Essay Joseph Conrad's The Secret Sharer

Billy is a handsome, young sailor, new to the ship and eager to impress. Billy becomes very popular with the crew. When seeing Billy accepted by the crew it reminds him of the their dislike for him and he becomes jealous. The Dankster’s conversation with Claggart also shows his fear that he will lose the power he held from the fear of others

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

In the short story Connell writes that “‘sailors have a curious dread about the place”’ (Connell, 39). This shows foreshadowing because if the name did not already show it, even the sailors were scared of the island. It also stated that everything was “‘ like moist black velvet”’ (Connell, 40). Showing that whatever happened to the character, he would have never been able to make out anything since it was pitch dark outside, foretelling that when something happens to the character he will not be able to get back to the boat.

“Oh, propriety...We’re always so concerned with propriety. Even in total madness, we will stick to our hierarchies and chains of command.” This concept--human concern with fitting societal standards and hierarchies--is a clear theme in Joseph Conrad’s Heart of Darkness. Even as ivory transporter Charles Marlow journeys into Central Africa, a land described as “mad” and “savage”, those around him remain primarily interested in maintaining a set image and social standards, a strange concept amidst such perceived “madness”. This obsession with propriety in Heart of Darkness is seen through the anomalous character development of both Kurtz and Marlow, and the Company’s response. Overall, this contributes to a larger meaning explored by the novel--the question of good and evil and whether or not the two are truly distinguishable.

In his narrative, Marlow declares, "You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies, - which is exactly what I hate and detest in the world - what I want to forget" (Longman 2210). In spite of these strong words, he lies to Kurtz's "Intended" when he visits her and tells her, "The last word he pronounced was - your name" (Longman 2246). Marlow's words, spoken in Part I to the audience, seem to contradict his words spoken in Part III to the Intended. Upon closer examination however, it is clear that it was keeping to his beliefs that caused Marlow to lie to

As the Heart of Darkness snakes its way into the savage shadows of the African continent, Joseph Conrad exposes a psycho-geography of the collective unconscious in the entangling metaphoric realities of the serpentine Congo. Conrad’s novella descends into the unknowable darkness at the heart of Africa, taking its narrator, Marlow, on an underworld journey of individuation, a modern odyssey toward the center of the Self and the center of the Earth. Ego dissolves into soul as, in the interior, Marlow encounters his double in the powerful image of ivory-obsessed Kurtz, the dark shadow of European imperialism. The dark meditation is graced by personifications of anima in Kurtz’ black goddess, the savagely magnificent consort of the underworld,

This passage is an extract from Joseph O’ Connor’s Star of the sea which was penned in the year 2002. The passage makes use of a third person narrative view point as a result of which the readers are provided with a vivid image of passengers aboard a stormy sea ship. The passage talks about a ship afloat a stormy sea and how the passengers on the deck are caught unaware due to this storm. The author uses a descriptive style of writing with short crisp sentences that heighten the pace of the story. In the last two paragraphs however, the author uses longer sentences that signal a slower pace and show the readers that the storm has died down for the time being. The author has interspersed the action with 2 dialogues. It is interesting to

The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; “ She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,” possesses beautiful imagery that brings the reader into the emotional conflict Mrs. Mallard is experiencing. (Chopin)

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

“You will find the world in your own eyes, if they learn how to see; in your own heart if it learns how to feel; and in your own fingers if they learn how to touch.” (Dunham 188).

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

Many critics note that Conrad's irony reflects a pessimistic perspective of the British society in The Secret Agent. Conrad's perspective is reflective of a society still reeling from the traumatizing social effects of industrialization. Walter Wright observes that London's drab streets and barren ugliness reveal the futility of life (189-190), and impersonal fate's destruction of individuals further reveals life's emptiness (197). From Wright's perspective, the life without control or choice in The Secret Agent is a life without meaning. Rosenfield