Journeys Of A Self Taught Painter

Attending The Mississippi School of Arts is not only an opportunity, but a privilege. Working with a large network of alumni and former students that have similar passions in life, can keep me motivated to do art. Having a community of artist around will help me to stay productive and creative. Surrounding myself with other artist can lead to new ideas, constructive criticism, and a great camaraderie with classmates. I want to be able to attend workshops and lectures, meet with visiting artist, and participate in extracurricular activities that bring me in contact with other artist. By the time I graduate, I hope to have an the opportunity to meet with numerous individuals in the art and design world. These connections can help me lead to art

I started drawing when I was 16. I was cursing 10th grade, or how is called in my country, Dominican Republic “Segundo de Bachillerato”. It was recess. I was alone in my classroom that day, besides two or three people who were just killing time there, and I didn’t had much to do with my time. I was at the last book of a series of books which names I can’t remember and If I recall correctly the last book was very boring for some reason so I didn’t wanted to read it anymore. So, looking for something to do, I stood from my seat and walked boringly down the aisle of chairs and that was, not my first interaction with art, but the first time I remember i liked art or paid attention to it. Yerkis, a guy of my class: short, chubby and well mannered

using water colors and oils, and did excellent pen and ink drawings. He began to make a name for

print making skills helped other artists be good and show others to do art. He died

The art of painting dates back to pre-historic times, the finger used as a paintbrush on the canvas of cave walls. When it comes to painting, artists have many mediums to choose from: acrylics, oils, gouache, fresco, and watercolors. Watercolors is one of the toughest mediums to achieve, its transparent streaks almost impossible to cover up and its various techniques prestigous and precise, but satisfying when accomplished. The incentive a watercolor artist has to get a taste of perfecting their talents is impecable; therefore, striving for perfection can only be accomplished with the understanding of the watercolor history, the use of the tools of the trade, the practice of techniques, and observation of former artists’ approaches.

Thomas Buchanan Read was born on March 12th, 1822 in Corner Ketch, Pennsylvania. Read only received an elementary school education and his father had a sudden death, which led Read to become an apprentice to a local tailor. The apprenticeship wasn’t so great either, it lead to a bad relationship containing abuse and cruelty. Luckily for Read the apprenticeship was very short lived. At the age of fifteen, Read started working in Philadelphia as a tobacconist and a grocer. Read also started to live in Cincinnati with his sister. In Cincinnati, Read took apprenticeship under Shobal Veil Clevenger. He learned to paint signs and learned sculpting through Clevenger.

Besides his learning disability, he also has suffered from a rare disease called Face Blindness. This disease causes you to not recognise faces, no matter who it is. He always says that it helps him remember people if he paints them. But that's not all. When he was almost 50 years old, a spinal artery collapses and he became paralyzed from the neck down. That made it much more difficult for him to continue painting. But, with some physical therapy, some advanced technology, and perseverance he was able to continue creating. He has a brush device that is like a brace on his arm that allows him to move. He also has an easel that rotates and moves up and down so he can reach the whole portrait. He went through a lot but is still a happy person and is doing what he loves.

The book is overflowing with powerful images of black art from photographs to paintings to cover the story of black Americans. The book begins with the history and imagery of slavery through the Civil War and liberation, then traces the cultural influences of the civil rights movement, the black power period, and ends with the hip hop era. Through each period, the writer offers historical context for the artistic expressions and examines how more current sensibility shaped remembrances of historical occurrence. She explores the ways that context and historical interpretation influence the artist's perspective and is subject to great difference over time. Although most of the art that were presented after mid twentieth century. it reflect a broader historical period as black

Sarah Painter I think your question is how can we reach everyone because the government can't/won't/doesn't, I believe that the perfect systems involves the citizen care more for their neighbor and their friend then having the latest iphone. I think if all of us willingly gave back to the community then we can reach each one. I'm reminded of a poem/story where a a guy is tossing sand dollars back in the ocean to give them another chance at life. And a guy asks you can't reach them all before hey die and he said I can make a difference in that one's life as he tosses another back in the ocean. We can make a difference with focusing on the one we can help.

My parents were never the ones to send their children to classes. While other kids were busy being tutored, swimming at the community center, or sent to a studio for art: I was the one at home staring at the television or playing with my cars as my only source of entertainment. Eventually, I grew tired and would do whatever was available to me, I would pick up pen and paper and I'd draw: and before I knew it, I became obsessed. Every flat surface became a victim of my addiction. Even my bedroom ceiling had drawings taped to it. Gradually, a minuscule spark of passion for art was lit inside of me.

Is art a form of self-expression from the artist to their audience? Self-expression is defined as, “the expression of one's feelings, thoughts, or ideas, especially in writing, art, music, or dance.” (English Oxford Dictionary). The source of inspiration for art is unknown for certain, but it is commonly believed that it comes from inside the artist, based on their life lessons and experiences. If the inspiration comes from within, then artists are expressing themselves through their art, thus art is self-expression. There are innumerous forms of art, from writing to dancing; singing to creating a drawing, public speaking and everything in-between. A person who is whistling is expressing how they are feeling through the notes that they hit. Someone who is drawing can use darker colors, such as browns and blacks to give off an eerie tone. Does that mean that all art is self-expression? No, not all art is self-expression, maybe it isn’t self-expression at all. This leads to the debate over whether art is self-expression if the inspiration comes from an outside source, rather than from within.

reached the age of 14. At 18 he became more serious about his art and

"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.

In this essay response I shall discuss the social and historical context of A Portrait of the Artist as a Young Man and My Son the Fanatic and how they enhance our understanding of the texts and then compare the two in their respective contexts.

When one comes into contact with a Chinese painting, the style is almost instantly recognizable. The attention to detail, craftsmanship, and vast depictions of elaborate landscapes appear to pay homage to mother earth in an attempt to reach a state of eternal balance with nature and life. Before this equilibrium could be achieved, one must attain internal discipline. This was required before one began mastering their brushwork in Chinese culture. In Mai Mai Sze’s “The Way of Chinese Painting,” 1959, New York: Vintage Books, Random House, Sze discusses the philosophy known as Daoism/Tao, or “the way.” Before one became a skilled painter, one trained in the personal disciplines of poetry, art, calligraphy, and internal