After reading the nineteenth century novel “Frankenstein” by Mary Shelley, I have concluded that parental neglect can alter a person’s moral intentions. While analysing some critical views on monster’s and Victor’s actions, I discovered many interesting ideas and that not all aligned with my initial hypothesis. The two main critics are Joseph Pearce (2008), who has views against Victor Frankenstein and Angie Allard (2009), who shares views regarding Victor Frankenstein.
According to the critical essay “ The Misunderstood Monster” by Joseph Pearce,Pearce says that “in the creature’s earliest days of life, the creature struggles with the idea of humanity and what it is to be human. Creature’s new and unexplained existence places him in an
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Upon the death of Frankenstein, the creature exclaims, “That is also my victim! In his murder my crimes are consummated; the miserable series of my being is wound to its close”(pg.274)! In this statement, the creature expresses his final release from the cycle of death and revenge that had controlled his emotions towards Frankenstein. In the eyes of the creature, the creator is truly dead and only with the death of the creator is the creature free to once again determine his own fate. Even in choosing death for himself, an end left open to the reader’s own mindfulness, the creature has finally realized a freedom from uncontrollable forces and his ability to decide his own destiny without the limitations of unattainable spiritual belief. Pearce in his critical essay analyses that, “After reading “Frankenstein”, one could fairly suggest that the monster is the most pure being that has existed in literature since he is a perfect child, more perfect than an actual child since even children are pushed against “immoral” behavior by parents. Without such guidance, perhaps it would be useful to modern readers in the Frankensteinian quest for knowledge to remember that the search is not as complex as it may seem, that the fundamental innocence lies waiting”. I think Joseph Pearce had persuasive statements regarding that the creature was not responsible for the wrongdoings he had done was just to take …show more content…
In Angie Allard’s critical journal, she explains that, “in the case of Victor Frankenstein, there is some evidence to suggest that he has good intentions as he is interested in improving the human condition”, “I had begun life with benevolent intentions and thirsted for the moment when I should put them in practice and make myself useful to my fellow human beings”. I do agree with Angie Allard as Frankenstein only wanted good for science and people but not their harm, this is Victor Frankenstein’s positive moral change. On the other hand, because of Victor Frankenstein’s intentions on playing part of a God in creating life resulted in the death of Victor’s brothers, friend and
Like most horror stories, Mary Shelley’s Frankenstein has a wretched monster who terrorizes and kills his victims with ease. However, the story is not as simple as it seems. One increasingly popular view of the true nature of the creature is one of understanding. This sympathetic view is often strengthened by looking at the upbringing of the creature in the harsh world in which he matures much as a child would. With no friends or even a true father, the creature can be said to be a product of society and its negative views and constant rejections of him. Although this popular view serves to lessen the severity of his crimes in most people’s eyes, the fact remains that the creature is in fact a cold-hearted wretch whose vindictive nature
In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s
In many situations today, the children most common problem can be trace back to their family issue. Without a strong bond of relationship between their parents can consequently cause a destruction of children’s future. Even more, the children grow up unsteadily with aggressive behavior and the sign of depression. This has come to be a controversial issue and as well the depth of the story that is contain in Mary Shelley’s Frankenstein. To many misinterpretations from the movie, the creature itself was to accused to be a villain in the plot. As it show in Mary Shelly’s novel a deeper analysis has reveal that Victor Frankenstein is the real blame for
"We are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves-such a friend ought to be-do not lend his aid to perfectionate our weak and faulty natures,” writes the narrator of Mary Shelley’s novel, Frankenstein, Dr. Frankenstein. Without a companion of some sort, people will only suffer more. However, without the supervision of parents, children altogether are greatly affected for the rest of their lives. An innately good and sympathetic creature, Dr. Frankenstein’s monster struggles to survive in the human world. After creating and abandoning his creature, Dr. Frankenstein is the juxtaposition of a monster, portraying humans as shallow, judgmental, and uncaring. The monster simply wants humans to accept him as one of their own. Facing rejection in different forms, he becomes truly monstrous and evil, giving up hope of companionship as a result of his abandonment. Modern case studies of abandoned children report similar ideas. Children who are abandoned do not learn about morality, yet only people with morality are accepted by others as human. Children who are abandoned are frequently not accepted by others as human ultimately.
Victor Frankenstein was obsessed with science and anatomy, and the balance between life and death while he was a university student. Frankenstein claimed to create the monster to better mankind, but it is more likely he created him out of the desire to become more like a God. “. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me; I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption. (Shelley 54)” This is basically Victor explaining how he wants to cheat death and create a new race of species. Victor wants the creature to look at him as a God figure or as his ruler. The irony is that Victor never gives the creature a chance and that is the reason the monster did all the
Sometimes, in novels like Frankenstein, the motives of the author are unclear. It is clear however, that one of the many themes Mary Shelley presents is the humanity of Victor Frankenstein's creation. Although she presents evidence in both support and opposition to the creation's humanity, it is apparent that this being is indeed human. His humanity is not only witnessed in his physical being, but in his intellectual and emotional thoughts as well. His humanity is argued by the fact that being human does not mean coming from a specific genetic chain and having family to relate to, but to embrace many of the distinct traits that set humans apart from other animals in this
Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.
Frankenstein is just plain cruel and neglectful to his creation. He does not care for it, shelter it, provide it with food or love, nor teaches his creation. This neglecting truly shows that Frankenstein is a self-absorbed monster. Upon Frankenstein's return to his castle he tells how he searched his house for his creation but found him not, "I could hardly believe that so great a good fortune could have befallen me; but when I became assured that my enemy [his creation] had indeed fled, I clapped my hands for joy,". Frankenstein already refers to his creation as his enemy when is has done nothing to him at all. Frankenstein takes no responsibility for his creation and acts like nothing has happened when he doesn't find it in his house. A decent, responsible person would not "clap for joy" but rather start looking for his creation. Frankenstein even states that, "A human being in perfection ought always to preserve a calm and peaceful mind, and never to allow passion or a transitory desire to disturb his tranquility" yet when he thinks about his creation, "my hatred and revenge burst all bounds of moderation…I wished to see him again, that I might wreak the utmost extent of abhorrence on his head". Now does that sound like some one who has preserved a calm and peaceful mind? Frankenstein's irresponsibility leads to the death of three innocent people, "I called my self the murdered of William, of
In Shelley’s Frankenstein, the monster commits a number of immoral acts out of rage. These actions are directly related to the monsters creation and upbringing. The burden of fault for the monsters actions rests on Victor Frankenstein’s shoulders alone.
Victor Frankenstein created life, a monster that was born into this world with no purpose, and no one to love. He did not even have a name, he was called a monster from the start. Just like a normal human baby, he came to life not knowing anything, and had to learn from his surroundings. Just like a person, he watched and learned from others, and tried to understand the world and the people in it. From that, the monster understood that he just wants to find a life for himself, and not be viewed as an evil monster, but there are many things that are preventing that. In the novel Frankenstein by Mary Shelley, the author portrays Frankenstein’s monster as a friend through details in his character and his outlook on life.
Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.
Frankenstein, on the other hand, has lived within society and is expected to have certain morals. Among these should include parental responsibility, an obligation to care for the being to whom he
The gothic fictions “Frankenstein” by Mary Shelley and Henry James’ “The Turn of the Screw” approach the importance of a parent role and the effect of such role on the child’s life. In Mary Shelley’s novel, she uses Victors past and present to demonstrate how the poor treatment from his parents lead him to poorly fathering his own child. In contrast, James’ takes the approach of showing parenting in a more overbearing and overexerted way, in demonstrating the relationship between the governess and the children and as their guardian how she seeks to protect them from all danger. This essay will look at these two works and how critics have interpreted this theme to view the similarities in the effects of certain parenting and the differences that led to these outcomes. In looking at the main characters of both narratives and their approach with their children it is possible to see how there must be a balance in the presence and absence of parental figure in the developmental period of a child or creature’s life. Moreover, if such balance cannot be attained this could be the leading factor to the detrimental downfalls of the families in these novels.
While Creature is full of humanity and has a thirst for knowledge, his longing for acceptance in society is met with constant rejection. Through this rejection, it sparks anger into the Creature for his irresponsible creator, Victor Frankenstein. Creature’s anger leads to greater tragedies for Victor. The greater of the tragedies are the murdering of innocent people including Victor’s family that is seen to be the fault of Creature since he is the one who murdered them. If Victor did not abandon the Creature and had taught him murder was not morally correct, Creature would not have committed the heinous acts.When Creature was first theoretically born, he was introduced into the world in a very harsh way. Metaphorically, Creature starts out into the world as a newborn, needing a parent 's guidance and teachings. Victor abandons him immediately with no sense of direction. Creature, after his “birth”, approaches Victor with a hand of longing for compassion. “He held up the curtain of the bed; and his eyes, if eyes they maybe called, were fixed on me...He might have spoken, but I did not hear; one hand was stretched out” (Shelley 35). Victor instead of showing acceptance immediately runs away at the sight of him.