Jude the Obscure and Social Darwinism Essay

Why Evolution is True is a book by Jerry A. Coyne about how modern man slowly evolved from single cell organisms. This book has changed my whole perspective of evolution. Before I read this book I was a strong believer in creation but while reading this book I realized that there are to many connections between all of earths animals. I am unable see a scenario where we could share so much of our genes with other creatures and still say that we did not evolve from other animals and were just created by a god.

Milton’s Paradise Lost has been praised as being the greatest English epic of all time, most stunningly in its author's depiction of the parents of humanity, Adam and Eve. How Milton chose to portray the original mother and father has been a focus of much criticism with contemporary readers. One of the main subjects of these comments is in reference to Eve, who, according to many, is a trivial character that is most definitely inferior to her mate. Nonetheless, many do not recognize that, after the fateful Fall, she becomes a much more evolved character. When Eve is introduced to the storyline of the epic, her character is shallow and extremely undeveloped, meant simply for display. She is quite firmly set as being inferior to her mate

Herbert Spencer was the most important Social Darwinist of the 19th Century. He was the first to begin thinking about evolutionist long before Darwin came out with his book on the "Origins of Species". He had many theories such as that everything evolves from one basic creature and then breaks off into more diverse species (Haberman (Hab.), 171). His theory was that social, political, and intellectual movements were caused by the development from the homogeneous to the heterogeneous. Spencer once stated, "If the advance of man towards greater heterogeneity is traceable to the production of many effects by one cause, still more clearly may the advance of society towards greater heterogeneity be

The tale of forbidden love binds itself within many famous works of literature in order to provoke the human mind into situations similar to those of Adam and Eve of the Bible. The “forbidden fruit” plays an important role in the books of Ethan Frome and Jane Eyre in the form of unattainable but beloved women, where two men, Ethan Frome and Mr. Edward Rochester, share common distinguishable attributes. Their serene sensitive nature soon explodes into a passionate cause, later revealing a bare, desperate soul that longs for their beloved “forbidden fruit.”

Years ago, Charles Darwin developed a theory of evolution. The strong will readjust and change while the weak die off. This became known as natural selection. The world is ever changing and in order to survive, one must adapt to their surroundings. Without doing so, the chances of survival are slim. Much like society today. Society has the top 1%, who are adjusting just fine to this ever changing world. But what about the other 99% of people? Majority of them are the ones struggling to change their life. Whether it be by going to school to earn a degree and a higher paying job, or cutting back on expenses to afford the necessities of life, one must adapt. Dystopian literature gives people an idea of what could happen in this ever growing, refined world. Most dystopian literatures install a sense of fear in people. A fear that society could be taken over by a select few, an unnatural force, or Mother Nature herself. The movie, In Time¸ and the story by Ray Bradbury, The Murderer, give chilling examples of what could, or could not, become of just Earth, but society as well.

Jude started to lighten up more and enjoy life. He got a job, met and fell in love with Becka. Becka introduced her friend, Daphne, to Jude’s best friend, Corey. Corey has stood beside Jude through everything

When reading Jandy Nelson’s I’ll Give You The Sun, the presence of foreshadowing allows the reader to gain a deeper insight into Jude’s life, shedding light onto the greater theme of fate. At a young age, Jude falls in love with a drawing Noah did of a man. She would do anything for that drawing, even trade the metaphorical sun. Jude’s extreme desire for the sketch is demonstrated when she replies, “‘Oh all right,’ she says, totally surprising me. ‘I’ll give you the sun.’ ‘I practically have everything now!’ I say. ‘You’re crazy!’ ‘But I have him.’ She carefully rips the naked english guy out of my sketchbook” (Nelson 74). Jude felt as if the english man was speaking to her, drawing her towards the portrait. This unexplainable connection foreshadows

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He may also see Sula as a temptress, a surefire poison that causes the death of his marriage to Nel. On the next page, Jude changes his tune a bit. “But thinking that Sula had an odd way of looking at things and that her wide smile took some of the sting from that rattlesnake over her eye. A funny woman, he thought, not bad-looking. But he could see why she wasn’t married; she stirred a man’s mind maybe, but not his body.” (104) This thought process shows Jude coming around to the idea that Sula may not be so bad, after all. She shows intellect and that can be appealing, making her seem more tempting as a whole, regardless of her body. Although…thinking this and deciding Sula might be attractive means he’s tempted by her fruit and aroused by her somehow.

The focus of this paper will be R. G. Frey’s passage in “Moral Standing, the Value of Lives, and Speciesism”. The intended objection of the focus will be two moral theories, Kantianism and Act Utilitarianism. Act Utilitarianism being the rebuttal of the Kantianism view on the moral issue at hand.

In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of good and evil into a previously pristine world.

Comparable to Noah and her father’s relationship, Jude and her mother are combative with one another. Jude despises the fact that their mother considers Noah to be the better artist, and that their mother fawns over his dream to get into California School of the Arts. She projects her anger into arguments and disobeys her mom out of rebellion. She wears to short of clothes out to parties and puts on heavy makeup to draw more attention to herself. In response to Jude’s desire for her mother’s love and acceptance, she seeks to fill the gap in other places. She befriends older boys, and mistakes their interest for love. “Does M. love me? No” (Nelson 80). She befriends ‘hornets’ that swarm around everyone to cause disorder. She befriends everyone except her brother, who was once her very best friend. ☺ I’ll Give You The Sun shows that love is fickle, and nothing can replace love from someone they want the most, no matter how hard one

Jude Greene, Nel’s husband, is initially introduced as a character fueled solely by his desire to achieve a state of masculinity. He works as a waiter, but yearns to be chosen by the white men to work on the new bridge that will be constructed, and longs to be able to be able to say that he, “...built that road.” (82). Jude longed for the validation that building the road would have given him, and felt similarly towards marrying Nel. When the white men refused to hire him to help with the impending construction, he was enraged and that rage, “...and a determination to take on a man’s role anyhow that made him press Nel about settling.” (82). Jude is so anxious to take on the role of a true man that he pushes for a more grueling job, and subsequently marriage just so he can assume responsibility. Ajax, like Jude, also seeks to achieve a level of masculinity but does so in a vastly different way. Ajax states that the only thing he loves is his mother and airplanes, but the rest of his life is filled with the, “...idle pursuits of bachelors without work in small towns.” (126-127). Ajax, though effortlessly kind to women, is shown displaying a decent

Jude is the female twin. During the ages of 13-14, as told from Noah’s view, she was outgoing, a daredevil, and one of those popular girls that had several friends and romantic

They both have their own set of problems, but some of them entwine with one another. They both share a main conflict in their lives: their mother died in a car accident. This is a very important detail because it is a turning point in the novel, where the twins basically switch personalities and lose themselves as well. For example, when Jude is in art class, she hides behind the safety of an oversized sweater and beanie, which she never would have done before. She is also not as confident and doesn’t care that her artwork keeps mysteriously breaking. Noah, at this point in the novel, is popular and refuses to draw again. We do not get as much of an insight of Noah as we do Jude, because this point in the plot line is in Jude’s point of view. However, the author still provides us with enough details that we can still understand both characters and the changes that they have made due to drastic