Jonathan Lynn Clue

Sound is extremely important in films, and the types of sound used differ between genre. Sound is important in all films. Without sound, films do not possess as much power compared to if they did have sound. In ‘The Nightmare Before Christmas’, multiple soundtracks are used throughout the film. Two fantastic soundtracks in the film are ‘This is Halloween’ and ‘The Oogie Boogie Song’. Both use orchestral instruments and the lyrics are sung with deep voices. Diegetic sounds used in these soundtracks and throughout the film include bats squeaking, bugs crawling, and pumpkin heads being chopped off using a large metal blade. The effect of sounds, including soundtracks, is to enhance the feeling experienced from the visuals. Deep voices and multiple orchestral instruments create suspense and fear. As the music crescendos, the suspense increases as well. Loud, sudden sounds like a scream or crash create sudden fright. Using different sounds, films are more exciting and can be used to determine a genre.

Movies and books can oftentimes be very similar. In 1939 Agatha Christie wrote the book And Then There Were None. A mystery novel, where the characters are invited a an faraway island by an unknown owner. The movie Clue was made in 1985 directed by Jonathan Lynn, based on the original Clue which is a board game. In the movie the Characters also receive letters to meet at a mansion. The movie and book can be said to be very similar, but also share major differences. Both Clue and And Then There Were None share setting, plot, and characters. They are different in the fact that Clue is made to be more of entertainment and funny, while And Then There Were None is more serious.

Lewis uses lighting to dramatize the opening scene of the film and characterize the protagonist of the story. The most noticeable utilization of film noir lighting is in the beginning

Lighting and sound are another two key factors that can be manipulated to heighten the dramatic value of the scene. With the opening of the first sequence, the musical motif that accompanies Abigail throughout the film begins to play as she is introduced. It follows her emotions, the tempo increasing as she hurries to ready herself and creep out of the house. As the forest comes into view, the eerie surroundings are complemented by the change in music.

The use of music/sound annotate the mood and help create the feeling that Burton is trying to deliver to the audience. Burton adds tranquility to his films with non-diegetic sound in Edward Scissorhands. When Peg enters through the gates of a dark, sinister looking mansion, she unexpectedly finds herself in a beautiful garden with bushes that have creative and incredible designs. After Peg notices the decorative garden she is standing in, nice calming music plays in the background. The sound of the angelic and harmonious chorus relates to the peaceful and serene garden. The music notifies the audience that although the mansion looks terrifying, the beautiful garden indicates the contrast between the two. This gives the audience a sense of tranquility as Peg reaches the door. However, once Peg enters the mansion, Burton returns to the eerie and creepy non-diegetic sounds. The chorus begins to get louder while repeating the same beat to add tension and anticipation on what will happen to Peg. With the help of the piano, Burton establishes the new frightening mood after creating a cheerful mood. Peg’s adventure to the mansion is much more exciting for the audience, with the use of non-diegetic sound. Burton utilizes music/sound in Big Fish as well. When Edward takes a shortcut to Spectre through an odd looking path in the woods, Edward suddenly finds trouble along the way. Burton

The lighting there is much darker than outside without any light. There is a medium shot from low angle facing the cellar door. Then, Lila opens the door and slowly walks down the stairs and proceeds to another basement room. The scene of walking steps from the door down into the room generates a mysterious mood and it symbolizes that Lila is going deeper into the hidden secrets. The shot then edited to another brighter room with lights on and a worn out setting continues with Lila opens the door producing a creaking noise. Then, it shows a medium shot of a back of a woman sitting on a chair with her hair-tied in a bun. Lila then walks closer to the woman and call Mrs. Bates. When she is walking, the camera is constantly stay and Lila is getting closer and the focus point changes from the hanging light bulb to her face. Her facial expression shows that she is curious about the appearance of Mrs. Bates in the cellar. She taps on the right shoulder of the woman and the body of the woman slowly jiggles back and turns over. There is still medium shot when she taps on her shoulder and audience can see the shadow of the woman reflected on the wall behind. Then, the shot is cut to a close-up shot with the skeletal of the woman’s corpse with empty eye

Lighting and filming through the movie is applied creatively causing people to be interested in not only the plot but the aesthetic . Lighting gave the movie a mysterious ambiance. They also use the lighting to create a contrast of characters, they manipulate the lighting in a scene with Harvey Dent to show the dark side Of himself. Doing these

The first Alien movie is one of my favors whose sound evokes terror and suspense. The scene that used sounds build terror and suspense is very intense was when Captain Dallas was inside the cramped air-duct. The other members were tracking the Alien on a computer and communicating it to Dallas. The computer was making clicking sound to show were it was located and then all the sudden the tracking sound stops and you have stone cold silent. This silence creates an eerie vacuum that sense of something impending is about to bust. Then all the sudden the clicking sound started up again and begins to get louder and louder and is moving towards Dallas. Then silent, and you then see Dallas gets out of air duct, turn and is face to face with the Alien.

One of the ways why cinematography made the film was the lighting. To get the feel, the lighting appeared to be fake shadows that were painted on the set. The fake shadows that were painted on the set gave the lighting appeared to be harsh and sharper to set the mood for the audience. If it weren’t for the painted shadows, the movie wouldn’t have been so successful in the horror genre. Since it was a silent movie, if it weren’t for the shadows, you wouldn’t of seen it as a horror film, but as an original film that was trying to be creative.

One such flashback begins at Thatcher’s building where the reporter Thompson enters an exaggeratedly large room and begins to read about Kane. This is one of the scenes in which cinematographer Greg Toland’s deep focus technique of filming and use of unique lighting, in which the only light source hits

Most of the actors are wearing darker clothing as well which makes their faces stand out even more. This lighting style also adds to the tension and the mystery of the scene. It makes the audience on edge. The contrast filled lighting of film noir is also effective at bringing out the extremes of emotions and thought. The darkness of the genre makes anything that goes wrong seem less taboo, because the lighting of the genre sets up the norms for the world that the film lives in—and in that world, bad things happen. The lighting of the film helps the audience understand the world that the characters are in.

Clueless is a movie about a young snob, rich, and over confident teenage high school girl named

The persistent cross-cutting between scenes reminds us, as the audience that the War is still going, blood is spilt every moment. At the same time simultaneously, focusing on the on-going development of Alan Turing. The type of lighting used in this movie is low-key lighting and/or neutral lighting. This type of lighting is “high contrast dominated by deep shadows with a few bright highlights”. Now, I don’t know what you think? But I know what I think, and I think that this lighting has definitely contributed in defining the dull, dreary weather in the United Kingdom. Set in the early 1940’s, this film’s lighting, editing, soundtrack, setting and vintage clothing, accompanied by raw unedited World

Alfred Hitchcock’s attention to detail in his films is one of the many things that makes him one of the most recognized film auteurs of all time. He was very particular what about he wanted seen on screen and how he wanted to get those shots. From camera movements to the things found in the mise-en-scène, Hitchcock was very precise about every little thing that is seen in his on screen worlds. He would strategically place objects throughout the mise-en-scène and have characters wear certain clothing. By doing this, Hitchcock is able to let the audience know things about the characters and the plot without it having to be said on camera. Hitchcock once said that “If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on” (Tiffin). That’s why there’s no surprise that when Hitchcock finally made his first color film, he began to use color as another way of communicating with his audience.

(Mulvey, Nov. 2, 2017) Our society today is engrossed in the visualization of gore, horror, and violence. In the infamous scene where the murderer is unveiled, an orchestra plays a staccato melody that rises in tempo. “Incorporating music into your own films can not only make your final cut more interesting, but it also allows the audience the ability to connect emotionally to your characters and their situation, and you, the filmmaker, to reinforce your story and/or message.” (Bell, Nov. 2, 2017). Nevertheless, this would explain why a viewer's interest would peak at the moment of each murder. The music being played pre murder builds suspense and creates the feeling that the viewer knows what is going to happen before it even happens. For example, a creepy tune plays every time the mysterious murders carriage drives around the town. The viewer is left to assume that a murder is about to occur, but is left at the edge of their seat wondering if their assumption is a correct inclination of where the plot is going. Music not only builds suspense by allowing the viewer to have freedom of their own foreshadowed outcomes, but it keeps their interest as well.