Joyce Carol Oates The Lady With The Pet Dog Analysis

The epic poem, “The Iliad,” written by the Greek poet Homer, contains many occurrences of the psychologist Freud’s approach of the three systems of Superego, Id, and Ego. Superego, the little angel on one’s shoulder, is considered to be the voice of our moral compass (conscience) that speaks from the unconscious mind on the difference between real and ideal situations. It strives for perfection with tracking what we ought to behave like. Id, opposite to Superego, is the little devil on the other side of one’s shoulder. Its unconscious energy strives to satisfy the basic drives to survive, reproduce, and aggress. To balance these two systems, the Ego becomes the mediator and compromiser to keep both content. One’s Ego focuses on responses to the real world, stemming from the reality principle. It contains our partly conscious perceptions, thoughts, judgements, and memories.

Consciously, the woman communicates that she yearns for her lover, yearns to engage in sexual intercourse with him. Subconsciously, however, the need to “bear” her partner’s “weight” indicates that there is a burden attached to her expectations surrounding this engagement. This specific word choice takes the passion out of the erotic, so much so that the psychoanalytic interpreter is left to wonder why this woman is actively pursuing something that she clearly does not enjoy. To draw upon the developing thesis, the answer is that she does so in order to avoid acknowledging her repressed sexuality. In this way, the lover is not a ‘lover’ in the romantic sense of the word, but rather a sexual object. He is an objectified prop manipulated in order to fulfill

Out of the id, ego and superego of Freud’s theory of personality, the superego is the one that mostly controls Brian. Brian’s superego internalizes society’s “norms, etiquette, rules, and customs” much like his ego, but his ego doesn’t overpower since he’s not trying to mediate his id which craves for irrational, impulsive, primitive and childish desires (Weiten, 480). Instead, his

Personal gratification is commonplace in society, but the force to overcome it is not. In both Shakespeare’s King Lear, and Fitzgerald’s The Great Gatsby, man’s natural psychological id is displayed by key characters, who are all morally corrupt. King Lear has 2 distinct sides who represent the id and superego, battling over justice in a kingdom centered around a weathered king. In The Great Gatsby, a commonplace working man by the name of Nick Carraway surrounds himself with friends who indulge themselves in luxury, influenced by the psychological id embedded deep within everyone. When observing family dynamics, both King Lear and The Great Gatsby reveal family interactions are driven primarily by the id, which is further supported when considering the presence of oedipal dynamics in both novels. In terms of narrative events, The Great Gatsby’s events are heavily influenced by the id, with little to no superego expressed. In contrast, while the bulk of King Lear’s storyline is similarly driven by the id, the superego plays a larger role in resisting the id’s unlawful desires, and this is exemplified through the triumph of the superego at the story’s end. The Great Gatsby depicts how life is hopelessly overridden by human’s natural id while King Lear demonstrates how even the smallest source of superego can combat the aggressive nature of the id present in life.

Lastly, is Freud’s concept of id, ego, and superego,

The ego overwhelmed by the id, has rejected the superego thereby contributing to its deterioration. The interaction between Maggie and her mother demonstrates the human condition

Dmitri sees Anna as a young and ignorant girl who does not have enough life experience to say no to a man like him. Due to her age, Dmitri thought that she acted this way towards him because she was simple-minded. Despite Anna breaks

Though the similarities and differences of characterization in Chekhov and Oates's different versions of "The Lady with the Pet Dog" are evident, the purpose only becomes clear for the reader when the two versions are read and compared. The stories have different settings, but the characters in the story remain the same. There is Anna, Dmitry, and their families. Although their families are mentioned, each member remains without any description and therefore they begin to seem almost unimportant.

Before jumping in, Kline briefly explains Freud’s explanation of the psyche and its components: the id, ego, and superego. The author also briefly clarifies the terms repression, the true type, and the neurotic type. He then goes into explaining anxiety, and how Freud believed that anxiety originates from the ego and is correlated with a disturbance during a psychosexual stage as a child. Kline does acknowledge the fact that Freud disregards some crucial components while attempting to explain anxiety neurosis, but also accredits him for being the first psychologist to dive into this concept that had been too long overlooked. The author concludes his article by implying that Freud seemingly did not have a sense of humility while writing his earlier works, but Kline states that in this book of Freud’s, he wrote with a sense of modesty and wrote without his usual sense of

searching for in them the whole time and that they certainly didn’t need any help for a Wiz. Then, the wicked witch of the South tells Dorothy that she can go back home by clicking her heels three times. Dorothy says goodbye to all of her new friends and clicks her heels together. Then at the end of the movie Dorothy and her dog Todo end up back at her home in New York.

Colour is in the art and the art is literature. Often, one depicts morality the concept of shades: a color scheme that involves the gradation from lightest to darkest, which in most case, is white to black. In such scale, the shades white and black represent two contrasting extremes as they parallel the idea of morality, where white is right and black is wrong. However, the complication arises at the area between the white and black: the grey. The grey area possesses no absolute verdict, for one can be both morally right and wrong. Russian realist Anton Chekhov implements such perception as he colours the story with white, black, and grey. An exploration of “The Lady with The Dog” serves to examine his employment of colour in addressing the issue of morality, specifically regarding the characters’ actions, and in part, the conveyance of his personal views of what is right and wrong.

For most of the book here character seems to be entirely based on the fact that she is an alcoholic. It's only in the last 100 to 150 pages that she begins to gain depth as we go more in depth with her psychological state and why she became an alcoholic in the first place with begins to give some context to the role that she played in the story. One of the other narrators Anna suffers from the same shallowness as Rachel along with both of them not getting a proper decryption she is for the most part only presented as the mistress that Tom left Rachel for. Sadly there is little to no time devoted to making Anna a somewhat interesting character like that later chapters did for

Many years ago, philosopher Sigmund Freud created the idea of your brain containing the Id, Ego, and Superego. His theory stated that the id, involves the instinctual urges operated on pleasure. The ego, is the rational part of your brain. The superego, operates on your morals. Henry Turner, is a character who lost majority of his memories from life and had to cope with all his new surroundings. Before the memory loss, Henry’s natural state was the ego, for he was successful and a logical man.

In the novel, “The Picture of Dorian Gray” Oscar Wilde shows the importance of having an equal balance between the id, superego, and ego, which each character within the novel portrays. When one triumphs the other it may be detrimental to oneself, as well to society as a whole. Sigmund Freud developed psychodynamic theories of personality that “view human behavior as a dynamic interaction between the conscious and unconscious mind” (Myers 514). He focuses on the importance of the equal balance to avoid internal conflict, as well as harm to others around a character.

The thought that a fictitious movie like Twilight is actually affecting women seems almost bizarre. You may wonder how it’s even possible that we can be so easily influenced by what some consider an “aimless series of vampire books”. However, it’s a proven fact that our brains react to fiction tales and they can indeed impact us in ways we could only imagine.