Jonathan Swift
In an age of where rationality and morals were held to the accepted values, Jonathan Swift stood out as a champion of humanism. All his life he attacked pretense and begged people to see that life is not always what it seems when you look harder and think deeper. In addition, Swift was one of the most powerful writers of his time; able to rally people and nations around the caustic and moral views expressed in his works. His political writings for the Tories exposed the corruptions of government and paved the way for his acclaimed satires. Swift's great strength lied in impressing people into believing his ideals without blatantly professing them or becoming preachy. Swift was raised in Dublin, and was schooled well
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We do not merely agree with the moral evaluations implied; we have lived, in our imaginations, through a moral experience (Williams 4). Swift doesn't simply tell us his beliefs; he makes the reader sort it out through the context of the story. By placing his ideas and morals upon other characters, Swift himself stands distant from these scenes he writes about. In doing so, he artistically, yet implicitly, defines the interval between the normal and the absurd. We attain normality by guarding against pride, and this we could do easily by observing the distorted figures in comedy and satire (Quintana 39).
An example where Swift uses his satire in a crafty, implicit way is in one of his first major works, A Tale of A Tub. The book is about exposing the corruption and abuses of religion at the time. In section VI of the book, Swift takes the form of an earnest storyteller but in fact he is telling the history of the major Christian Churches. The three main characters are obviously personas for the three main churches at the time. There is Peter, who in truth represents the Roman Catholic Church; Martin, who is named after the Protestant/Lutheran/Anglican Church; and Jack, who is named after Calvinism and the other nonconformist Christian religions. Swift, as the narrator, is asserting to be telling this story just like it happened, and not drawing any conclusions or seeing any
Irony is a beautiful technique exercised to convey a message or call a certain group of people to action. This rhetorical skill is artfully used by Jonathan Swift in his pamphlet “A Modest Proposal.” The main argument for this mordantly ironic essay is to capture the attention of a disconnected and indifferent audience. Swift makes his point by stringing together a dreadfully twisted set of morally untenable positions in order to cast blame and aspersions on his intended audience. Jonathan Swift’s “A Modest Proposal” employs despicably vivid satire to call for change in a world of abuse and misfortune.
Johnathan Swift wrote Modest Proposal with the idea to better humanity.. When you first read it you miss what the true message is. You think “Man this guy is a monster!” or “He’s sick!”, but once you reach the end the true meaning of the proposal hits you. When Jonathan Swift wrote a Modest Proposal he tried to get his audience to see the problem by taking it and providing an unethical and inhumane solution then using rhetorical devices to bring out people’s emotions.
In Jonathan Swift’s satire, “A Modest Proposal”, Swift writes about the starving people of Ireland in the early 1700’s. He makes a wild and absurd proposal to help remedy the problems of overpopulation and poverty. Swift wants to make a political statement by using the “children” as satire to grasp the attention of the audience - the English people, the Irish politicians and the rich – and make them aware of the political, moral, and social problems. In “A Modest Proposal”, Swift’s arguments are presented effectively by using pathos (emotional appeal), ethos (ethics and values), and logos (logic reasoning and facts).
Although the use of incongruity is used to seize attention through a sarcastic view, another way Swift uses satire to grab England’s attention is through reversal. Reversal is used by Swift to switch the roles of babies to pigs, to emphasize the idea that these babies taste like pig. It is expressed in the text where the author points out, “I rather recommend buying the children alive and dressing them hot from the knife as we do roasting pigs” (Swift 99). This piece of text is evident of how Swift makes the point of having children served similar to pigs makes it sound serious, yet sarcastic making his point more clear to the reader with hidden meaning. The way Swift places reversal in the text makes it clear to England of how insane he may seem, but for a cause. This effective way of satire is undeniable of how Swift achieves his idea to bring poverty to an end to Ireland.
Jonathan Swift uses humor in his essay ‘A Modest Proposal’ in the form of satire. His writing style specialized in gaining entertainment and humor from the issue that is being criticized. Jonathan Swift was a satirist who is famous for his ‘Modest Proposal’, in which he proposed a shocking but humorous remedy to satirize the false modesty of British pamphlets and the government during eighteenth century.
Jonathan Swift, the writer of the satirical essay A Modest Proposal, grew up and lived in Ireland during times of famine and economic struggles (Conditions). Growing up with a single mother and no father, Swift knew what hard times and struggles were like (Jonathan Swift: Biography). His essay proposes an easy solution to the economic problems going on in Ireland for both the wealthy ruling classes and the poorer classes, although his intentions and the meaning behind his words are not what would be originally thought when initially reading the essay. Through his word choices and the description of specific events of his time, Swift uses satire to grab his audience’s attention and get his own personal ideas and opinions out about all the
In addition, Swift uses further satire against society with his use of hyperbole. The narrator in the text often gives off a high feeling of ego. As a result, Swift's narrator comes off as obnoxious and egotistical. In the first few paragraphs, the narrator claims that his solution to the problem will grant him high honor. Swift further extends and dramatizes the hyperbole to ridiculous levels. The narrator states that his solution is one of such high esteem that whoever was to propose it deserves a statue of themselves in honor. Swift's hyperbole in these passages not only means to convey a very mocking view of the ego of the higher class but the also even further vilify them by centering the motivation around honor. As a result, the satire leaves the reader speechless at the consideration. The hyperbole, all the while, adding very subtle but powerful doses of satire into the text.
Furthermore, this roots to the many underlying statements, which emerge all throughout the story. Swift clearly holds deep resentment directed to those who blame those who are forced on bringing themselves to begging for food and wandering the streets. Though he indifferently speaks of the needy as “dead and rotting,” Swift is being nothing more than
Swift shows his despair from the rejection he has experienced from every caregiver or leader in his own life, just as the poor have been rejected by society, forcing them to resort to begging. He feels that something drastic will have to happen in order for things to change, otherwise the misery of being devoured by society will be upon the poor “breed for ever,” as well as himself (Swift). Perhaps this drastic change that would have to occur is already too late for Swift. Perhaps his unresolved childhood complexes are too far past that they can never be resolved, but he is still trying to resolve them through his proposal that is trying to resolve society’s large problem of poverty.
Read carefully paragraphs 29–31. What are the “expedients” that Swift discusses there? How does irony serve his rhetorical purpose in this section? Among the “expedients” are taxing domestic products, rejecting foreign luxury, curing the vices among women (which brings up a good place to discuss Swift’s misogyny), instilling the virtues of patriotism, taxing the absentees (this is a reference to the fact that so many of the landlords collecting rent did not even live in Ireland but back in England), and rejecting divisiveness while promoting prudence, honesty, industry, and skill.
Irony is a beautiful technique exercised to convey a message or call a certain group of people to action. This rhetorical skill is artfully used by Jonathan Swift in his pamphlet “A Modest Proposal.” The main argument for this bitingly ironic essay is to capture the attention of a disconnected and indifferent audience. Swift makes his point by stringing together a dreadfully twisted set of morally untenable positions in order to cast blame and aspersions on his intended audience. Jonathan Swift’s “A Modest Proposal” employs despicably vivid satire to call for change in a world of abuse and misfortune.
Swift uses irony instead of straight forward remarks to express his anger toward the British and how their oppression on his people is destroying the economy. Swifts anger has become so great he states that much of the population would have been better off dead, which may be exaggerated but not ironic. Instead of coming straight out and writing a rational proposal he uses satire to mock the British but at the same time get a valuable point across. All satire is ultimately driven by anger at some level. Its purpose is to not only entertain but to drive change. A Modest Proposal is a reminder of these roots.
Jonathan Swift's story, Gulliver's Travels, is a very clever story. It recounts the fictitious journey of a fictitious man named Lemuel Gulliver, and his travels to the fantasy lands of Lilliput, Brobdinag, Laputa, and Houyhnhmn land. When one first reads his accounts in each of these lands, one may believe that they are reading humorous accounts of fairy-tale-like lands that are intended to amuse children. When one reads this story in the light of it being a satire, the stories are still humorous, but one realizes that Swift was making a public statement about the affairs of England and of the human race as a whole.
Thesis Statement: Jonathan Swift’s literary canon of politically and comically-prolific satires, fantasies, and allegories was seasoned with his exposure to the follies of the economic, religious and governing institutions of the British Empire, and thus, he sought to lampoon and caricature the current events and social, cultural, religious, and political trends that were so omnipotent during his lifetime.