a percussionist for the CBS radio orchestra, Williams was exposed to music from a young age. As a child, he studied piano, trumpet, trombone, and clarinet. Williams and his family moved to Los Angeles in 1948 where he briefly studied music composition at the University of California. In 1951, Williams was drafted into the United States Air Force during the Korean War. During his service in the

Many people have probably heard of a musical by Rodgers and Hammerstein. They wrote the music and lyrics for many theatre classics, including The Sound of Music, Oklahoma!, The King and I, Carousel and South Pacific. Since their collaboration in the 1940’s and 1950’s, their musicals have been viewed by many, and their songs have become classics. Although they were not the only innovators in musical theatre, Rodgers and Hammerstein wrote many popular musicals,used new techniques, and won many awards; therefore, they left a lasting imprint on the theatrical world.

John Williams is a fantastic musician who has made a multifarious of successful pieces of music. He was born on February 8, 1932 in Floral Park, New York. A few important works of his, are the soundtracks for Harry Potter, E.T.- The Extra Terrestrial, Star Wars, Jurassic Park and Jaws.

There are thousands of movie composers in the music industry, a few who triumph and whose work is well known to almost half of the world. One example of that can be the famous Maestro John Williams. John

George Lucas' film Star Wars There are many different theories to Star Wars, which attracted millions of viewers. These theories made Star Wars what it was, and to some people still is. Made in1977, it was the first of it's kind by being new, using aliens and special effects, Star Wars created a large audience. Then it was re-released twenty years later, after improvement in special effects and another character was added.

Music can be extraordinarily influential in films, as it has the ability to evoke emotion not displayed by on-screen action. Music used in films can play many roles; it can depict time and place, mood, atmosphere, character, and can be used to underscore the onscreen drama and titles. Alan Silvestri and John Williams successfully manipulate the use of music in film to establish characters (along with their personality, actions and changing emotions), as well as underscore the mood for the entirety of their given films. The contrasts of Silvestri’s “The Feather Theme” with Williams’ “Batman Theme” exemplify the power of music in film.