Joyce Carol Oates 'Where Are You Going, Where Have You Been'

boys to live out her childish delusions of romance and allows herself to be swept away by this

The story “Where Are You Going, Where Have You Been” by Joyce Carol Oates is very much different from the movie Smooth Talk directed by Joyce Chopra in many ways. The story and film were both made to relate to the real life serial killer Charles Howard Schmid Jr. and his crimes committed, while also reflecting a passage from the Old Testament that states “Whither goest thou? and whence comest thou?” (Judges, 19:17) The three ways that the story and the film are very different are, how Connie’s vainness is portrayed, the importance of the mother daughter relationship, and finally the conclusion of the storyline.

What would you do if you and your families lives were at stake? This was something that I pondered about while interpreting the story of,” Where Are You Going, Where Have You Been,” by Joyce Carol Oates. Oates wrote this short story to create suspense. It really leaves you on edge. The most suspense would have to be at the end of the story. Oates leaves you falling off of a cliff as to what would happen to Connie and her family. It makes me ponder if this was just a dream or reality to them.

One may never realize the people surrounding one’s everyday life, crammed with bodies of contrasting characters, pasts’, and styles; however, who are these people genuinely? Arnold Friend, in the short story, “Where Are You Going, Where Have You Been” by Joyce Carol Oates, managed to deceive with his false characteristics. Arnold Friend was brought to life from Oates’s imagination of the mischievous serial killer Charles Schmid. Arnold Friend and Charles Schmid similarly attempted to delude with false attributes, had an interest in women, deceived women, both tried to create a false imagine for themselves, however Friend knew about everything about his victim while Schmid did not.

The abduction of Persephone through Hades mirrors that of Arnold Friend. Joyce Carol Oates, Author of “Where Are You Going, Where Have You Been?” is a short story with themes that consist of search for self as well as identity. Through the use of imagery, dialogue, and characterization Oates displays similarities between the Greek myth, “Persephone and Demeter” to “Where Are You Going, Where Have You Been?”.

Adolescence, the part of life we are most willing to forget. The awkward years of being stuck between, not yet an adult but certainly not a child. These years, however awful they maybe, are essential to the character that later develops. During adolescence we make decisions that shape the course of our life, from the personal interactions between friends and family to the academic decisions that impact future career, choices you make as a young adult impact you forever. Partially due to the importance of these short few years, it is not surprising how often children can make poor choices that derail their entire life. Increasing at startling frequency, these stories foretell of a dismal future. Due to this cautionary tales of adolescence have been rising in pop-culture. One of these is “Where are you going? Where have you been? By Carol Joyce Oates. This story tells of Connie, a young adult trying to make the leap to adulthood. Connie in her attempt to breach the gap ends up in drawing attention of Arnold Friend sealing the fate of her poorly executed coming of age. Connies ill fated coming of age in “Where have you been? Where are you going?” by Carol Joyce Oates acts as a cautionary tale about modern perils of adolescence.

We all have been there. After a long days work, all we are thinking about is getting home. As you head towards your car, you notice the darkness around you and suddenly feel that you are not alone. Your pace increases and you begin to sweat mildly. If you could just get there, you’d be safe. Suddenly, you hear a noise and decide the best thing for you to do is ignore it. As you approach you car and unlock it, you sigh with relief that you’ve finally have made it. For many, our minds play tricks on us when we feel a moment of fear, however for others it may turn out to be their worst nightmare. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, a young girl is forced to make a decision

How many women and young girls have experienced any form of harassment in their lives either if they innocently provocated it or not? As a matter of fact, we often hear on the news issues that happend, most of the time, to women such as sexual harassment or kidnapping. In Joyce Carol Oates's ''Where are you going, Where have you been?'', innocence comes with serious harassment consequences. This is shown through character, symbol and dialogue.

Connie is a fifteen year old girl who is confident and proud of herself, and almost feels as if she’s invincible, until she has a rude awakening when an unwanted visitor appears at her doorstep. The stories, "Lust" by Susan Minot, "ID" by Joyce Carol Oates, and "Where are you going, Where have you been?" also by, Joyce Carol Oates, describe the female coming of age. The female sexuality of these three young girls is that they didn’t understand their own reality, but yet wanted independence. The authors get across the message by using vivid symbols.

There are things that happen when we are growing up that change us when we are grown. There are things that change us forever. Every human being is different, and there is a reason why . All of us had a childhood and all kinds of experiences some good, some bad, some full of joy but also others very painful. Eventually we grow childhood and mature depending of what we have gone through. The way we are able to handle situations is very important because one thing leads to another. We can't rely on intuition, we need to have logic in what our choices are. We can’t just punch someone in the face just because we don’t like a certain individual, or go up to

“Where Are You Going, Where Have You Been?” was published in 1966 by Joyce Carol Oates. The story follows a girl, Connie, who encounters a mysterious man. She catches him watching her walk away with another boy, but doesn’t bother to think of him. As the days pass, she is stuck home alone to do whatever she wants; she enjoys her day relaxing—daydreaming about boys—until a car drives up to her house. Who might it be? The man… the man we soon call as Arnold Friend. Connie’s failure to look beyond her fantasies makes her prone to manipulation and deception; so one of her major character flaws is naiveté.

Music used to be about connections between listeners and the song lyrics. Now it is not much about the connection, but rather people just trying to keep up with the in-crowd. This often leads people into listening to music they dislike only to gain popularity or to feel like they fit in. In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?,” the role of music is considerably more than first appeared within the story. It is much more than just background noise and should not be overlooked. Music influences people’s characters from the way they act, to what they think, and even what they want. It is not as innocent as first thought.

To what extent did the Nazis succeed in establishing a totalitarian state in Germany in the years between 1933 and 1939?

such as " I toldja shut up, Ellie," and "your deaf, get a hearing aid,

In, “Where Are You Going, Where Have You Been”, by Joyce Carol Oates and “Eveline”, by James Joyce, two characters prove to be completely different but share few similarities as well. In both short stories, the main characters, Connie in “Where Are You Going, Where Have You Been” and Eveline in “Eveline”, are both teenage girls who face problems at home. Connie and Eveline who are both caught up in their own cultures in different times are Both girls seem like they have it all going for them but what they conclusively share in common is their final decision bringing them to their downfall. The theme in “Where Are You Going, Where Have You Been” and “Eveline,” possess and unyielding insecurity which stems from their family lives. Everything had two sides to it, one for one home and one for the other. Each of the girl 's home lives was oppressive and restraining. Making them both have to grow up faster.