Joseph Christian Leyendecker : Shades Of Colors And Lines

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

They shared a few similarities in their artworks and journeys to fame despite having different nationalities, and shared notable differences in their styles and beliefs. With their passion for art and remarkable talents, it is no

The painting is a realistic representation of a woman, a man and small child enjoying a boat ride. Cassatt used several different principles in her artwork. The water is a bright blue, but the boat is yellow and white so it stands out amongst the body of water. That's a wonderful way to show contrast. The woman's dress takes on almost a checkerboard pattern.

There are three main aspects of this painting, each representing a different aspect of society. The first and lower part of the painting shows the working class, gathered in desperate and impoverished lines. This shows the lack of compassion available in the American economy.

The artist paints a work of art “Chiapas Paz Mexico” which is influenced by the way of life of the people living in a river valley in Mexico. For the composition, he paints the mural by dividing two main parts by using flat form style to tell the story. He doesn’t show perspective or overlap objects on the mural. However, the right side of the mural, he paints an unrealistic shape and forms little village with buildings, trees, hills and people into the background of the mural, making them appear far away. At the top of mural, there is an army standing above the mountains of the village. The other interesting part is the old woman at the left side of the mural. She has the biggest portrait on black the background and is separated from a part of the village by the 3 soldiers. However, there is a rainbow ribbon connecting two parts together and the woman is a starting point of the rainbow. The rainbow ribbon shows the movement from the old woman to the river at the bottom right and continues moves

Both paintings represent the Madonna (the Virgin Mary) with the baby Jesus on her lap. In the previous painting, the arch vault and throne on which the mother is seated is stylized very realistically along with the saints surrounding them are all in proportion to themselves and to each other. In the later painting the pose of the Madonna is elongated and exaggerated, the baby in the later painting is quite large and the angels in the picture are crammed to one side with a "prophet" on the opposite which is very small not coming up to the Madonna's knee.

Prior to my research on Winslow Homer, I had no knowledge of who he was as an artist. After reading about Homer and his life, I learned that he was one of the greatest American painters of the 19th century and had a big impact on the art world. I chose to do my paper on Winslow Homer because I saw a few of his paintings of boats floating in the ocean and was blown away by the strokes he produced. I expected him to be a rural European artist that mainly did landscapes, and while there is some truth behind my assumption, I learned a lot about him that I didn’t expect.

The second painting, Youth, painted in 1842, oil on canvas, 53 in × 76 in, continues to have a beautiful green landscape, we still see trees, flowers, mountains, and now we see a castle in the back. In this painting the view is widening. The child from the last painting now looks like adolescent. The

Three specific details that indicate that the artist is a close observer are one, the blood marks on the duck that one can assume his son shot at in order to eat on their way to their trade point. Two, if observed closely, one can see a flock of birds flying toward the sunlight draw lightly to demonstrate the illusion of afar. Three, one can see native symbols on the quilt that the son is leaning on. The painting is painted as if the viewers are on land watching the father and son rowing the boat towards possibly the end of the Mississippi river. The water is clear and it reflects everything in the boat. Both the father and son are calm. The son is lounging and the father is smoking a pipe giving off a calm mood. The artist uses curves to help demonstrate the son’s boredom by making look as if he’s slouching. Bingham made the father and son’s body to connect and make a semicircle. Bingham uses spring colors, happy colors, to portray a relaxed mood. He uses soft colors, for instance the soft red color of the father shirt and the matte color black of the cat’s fur the keep the tranquil feeling.

The second piece of art is called: “Wounds of Existence.” This seems to be a painting on a unusually rugged surface made out of un-sanded wooden planks. It depicts what seems like, a man and a women with their faces close to each other with sad faces. The subject matter of this piece seem to be mellow and sad. I picked this piece because it jumped out at me at how absolutely unique it was, being painted on wooden planks.

Prompt: Select and fully identify two paintings from different art historical periods and cultures that depict the same subject or theme.  Then discuss how the presentations are a reflection of the culture and style in which it was created.

In 1844 painted with watercolor, bodycolor and gum Arabic with graphite on paper, mounted to a board. The painting is non-objective and can have multiple interpretations

When first addressing these two pieces they look very familiar however when assessing them on a deeper level you can notice the great differences due to time period. The first piece titled “Virgin and Child Enthroned” is a great representation of Italian art. Painted by a Florentine artist Cimabue, the piece is greatly recognized, as it’s believed to be a painting on a high altar of Santa Trinita Church. This piece seems to have heavy Byzantine and Romanesque influence, especially seen with the use of gold. The picture looks unrealistic and stylized with its spatial ambiguities and subtle asymmetries.

In 1988 Gioiosa created an interesting and flashy painting of obscure shape; his painting was called Asterope. In a decade preoccupied with success and status, art got bigger in scope, ambition, theme, budget, promotion and cultural presence. Art became an extension of one's success or power (Gallery, The 80’s). In Asterope he uses bold neon colors clearly divided by lines to symbolize the bold and flamboyant times that were the 80’s. However in Of Beauty, Of Joy, Of Stillness, Of Love, the viewer can see a much more gradient and shaded look in the colors. Even though these two painting are very different, they both convey symbolism as a key role. In Asterope the viewer can see the bold colors as symbolism of the 80’s, and in Of Beauty, Of Joy, Of Stillness, Of Love the viewer sees a much bigger mandala as a symbol of a higher, more powerful being. “In essence I think of my work as an observation that interprets and reveals an ineffable presence. Through the living sense of paint I try to achieve tranquility and pure spacial awareness of an undiscovered landscape, an infinite void, that transcends physical time.” (Gioiosa, Rusti)

The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the