Essay Joseph Conrad's The Secret Agent

Irony is “the expression of one’s meaning by using language that normally signifies the opposite typically for humorous or emphatic effect” (dictionary.com). Irony can be found in chapter 1 of Night, on page 38, “Work is liberty” (38). Wiesel includes this to convey the Jews’ disheartened attitude toward their new reality. This quote helps to get the message across because of the tirony that while the sign promises liberty for work, the concentration camp will only cause unbelievable suffering and pain for the Jews. We also see in the beginning of the book how Ellie’s dad says that the yellow star they had

In the novel ‘’Night’’ Eliezer survives from Auschwitz and surprisingly almost dies from food poisoning.The irony in this is that he could of died many ways at Auschwitz but ultimately almost dies from food poisoning.That is also a form of situational irony meaning that the situation turns opposite of what you expect.Another example of situational irony in’’Night’’ is when Chlomo Wiesel makes a remark about the yellow Jewish star,mocking it by asking if its lethal,but wearing the yellow star is what kills him in the story.In this essay I’ll be giving you more three more examples of irony throughout the novel ‘’Night’’.

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

The novel was presented with several different types and different examples of irony. The most obvious irony is in the end of the novel, Ethan intentions to commit suicide with Mattie. As for Mattie, being alive seems to be worst than death considering the change in her behavior. She was once a very caring person who later aged into a bitter older woman who ends up being miserable in a wrecked body and life.

Conrad applies an apparently crystal clear literary narrative technique in the tradition of conventional realism, a narrative method that appears deceptively simple. The Secret Agent holds great deal of the social concerns. It is considered supreme masterpieces, it is a brilliantly depicting an ironic narrative of London's seedy and dispossessed underworld of revolutionist and anarchists.

In his narrative, Marlow declares, "You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies, - which is exactly what I hate and detest in the world - what I want to forget" (Longman 2210). In spite of these strong words, he lies to Kurtz's "Intended" when he visits her and tells her, "The last word he pronounced was - your name" (Longman 2246). Marlow's words, spoken in Part I to the audience, seem to contradict his words spoken in Part III to the Intended. Upon closer examination however, it is clear that it was keeping to his beliefs that caused Marlow to lie to

As the Heart of Darkness snakes its way into the savage shadows of the African continent, Joseph Conrad exposes a psycho-geography of the collective unconscious in the entangling metaphoric realities of the serpentine Congo. Conrad’s novella descends into the unknowable darkness at the heart of Africa, taking its narrator, Marlow, on an underworld journey of individuation, a modern odyssey toward the center of the Self and the center of the Earth. Ego dissolves into soul as, in the interior, Marlow encounters his double in the powerful image of ivory-obsessed Kurtz, the dark shadow of European imperialism. The dark meditation is graced by personifications of anima in Kurtz’ black goddess, the savagely magnificent consort of the underworld,

The use of ironic imagery discharges an emotive, personal tone which in turn persuades the reader to empathise with Hughes as he was "dumbfounded afresh" by Plath.

Dramatic irony was a major element used for implementing suspense in to the film. A representation of irony shown in the movie that showcases

In dramatic Irony, occurs when the readers are aware about what is going to happen, but the characters do not have any clue about what is going on. In “The Black Cat”, the story begins with the main character sentenced to death, but with one story to tell. The Irony here is that he was not aware about how his life was going to change. In the beginning he is describing how happy was his childhood and how much he loved his pets. In the second paragraph of the story the main character describes his personality as a child in the first sentence “From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions” (3). He was a lovely child with an uncertain future. Another irony finds it on the story is how he describes the fidelity and love that the man can own “There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man” (3-4). When the story is progressing he is transforming to a violent man without any act of compassion towards his faithful pet, which actually represented faithfulness. He is represented himself as a child with a lovely personality, but he is not aware that the lovely child was going to transform in an alcoholic man with a violent personality willing to kill mercilessly.

Ray Bradbury creates irony in order to warn the reader of a depressed drug ridden society filled with the unknown. This is shown with Montag, being a firefighter, his job is to start fires instead of putting them out, except they're burning books. In the beginning of the novel, "...Guy Montag joyously goes about his job... and Bradbury describes Montag's hands with ironic majesty," to show that his mind has been brainwashed to believe that he is happy. (McGiveron 1). Except, he is depressed about everything he has missed out on in life. Secondly, it is demonstrated through Montag believing he is happy, that is until he meets Clarisse. When Clarisse asks Montag a plethora of questions about how Montag decided to be a firefighter, "He felt his body divide itself... the two halves grinding upon one another," (Bradbury 21). He feels something he's never felt before, curiosity, he thought he was happy with his everyday life, but after meeting Clarisse, he realizes that he is missing out on a lot of things. Lastly, it is presented through Mildred always seeming happy. As Mildred constantly seems happy that she is married to Montag, she is secretly trying to kill herself, with a "...small crystal bottle of sleeping tablets... lay uncapped and empty," (Bradbury 11). While everyone in the society seems depressed, there is also an underlying event taking place in the background of the novel.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about