Jose Vasconcelos: Mexico's State Of Restoration

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

a city where an eagle with a snake in its beak rested on a cactus. This

Artworks have played an indelible work to the lives of humanity. The creative nature in Artists is a complex matter to define. The uncertainties in the intrinsic nature in art lay difficult aspects that can only be answered by values, themes and skills depicted in an artist artwork. Apart from playing the intricate psychological effect on humans, the artworks have been used as a tool of expression that has been revered and uniquely preserved for future generation. Among some of the most revered modern forms of artwork has included Chicano Art that had a core relationship to Las Carpas, Indigenismo, rascuachismo and other forms of performance art.

Grito Dolores also known as the “Cry of Dolores” marked the beginning of the Mexican War of Independence. The war was launched by Miguel Hidalgo y Costilla, a renowned Catholic priest. The war was started in response to the three hundred years of turmoil that the Mexicans faced from the Spaniards. Such problems that they faced included racial inequality and the imperialism that the Spaniards forced down the throats of the Mexicans. The “ Cry of Dolores” gave the empowering speech given Miguel Hidalgo, in front of his parish church was used as a tool to help empower the populous community.

The Mexican Revolution began November 20, 1910, and ended on May 21, 1920. The revolution was against the regime of Porfirio Diaz who reigned for 35 years, after Mexico gained its independence from Spain. and was not a good president in the sense that he failed to support the middle and lower classes of Mexico. It was run by the middle (some in the middle (A very a little amount) and all in the lower classes, and they were all influenced by Francisco I. Madero. Although the lower classes didn’t originally full on oppose Diaz they felt neglected as a people. Madero saw this and sought out to influence the people of the country to revolt, so that they could then shift their views completely. Madero writes the Plan de San Luis Potosi, which was a political document written by Madero to describe how he was wrongly imprisoned by Diaz in order for him to lose the election. Madero also wrote the document to spread new ideas on what democracy was, and how to eradicate corruption in Mexico’s government. With the publication of this document support for Diaz and his presidency easily disappeared eventually causing him to resign. Madero then ran for president and won the election properly. But he only reigned for two years before being assassinated, by none other than the military governors, military, and lower classes because Madera failed to make any change in the social classes. A key factor that lead to his assignation was that the

During the Mexican Revolution there were many prominent figures that emerged during the long struggle. Some of the figures had a positive impact on the region, and some others a very negative impact on the people of Mexico and their quest for an uncorrupted government. One figure that stands out in the border region between Mexico and The United States during this time is General Francisco “Pancho” Villa. To understand Pancho Villa’s significant role during this uprising it is important to understand who Villa was prior to the revolution, and what acts lead to his rise to power.

After the Mexican Revolution, which took place from 1910 - 1920, Mexican art saw a change in the type of art being created. Although the focus of creating art with an indigenous and Mexican theme continued, the country saw a shift to art presenting socialist ideals. The government saw value in working with local artist and commissioning them to create murals that would influence their political agendas. However, what these murals mostly did was strengthen the Mexican culture and bring pride to the indigenous heritage. Although this time period has come and gone, its influence over Mexican art and culture is still very apparent today and can even be seen in Mexican American communities today.

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

After the Mexican Revolution of 1910, a nationalistic sentiment spread throughout Mexico as they sought to form a unified identity under its new constitution. Under the new organization of the country, Mexico underwent many political and social changes, many of them violent. At the turn of the 20th century, Mexican nationalism was of the utmost importance. Finally, the masses of Mexican poor began to have a voice in their own destiny and began to seek out a national identity. In order to be fully immersed in an identity that seemed ambiguous due to centuries of colonization, Mexico looked to the arts to help mold Mexico’s new character as a country. Muralists like Rivera, Siqueiros, Orozco and Khalo portrayed the struggle for freedom and democracy against the oligarchs that had exploited the poor for decades. Music also played a pivotal role in expressing nationalistic views and ideas through movements such as the traditional and the “indigenismo”. One of the composers who was at the forefront of the “indigenismo” movement was Carlos Chávez. Chávez strived to distance himself from romantic influences and practices, and searched for new methods to create pieces that were for everyone, not just the elite. Chavez’s investigation of indigenous Indian cultures, native folk elements, and dance forms brought an unprecedented vigor and visibility to 20th century Mexican Music. Chávez traveled to Europe and the United States to gain recognition beyond Mexico’s border, thus catapulting his influence on Mexico’s musical style and cultures.

Ancient Mexico is a grandiose mural which represents the main events of Mexico’s history from the Pre-Columbian Period to Modern Time. The inspiration came to Diego Rivera, from the nationalist movement of his country. Therefore, the mural elements are prototypical of the painting style’s era. Physically the mural is located on the stairway of the Mexican National Palace, in Mexico City; which is the place where the Presidents work. This mural was commissioned at the end of the Mexican Revolution by the federal government. Moreover, this masterpiece depicts its era, considering that this was the dominating genre in the 1920’s, among the Mexican painters.

Because Schreffler is arguing that Díaz, López de Gómara, Solís and González created a misconstrued view of Aztec painting, imagery is a vital component of this essay. The visuals strengthen his argument by giving viewers a clear sense of the difference between typical Aztec panting and the painting that the accounts describe. For example, Schreffler includes two images of paintings done by the

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

To begin addressing this assignment first I must define what art is throughout the weeks I have been enrolled in “Art and Architecture of Latin America.” To me what I have come to interpret is that art doesn’t necessarily have to involve paper, pencil or paint. Art is something that receives public reaction or that it can relate to someone. For example, take the drawings of Diego Rivera. One of his most famous works named “History of Mexico from the Conquest to the Future” can be found in Fresco, National Palace, Mexico City relates to his people's lives. Why you may ask? Well if you look closely to his drawings it shows the history of Mexico since the conquest of the Spaniards to the revolutions that emerged throughout Spaniard rule up until

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

Throughout its history Mexico has had many revolutions. The most famous perhaps is the Mexican Revolution from 1910-1920. The people of Mexico were getting tired of the dictator rule of President Porfino Diaz. People of all classes were fighting in the revolution. The middle and upper classes were dissatisfied with the President’s ways. The lower and working class people had many factors such as poor working conditions, inflation, inferior housing, low wages, and deficient social services. Within the classes everyone was fighting; men, women, and children all contributed to the fight for freedom from Diaz (Baxman 2). This revolution proved to be the rise and fall of many leaders.