Judith Ortiz Cofer's The Myth Of The Latin Woman

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

Identity is a group of characteristics, data or information that belongs exactly to one person or a group of people and that make it possible to establish differences between them. The consciousness that people have about themselves is part of their identity as well as what makes them unique. According to psychologists, identity is a consistent definition of one’s self as a unique individual, in terms of role, attitudes, beliefs and aspirations. Identity tries to define who people are, what they are, where they go or what they want to be or to do. Identity could depend on self-knowledge, self-esteem, or the ability of individuals to achieve their goals. Through self-analysis people can define who they are and who the people around them

In the essay of Judith Ortiz "The Myth of the Latin Women: I Just Met a Girl Named Maria" was an essay I believe many students were able to relate, understand, and reflect with the arguments she pointed out. Judith Ortiz seemed passionate in her essay because it was a narrative of a situation she went through. While reading Judith 's essay it was easy to comprehend what she was trying to make her audience understand. Judith 's tone throughout the essay was form, reflective, and informative. The imagery she gives us in her essay when talking to about Latin women made easy for students to image

In “The Myth of the Latin Woman: I Just Met a Girl Named Maria,” the incidents on the bus, in the hotel, and at the poetry involved prejudice and stereotypical misconceptions of Puerto Rican women. While Cofer was on a bus trip to Oxford University, a man “broke into an Irish tenor’s rendition of “Maria” from West Side Story” (Cofer 103). This implies that Latinas dealt with people who automatically assume that a Latina’s name is “Maria” or “Evita” based on a fictional movie. While at a hotel with a colleague, a middle-aged man called Cofer an “Evita” and he “began shout-sing a ditty to the tune of “La Bamba”---except the lyrics were about a girl named Maria” (Cofer 107). Then Cofer realized that “[she] was just an Evita or a Maria: merely a character in his cartoon-populated universe” (107). The men that sung stereotypical songs viewed Cofer as a sexual object and referred to her as an image displayed by the media.

Common stereotypes about women in the Mexican-American culture include that women are uneducated, good housewives, and very fertile. Many parents still believe it’s the woman’s job to stay home and be the homemaker. The concept of gender, which is socially constructed, is reinforced since birth. (Sociology Lecture 08/24/2015) Ana was caught in the middle of gender politics. Her mother oppressed her daughter so she can become a grandmother. The film “Real Women Have Curves” deals with gender stereotypes and struggles of poor women living in East LA. Carmen was trying to have Ana chained to the notion of women being inferior to men. Carmen believed men to be superior, whereas Ana thought differently. However Ana strived to liberate herself from traditional cultural norms by pursuing her college education. Her mother’s negative influence only caused Ana to rebel.

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

In the modern world, gender stereotypes affect men and women in different ways. A kind man can be perceived as violent for simply being a man, and in contrast, a woman can be seen as an object to chase or prey upon simply for being a woman. When these roles overlap, the innocent members of both parties feel uncomfortable and ashamed for things out of their control. Judith Ortiz Cofer’s essay entitled The Myth of the Latin Woman: I Just Met a Girl Named Maria is more effective in its explanation of perceived gender roles and stereotypes, compared to the Brent Staples essay Just Walk on By: Black Men in Public Space.

“Beautiful and Cruel” marks the beginning of Esperanza’s “own quiet war” against machismo (Hispanic culture powered by men). She refuses to neither tame herself nor wait for a husband, and this rebellion is reflected in her leaving the “table like a man, without putting back the chair or picking up the plate (Cisneros 89).” Cisneros gives Esperanza a self-empowered voice and a desire for personal possessions, thing that she can call her own: Esperanza’s “power is her own (Cisneros 89).” Cisneros discusses two important themes: maintaining one’s own power and challenging the cultural and social expectations one is supposed to fulfill. Esperanza’s mission to create her own identity is manifest by her decision to not “lay (her) neck on the threshold waiting for the ball and chain (Cisneros 88).” Cisneros’ rough language and violent images of self-bondage reveal the contempt with which Esperanza views many of her peers whose only goal is to become a wife. To learn how to guard her power

Inequalities within minorities is not limited to economic unfairness but also social inequity. The second story that shows how inequality within minorities is “The Myth of the Latin Woman” by Judith Ortiz Cofer. “The Myth of the Latin Woman” is an essay based on the real life experiences of Judith Ortiz Cofer. The story talks about the racist inequalities she has went through as a women of Hispanic descent. “a young man, obviously fresh from a pub, spotted me and as if struck by inspiration went down on his knees in the aisle. With both hands over his hearts he broke into an an Irish tenor’s rendition of Maria from West Side Story”. The author retells one of her experiences from earing graduate credits one summer and she is met by someone whom ignorantly makes racists remark simply because she is Latina. Furthermore in the story Cofer mentions how people gave the man a round of applause. “amused fellow passengers gave his voice the round of gentle applause” (Page 61). This shows that it is acceptable to generalize an ethnic group into a character from West Side Story. In addition to the unfair generalization, Cofer is confronted unfair expectations. I thought you Latin girls were supposed to mature early”. This is unfair assumption made to Cofer. She is treated like a vegetable rather than a girl who traditionally grows into womanhood. This also generalizes Latin women to be matured at a young age. Which is incorrect just because Latinas fall into a small category in society

The essay “The Myth of the Latin Woman: I Just Met a Girl Named Maria” by Judith Ortiz Cofer is about deprivation that Latin women go through everyday due to stereotypes that society make up. Stereotypes play a big role in the way that individuals are identified by society. Cofer describes her personal experiences of being a Latin woman, and her struggles that she has to face because of the stereotypes. Cofer tells us of some incidences that happened throughout her life. Like going to London for a summer to Oxford University, where a man sees her on a bus, drops to his knees and sings his own version of “Maria” from West Side Story. Even though she was aggravated, she tried to be calm while everyone around her were amused by the young man’s song. She describes how growing up during 1960’s in New Jersey, she suffered from “cultural schizophrenia” which meant she was forced to keep on with her heritage. Being a Latin woman you’re raised strictly and they have high expectations. Mothers encouraged their daughters to act like mature women. Cofer explains another stereotype, such as the “hot tamale”, where woman are viewed as sexual objects. Woman are usually misinterpreted because of the way they are dressed. Some men treat Latin woman without respect. She talks about when she was at a hotel. A man approached her and began to sing the song of “Don’t Cry for Me, Argentina” in the tune of “La Bamba”. She was offended by the man’s song. People view Latin’s as house maids,

The relationship between the gender roles reflected in telenovelas and the the role of women in Latin American countries is a matter of parallelism. This is because as Judith Butler, the author of the book Gender Trouble: Feminism and the Subversion of Identity, emphasized that it is “impossible to separate out ‘gender’ from the political and cultural intersections in which it is invariably produced and maintained”. Gender is undeniably socially constructed, and is a product of the values deemed important by that society being constantly reenacted and reinforced. In that sense, telenovelas are also another medium through which beliefs in gender can be relayed to the audience, forming what is called the “imaginable domain of gender” as they either perpetuate or go against ideal hegemony (Beard 2003).

It says they are portrayed as ‘senioritas’ or temptresses. These roles translate into Latina women being depended, unintelligent, feeble and passive. This is not a good image for Latina women. They seem like they cannot be doing anything without man by their side. Latinas are often put into different categories.

Hollywood viewed Latina women negatively. Latin American women are often portrayed in American cinema and television usually as overemotional, sexual objects or stupid and ignorant people. The Hollywood roles that portrayed Latin women translate them being passive, feeble, unintelligent, and dependent on their men. They are often stereotyped with less authority, such as housemaids, servants and prostitutes. Berumen motions that women were not only object of ethnic stereotypes but also outright sexist misrepresentation (p.12) This all goes back to the affect of the Spanish colonialism as it affected the way that women are viewed and portieres nowadays. According to Ovalle, the myth of the Hollywood Latina buries the colonial and imperial history

Media has a way implementing certain ideologies into people’s heads by reinforcing certain attributes or stereotypes for different identities. Popular media plays off generalizations to make relatable films, such as the dumb blonde or good girl falling in love with the bad body. However, this gives off a subliminal message that all people that fit into those categories act like that in everyday life. This is seen with Hispanic women in Hollywood who are often seen as the seductress or the ignorant maid, both have a certain look; these stereotypical roles generalize Latina women into two categories and appearances. However, these stereotypes are detrimental to Latinas because they judged on this basis of being hypersexual and uneducated.