Whereas women were expected to be humble, kind, considerate and submissive figures of society, Viorst's fairy tale princess had opinions of her own and asserted her own independence. There are many other texts, where men, during numerous points in history, used religious, philosophical, and scientific examples or beliefs to embed the idea of "inferior women" into Western culture. Whenever the early feminist movement tried to gain traction, they were pushed aside by more important and significant matters on the agenda. The agenda that was, of course, controlled by men. Women who strived to achieve gender equality found success more likely when tackling the issue of literature and female representation; whether it be female authors becoming canon or analyzing differences between writing styles of different genders, it was a strong belief that having a breakthrough in literature would make their voices heard. One of the main goals regarding literature was to change the way men kept portraying women in fiction novels; the obedient, loyal, and submissive wife (of the female monster, if she carried none of those traits). Bressler encourages this idea by suggesting analysis of texts through the lens of a woman in order to understand and clearly see how wrongly ignored they are in all aspects of life before being able to bring about
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
Cinderella, by the Brothers Grimm, described the life of a maiden named Cinderella. Born to a loving family, Cinderella’s life had drastically changed when her ailing mother had perished from her disease. After the death of Cinderella’s mother, her father had married another woman, who had two daughters. Unfortunately, Cinderella’s step-mother and step-sisters were cruel to Cinderella, forcing her to wear rags and perform chores. Instead of voicing the abuse, Cinderella submissively endured the appalling treatment and had her value reduced to a servant. As years progressed, the king organized an extravagant ball for three days, designed to attract the prince to the maidens in the ball. Even though Cinderella desperately wanted to attend the ball, because of the cruelty of her step-sisters, Cinderella remained meek and was warned she would be severely punished if she didn’t sort the lentils. Rather than performing the task and arguing for her freedom, Cinderella wept and was helped by the pigeons. As the ball continued, the step-sisters were discontent with the completion of their tasks, so they resumed to mistreat Cinderella by requesting her to complete further preposterous tasks. However, the pigeons would resume assisting Cinderella, even advising her to shake the tree on her mother’s grave for the appropriate attire to attend the ball. Thanks to the pigeons and the tree, Cinderella attended the ball and established herself as the candidate of the prince’s affection,
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
In the familiar more traditional version, Cinderella is a poor maid girl that, with the help of fairy godmother, gets a chance to meet prince charming. They fall in love, get married, and live happily ever after, and then what? What is a happily ever after? Is this even a realistic thought? In the dark comedic poem Cinderella, Anne Sexton forces the reader to examine this question. Utilizing literary devices such as tone, imagery, and style, Sexton encourages the reader to think about how silly and unlikely a fairy tale ending actually is.
In her article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja illustrates the important role of parents in a childhood. She talks about the importance the mother plays in all versions of Cinderella as well as evidence showing what lack of parenthood does to children. Panttaja claims by way of the Grimms Brothers version of Cinderella and how each mother wants to guarantee a bright and happy future for their daughters by marrying them off to the prince. The similarities between the wanting of Cinderella and the stepsisters married- and doing anything to get it- contradicts the idea that Cinderella and her mother were morally superior, or different at all, from the stepmother and sisters.
Feminism and gender roles play a huge role in our everyday lives, even if you do not quite notice right away. It can be anything from men having more power than women in, work areas, or political equality. It can be seen in stories, movies even newspaper articles to this day. One story in particular is Cinderella by the Grimm Brothers (1857). This essay will provide an in-depth look of feminism and how it is seen in the story such as; not being able to choose your own husband in certain situations, to women have to wear tight clothing, and the most obvious women not having the power men do.
Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She
“Oh, fairytales, where desperate, naïve girls sacrifice everything for their so-called prince charming”. The realities of these childhood classics are controversial, sexist, and dark, yet, it’s also adored by millions of young girls around the world. Cinderella, an often sugar-coated story, is a great example on how sexism and gender stereotypes prevail in literature. The Grimm Brothers touch on a variety of devices, from characterization to symbolism, all revealing the inequality in not only fictional literature but our real-life society as well. A feminist literary critic will interpret these controversial themes and apply their beliefs of equal rights into the study of the Grimm Brother’s Cinderella.
Bruno Bettelheim, the author of the article “‘Cinderella’: A Story of Sibling Rivalry and Oedipal Conflicts” expresses his opinions on how the fairytale Cinderella causes the views of sibling rivalry and also displays oedipal conflicts. Bettelheim argues throughout his article that the tale Cinderella leads children to feel emotions such as jealousy and envy towards their siblings. He also depicts the belief that the story Cinderella leads children into oedipal jealousy and makes them feel that they need to get rid of the parent of the same sex. Bettelheim expresses his opinions and beliefs to uncover the secrets held within the fairytale Cinderella.
Each person in the world has heard of Cinderella, no matter what kind of version it may be. Cinderella is the one fairy tale story that has been popular and will always be the one tale that has to be told to children. Words and story lines might be twist and turn, but in the end the knowledge of the story will be learned in similar ways. As we all know when one story is told another is created, when one is at its best then another is at its worse. One version will always be better than another, but no matter what version it might be the story will be told.
Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.
The story that most of us know as “Cinderella” actually has a lot of different versions. These different versions contain several elements that are similar, but yet even more elements that differ from one another. The three main difference between all the different versions of this story are the characters, how others treat the main character, and the setting in which these stories take place.
In his Literary Theory: The Basics, H. Bertens classifies stereotypes of women in literature into a number of categories; dangerous seductress, self-sacrificing angel, dissatisfied shrew, and defenseless lamb, completely incapable of self-sufficiency, or self-control, and dependent on male intervention. Bertens concludes that the primary objective of these women – or “constructions” – is to serve a “not-so-hidden purpose: the continued cultural and social domination of males”. One such novel that came under feminist scrutiny for these particular reasons was Bram Stoker’s Dracula, although this perlustration didn’t occur until 70 years after Stoker originally penned his masterpiece. However, during the mid-1960s, the rise of the feminist
First of all, a rather sexist view of women has emerged from the evolution of a variety fairy tales. In older versions of many fairy tales, on can see the female dominant, matriarchal societies through the strong female protagonists. For example, as Yolen reminds, “Cinderella until lately has never been a passive dreamer….The forerunners of the Ash-girl have been hardy, active heroines” (33). One of the earlier Cinderellas belonged to a hunting community where “most important is the function of a female. She was at the center of this society and maintained a nurturing element” (194). As time went by Zipes concludes, women lost their supremacy and “fairy tales…reinforced the patriarchal symbolic order based on rigid notions of sexuality and gender” (qtd. in Tatar 338). As Zipes explains, “the heroines in these fairy tales remain pathetic , passive, and pale in comparison to the more active characters”, usually the men, when compared to those of the first generation of fairy
When someone mentions the name “Cinderella”, the first thing that usually comes to our minds is the fairytale in which the fair maiden who works so hard yet it treated so poorly gains her “fairytale ending” with a wave of a magic wand. However, the fairytale of Cinderella written by the Grimm Brothers has multiple differences in plot from the fairytale we all usually think of. The plot of the Cinderella written by the Grimm Brothers, written in 1812, is that a young female’s mother passes away early in the story, departing with the message to Cinderella to remain “pious and good”. Cinderella remained true to this message given to her by her mother, and she showed this in her work ethic. Because Cinderella had remained pious and good, her mother, in return, watched over her in the form of the birds above her grave that gave Cinderella help and material things that she needed. In the end, Cinderella has her “happily ever after”, for when the prince held a festival to find a new bride, she was chosen due to her insurmountable beauty. The feminist lens critiques how females are commonly represented in texts, and how insufficient these representations are as a categorizing device. These representations of women often include them being passive and emotional—staying back while the men do the work. Cinderella relates to the feminist lens because she fits into the typical representations of women created by men. Feminist criticism is important to recognize because women are often falsely represented as helpless, thus needing a man to come to their rescue. It is common in literature to see helpless women, crying and begging for help instead of being able to work out their own problems and hardships. Others, however, may believe that it is still important to uphold the fundamentals of the feminist lens because it keeps the man in power, which they say is important in keeping the man the head of the household. Cinderella thoroughly represents the feminist lens because it shows how women in literature uphold the representations of passive and emotional, created by the man.