Joseph In The Short Film 'New Boy'

Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the

As well as lighting, sound was used very effectively to stage the story. For example “echoes” were created in the alleyways, to make us think that Eddie’s house was a long way away. These echoes were also used to symbolise Eddie’s loneliness. This could show that there is emptiness in Eddie’s heart that can only be filled by a close friend or a brother. There was a bold use of sound especially in scary, dramatic or important scenes. This added to the drama of the overall performance, it made the audience feel a variety of emotions. In the scene when Mrs. Lyons tries to murder Mrs. Johnston, the sound affects really emphasised how Mrs. Lyons was feeling and her sheer madness. The use of surround sound made me feel like I was in the scene and it made the whole performance much more realistic.

Boy realizes what he is guilty of and what he repressed for so many years. Boy

In the rehearsal scene, there were references to the sound technician. This was a Brechtian technique of the audience being aware of a play within a play. Most sound effects were specific and recorded, like the city hustle and bustle, the screams and the voices when reading things aloud. However, the one sound that stood out to me was the music box. Being the only live sound we hear, relates to the naturalism of the nursery and how Jennet Humfrye’s love for her son is infinite. Music boxes were commonly a gift for a child, or a token of love for a partner in the Victorian times. The idea of love is additionally demonstrated when Kipps is reading a letter alongside Stella. This shows his remembrance of her voice and how much he misses her. The ticking of the clock at the beginning of the play reminds the audience of a countdown, a signal that something is about to happen. This relates to the rhythmic rocking of the chair, similar to a heartbeat, echoing around the house, resembling Nathaniel’s pulse. This again adds humanity to the nursery. When Kipps stops the chair from rocking, everything is silent which signifies the death of Nathaniel and how in reality he is gone. Contrasting to the naturalism, there is repetition of the Woman’s screams. These created an abstract soundscape that made the audience feel frightened, mimicking the discomforting feeling of the horror genre. The ‘Pony and Trap’ sounds came

The contrast between the son’s first words with his father and his later conversation emphasizes how rapidly he is growing up. At first, the son lovingly exclaims, “not the same story baba, a new one”. However, towards the end, the son’s affectionate speech turns angry, as he shouts,“are you a god, the man that screams?”

Comparing and contrasting Kurt Vonnegut’s “Harrison Bergeron” and Chandler Tuttle’s 2081 in relation to their characterization of the short story’s namesake is an undertaking chock-full of potential. These two sources are very different in their representation of young Harrison and this serves to completely skew one’s preconceived understanding of his person, motivations, and desires. Due to this subtle but significant variation one can come to the conclusion that the way an individual is portrayed and the words they speak in different genres greatly manipulates others’ perception of their character. This is evident when one analyzes the monologuing and shot choices of the short film or the descriptions and dialogue in the story.

But, the sound effects just like everything else with the movie was amazing. The shooting of the guns were so loud it was hurting my ears, the sound of the dust storm at the end was making me think that was really what a dust storm sounded like. The fighting in the movie, the crying of his daughter after she was born, the sound of the drill really got to me when a man named “The Butcher” was threatening a family for speaking to the military he turns the drill on and all you hear is the drill, it was so distinct. It wasn't very loud but I felt all I could hear was that drill. As he plunges it into the kids brain and leg I swore the sound got deeper and quieter but still was the one thing I could hear over

Another example of sound is Hitchcock's use of voice over. For instance, as Marion drives away with the money she ha stolen, she imagines conversations between the people she has left behind and their reactions to her faults. Hitchcock also uses sound, which doesn’t complement the image that we see. Whilst the on screen

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

Tobias Wolff’s memoir, “This Boy’s Life”, explores the idea that an individual’s actions can be altered due to the people they are exposed to. The protagonist Jack Wolff lives an impressionable life where he undergoes somewhat of a dilemma in relations to his actions, being incapable of changing for the greater good of himself. The absence of a proper male role model plays a large role on Jack’s actions, though is definitely not the only reason. Jack’s actions are influenced by Rosemary’s abusive and power craving ex-husband Roy, as well as Dwight’s violent and arrogant personality. However, Jack is also responsible for his

As Balsam refers , a sound can create emphasis in any scene that is, can function as a punctuation mark , when it accentuates and strengthens the visual image.

Sound is something quite special, impactful, and adds layers of elements and complexity to a film. As with the progression of the movie making medium, sound has grown and changed drastically over the decades. However, sound cues in the form of effects, dialogue, and everything in between, shapes our perceptions of a scene and movie.

The narrator though an educator, is not very good at verbalizing his emotions. He tends to be the person who keeps everything inside

There are thousands of stories in the Bible, but one stands out in particular; the story of Joseph. The Hebrew meaning of the name Joseph is “may Jehovah add, give increase.”1 Through the life of Joseph we see God add meaning and purpose to his life, just as God adds meaning and purpose to all our lives. “For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future.”2 Joseph obediently followed God’s plans through trials and tribulations whereas many other figures in the Old Testament faltered in their faith. Joseph, son of Jacob, is the single most important human being in the Old Testament because of his impeccable faith to the one true God and his story of forgiveness that set the stage for God’s chosen people.

About a boy, written in 1998 by Nick Hornby explores the themes of mental health, 1990's culture and family through the friendship of two characters; Will, a thirty-six-year-old bachelor and Marcus, A 12-year-old outcast. In about a boy, the author has used a range of aesthetic devices that shape character representation. An Aesthetic device is an element that authors intentionally use to create intellectual/emotional responses in their novel. This analytical essay will explore how Nick Hornby has used irony, point of view and stream of consciousness to shape character representation.