Where Are You Going Where Have You Been Summary

“Where Are You Going, Where Have You Been?” was published in 1966 by Joyce Carol Oates. The story follows a girl, Connie, who encounters a mysterious man. She catches him watching her walk away with another boy, but doesn’t bother to think of him. As the days pass, she is stuck home alone to do whatever she wants; she enjoys her day relaxing—daydreaming about boys—until a car drives up to her house. Who might it be? The man… the man we soon call as Arnold Friend. Connie’s failure to look beyond her fantasies makes her prone to manipulation and deception; so one of her major character flaws is naiveté.

The Homeric Hymn to Demeter details the kidnapping of Persephone and the consequent fallout of this event. The myth itself represents a change in the structure of Greek myth, shifting from a centrally matriarchal system to that of a patriarchal. By casting feminine traits in a negative light and masculine traits in a positive light, the myth spreads a new ideology to the formerly matricidal Greeks. When taken individually, each of the scenes could be construed to be symbolic of this new system crushing the old one. However, on their own, no one scene can encapsulate this shift. Instead, viewing the myth as a whole is the only true way to expose the shift in cultural opinion.

Where there is desire, there is hope, despair, and struggle. Joyce Carol Oates illustrates animatedly the asphyxiated struggle of desire in her short story “Where Are You Going, Where Have You Been?” The story narrates the life of a young girl, named Connie, and her fated and enigmatic confrontation with a strange man. Feeling trapped in her own home with her own family, Connie, a self-conscious and rebellious teenager, tries to figure out a way to identify herself with the world around her. Her desire of escaping the reality fuels her struggle to enter adulthood. Through the physical form of Arnold Friend, who embodies both the hope and the despair in Connie’s struggle, the author metaphorically portrays a vigorous and psychological pressure that Connie has to endure. The story is scripted to allude to the danger of identifying oneself through sexuality in young girls. To better understanding this cryptic story, it is important to follow the psychological processes and conflict of Connie’s character, which help unveil the allegorical meaning of a young girl’s rite of passage through sex.

A door to the beginning of her outcome is all that divides Connie in, “Where Are You Going, Where Have You Been?” from Arnold Friend, the devilish predator. Symbolism takes a big part in this story that gives a deeper meaning to Connie’s choices that ultimately extent to giving herself to Arnold. The author, Joyce Carol Oates in the short story, “Where Are You Going, Where Have You Been?” represents Arnold Friend as the real world by being challenging and malicious, and Connie as the innocent world by being defenseless and naive.

boys to live out her childish delusions of romance and allows herself to be swept away by this

Joyce Carol Oates's short story, “Where Are You Going, Where Have You Been?” was written in 1966 and twenty years later was made into a movie entitled Smooth Talk by Joyce Chopra, winner of the 1985 U.S. Film Festival for best dramatic picture. The writing by Oates is loosely based on a true story known as “The Pied Piper of Tucson.” The most significant differences based on the story and movie are the father-daughter relationship with Connie and Chopra’s changing the mother’s attitude toward her. Even with these changes, however, the character of Connie and her creepy stalker Arnold Friend remain the same.

In “Where are You Going, Where Have you Been?” Joyce Carol Oates uses an allegorical figure of evil to illustrate the theme of temptation. Oates alludes to hell through the character Arnold Friend, as the devil, and his victim Connie, who invites him in by committing the sin of vanity.

In this essay, I argue that the main theme of “Where Are You Going, Where Have You Been?” is internal conflict. The main character, Connie, struggles with multiple internal conflicts throughout the short story. Some of these internal conflicts include a search for independence, internal judgment, and fantasy versus reality.

In, “Where Are You Going, Where Have You Been”, by Joyce Carol Oates and “Eveline”, by James Joyce, two characters prove to be completely different but share few similarities as well. In both short stories, the main characters, Connie in “Where Are You Going, Where Have You Been” and Eveline in “Eveline”, are both teenage girls who face problems at home. Connie and Eveline who are both caught up in their own cultures in different times are Both girls seem like they have it all going for them but what they conclusively share in common is their final decision bringing them to their downfall. The theme in “Where Are You Going, Where Have You Been” and “Eveline,” possess and unyielding insecurity which stems from their family lives. Everything had two sides to it, one for one home and one for the other. Each of the girl 's home lives was oppressive and restraining. Making them both have to grow up faster.

Not every story is 100% original. Many stories are inspired by older stories, fairy tales, archetypes, real life events, etc. There are thousands of stories in the world, so newer stories will likely be like at least a few of them. One such story is “Where Are You Going, Where Have You Been?” by Joyce Carol Oates. In this story, a man who calls himself Arnold Friend tries to victimize another character, who is a 15-year-old girl named Connie. The inspiration for this story is clear. Arnold Friend is very similar to The Big Bad Wolf from 2 different fairy tales, “The Three Little Pigs,” and “Little Red Riding Hood.” for various reasons, including threats, acting, and disguises. Evidence of this is interspersed throughout the story.

The story “Where Are You Going, Where Have You Been” by Joyce Carol Oates is very much different from the movie Smooth Talk directed by Joyce Chopra in many ways. The story and film were both made to relate to the real life serial killer Charles Howard Schmid Jr. and his crimes committed, while also reflecting a passage from the Old Testament that states “Whither goest thou? and whence comest thou?” (Judges, 19:17) The three ways that the story and the film are very different are, how Connie’s vainness is portrayed, the importance of the mother daughter relationship, and finally the conclusion of the storyline.

Connie, the protagonist of “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, is a character who goes through a traumatic experience in her life. Her encounter with the antagonist, Arnold Friend, permanently changes her selfish innocence and challenges her way of thinking. With an unsupportive family and shallow friends, Connie lacks a strong moral foundation and is self-absorbed. Connie’s character, by the end of the story, changes through her encounter with Arnold Friend. Connie transforms from a selfish, shallow character to one of self-awareness.

Adolescence, the part of life we are most willing to forget. The awkward years of being stuck between, not yet an adult but certainly not a child. These years, however awful they maybe, are essential to the character that later develops. During adolescence we make decisions that shape the course of our life, from the personal interactions between friends and family to the academic decisions that impact future career, choices you make as a young adult impact you forever. Partially due to the importance of these short few years, it is not surprising how often children can make poor choices that derail their entire life. Increasing at startling frequency, these stories foretell of a dismal future. Due to this cautionary tales of adolescence have been rising in pop-culture. One of these is “Where are you going? Where have you been? By Carol Joyce Oates. This story tells of Connie, a young adult trying to make the leap to adulthood. Connie in her attempt to breach the gap ends up in drawing attention of Arnold Friend sealing the fate of her poorly executed coming of age. Connies ill fated coming of age in “Where have you been? Where are you going?” by Carol Joyce Oates acts as a cautionary tale about modern perils of adolescence.

In Ovid Metamorphoses, the Roman literature described the ruthless act of Pluto of rape, to seize and carry away Proserpine without the consent of Ceres and in parallel in the Homeric Hymns of Demeter; Persephone was seized and carried away by Hades without the consent of Demeter. The invariant theme that was identified in both the Greek and Roman literature was the loss of innocence of Persephone/Proserpine. Despite the various differences the story was presented, it reinforced the innocence that was stolen from the god of the underworld, Hades or also known as Pluto. Throughout this paper, it will discuss the similar characteristics of the two myths such as the motive that led and encouraged the god of the underworld to kidnap

We all have been there. After a long days work, all we are thinking about is getting home. As you head towards your car, you notice the darkness around you and suddenly feel that you are not alone. Your pace increases and you begin to sweat mildly. If you could just get there, you’d be safe. Suddenly, you hear a noise and decide the best thing for you to do is ignore it. As you approach you car and unlock it, you sigh with relief that you’ve finally have made it. For many, our minds play tricks on us when we feel a moment of fear, however for others it may turn out to be their worst nightmare. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, a young girl is forced to make a decision