Having to bestow an award for the “Most Grotesque Southern Character,” it would hands down have to be Manley Pointer, the bible salesman from O’Connor’s “Good Country People.” Admittedly, there are some sketchy characters from both Welty’s “Petrified Man” as well as “Good Country People,” however, he would win the award. Joy/Hulga is not friendly, kind or considerate, but her behavior can be explained, if not justified, by the fact that she is a product of circumstance. She is described to be unattractive, due to her heart condition she probably doesn’t feel well most of the time possibly with angina, and her options for romantic fulfillment are slim. I could take an entire extra paragraph to voice my opinion of her unlimited options for happiness
In addition to the characterization of Joy-Hulga O’Connor’s depiction of Mrs. Hopewell creates irony that begins with her names. Like joy, Mrs. Hopewell, is full of the same limiting perceptions of those around her. Demonstrated by the belief that country people are “good”, or the “salt of the earth.” In much the same way Joy’s impairment results in Mrs. Hopewell’s perpetual assumption that joy is like a child. She regards her with
Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her
Crazy Brave is the story on how Joy Harjo, the author, overcame and survived abandonment and abuse; alcohol abuse; struggles with failed marriages; and being a single mother. In her memoir she recalls her memories, dreams and visions that helped her find courage and her voice.
his book titled “Sweet Clara And The Freedom Quilt” by Author: Deborah Hopkinson Illustrator: James E. Ransome gave a new meaningful perspective through the lens of a child’s point of view.
By definition joy means a great feeling of pleasure and happiness. In Mary Flannery O'Connor's short story Good Country People, Joy Freeman was not at all joyful. Actually, she was the exact opposite. Joy's leg was shot off in a hunting accident when she was ten. Because of that incident, Joy was a stout girl in her thirties who had never danced a step or had any normal good times. (O'Connor 249). She had a wooden leg that only brought her teasing from others and problems in doing daily activities. Joy was very rude as well. In the story it speaks of her comments being so rude and ugly and her face so glum that her mother's boss, Mrs. Hopewell, would
Characterization is the most prevalent component used for the development of themes in Flannery O?Connor?s satirical short story ?Good Country People.? O?Connor artistically cultivates character development throughout her story as a means of creating multi-level themes that culminate in allegory. Although the themes are independent of each other, the characters are not; the development of one character is dependent upon the development of another. Each character?s feelings and behavior are influenced by the behavior of the others.
Flannery O’Conner, a Gothic literature writer, has written several short stories throughout her life. Among these stories, two of them being A Good Man is Hard to Find and Good Country People, she has included some of the most fleshed out and grotesque characters I have ever read. O’Conner brings her characters to life throughout her writing in near flawless and subtle detail with ironic humor. For example, O’Conner makes skillful use of ironic names for her characters. The titles and names such as grandmother, the misfit, Joy/Hulga, and the bible salesman are used ironically. These subtle characterizations help guide the reader to the final, and often times ironic, conclusions all her characters deserve.
Flannery O’Connor was born Mary Flannery O’Connor on March 25, 1925 in Savannah, Georgia, as the only child to Edward F. O’Connor, Jr., and Regina (Cline) O’Connor. Later in 1941, Flannery O’Connor’s father dies of lupus while O’Connor is in Milledgeville, Ga. After her father’s death, O’Connor rarely speaks of him and continues to be active in school projects such as drawing, reading, writing, and playing instraments. Further, in the summer of 1942, O’Connor graduates and enters Georgia State College for Women as a sociology and English major. Moreover, O’Connor took on the name Flannery O’Connor, dropping Mary from her signature.
For instance, Joy legally changes her name to Hulga. She changes her name from Joy because she does not see herself as beautiful as such a name implies. In fact, the narrator says, "she had thought and thought until she had hit upon the ugliest name in any language" (132). Furthermore, Hulga never wears dresses or anything nice. Instead, she chooses to wear a "six year old skirt and a yellow sweat shirt with a faded cowboy on a horse embossed on it" (133). Hulga does not believe that any amount of makeup or nice clothes can improve upon her ugliness. This low confidence directly derives from her mother's dissatisfaction with her.
The two most important souls in the story "Good Country People" belong to Joy-Hulga and
People in the south often get stereotyped based off their appearances or the way they act. Most southerners have rituals they follow, but some are just living life. The way Flannery O'Connor deals with the traditional social structure in the South in her fiction shows that it was of major concern to her and was the source of much of her power and humor. O'Connor's exposition of a southern society which values a good, moral person yet struggles to identify Three of her short stories deal with the relationship between Christianity and society in the South: "A Good Man Is Hard to Find," "Good Country People," and "Revelation.”
The Joy Luck Club is Amy Tan’s first novel that is a tribute to several generations and different cultural connections. Tan has written: “To my mother / and the memory of her other / You asked me once / what I would remember. / This, and much more.” The Joy Luck Club is set primarily in modern- day San Francisco’s popular Chinatown, but much of the book occurs in flashbacks of the mothers’ lives in China. While and after reading this book, you can ask yourself many questions that could spark up an evolving conversation like for example, “Throughout The Joy Luck Club, characters think and communicate using stories. Why might they choose to stories instead of direct statements?” This question is a great conversation starter about the book in
Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.
Good Country People by Flannery O’Connor is a story with a lot of ironic elements in it. These are mostly found in the way that the characters depict themselves in contrast of how they truly are. For example, Mrs. Hopewell says that she has no bad qualities of her own, but she is a constant liar is an how she happened to hire the Freemans in the first place and how they were a godsend to her and how she had them for four years. The reason for keeping them for so long was because they were not trash” (O’Connor 247). Mrs. Hopewell is not the only hypocrite in this story; Manley Pointer is also incredibly hypocritical, fake, and manipulative. He depicts himself as a “Bible salesmen”, but in reality he is a con artist. When Hulga opens up his Bible, she sees a flask of whiskey, cards, and condoms in it. This would be seen as incredibly offensive and sinful to a Christian. According to Thomas F. Gusset, “Joy/Hulga begins to discover that the Bible
Manley Pointer, the antagonist of Flannery O’Connor’s “Good Country People,” is a character of multiple dimensions. He is considered a “good country people” by many of the characters in the beginning of the short story, including Hulga. However, by the end, it is revealed that he is not a reputable person, and is rather the opposite of the persona he portrays himself. Manley believes that he must act this way in order to make a living. There is a root cause to his flawed rational that must be uncovered, although some would argue that he is only a simple character and has no root cause to explain his behavior. However, Manley’s past is extremely influential to his actions and the person he claims to be.